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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
General opinion seems to be that 8K is a long way off, but it's actually coming much faster than people think, and the industry is gearing up (literally) for it. Case in point: meet the new Blackmagic DeckLink 8K Pro capture card that 'breaks new ground in high quality' by supporting formats ranging from SD, to HD, Ultra HD, 4K, 8K and 8K DCI.
Oh, and it can also handle 64 channels of audio, stereoscopic 3D, and high frame rates... you know... just cause.
The card can do all of this because it's the world's first to feature quad link 12G‑SDI bi-directional connections that Blackmagic says "can be used to either capture or playback quad link 8K, or for the simultaneous capture and playback of single or dual link SDI sources." And as far as colors go, the DeckLink 8K Pro can work in 12‑bit RGB 4:4:4 as well as Rec. 2020, which is, "a massive color space designed for high dynamic range Ultra HD and digital cinema work in 4K and 8K."
All of this from this little powerhouse of a card:
Of course, the bit Blackmagic won't tell you is that you'll need a monstrous computer to make any of this work... and an 8K monitor to boot. But if you were paying attention at the beginning of this article you'd already know: 8K is coming and it's coming fast. Professional videographers and video editors may want to start preparing for it now.
And if that prep involves buying this monster of a card, you should know that the DeckLink 8K Pro will be available starting in early January for $645 USD. For more information, check out the full release below or visit Blackmagic's website for a breakdown of all their DeckLink products.
InterBEE 2017, Tokyo, Japan - November 15, 2017 - Blackmagic Design today announced DeckLink 8K Pro, a new high performance capture and playback card featuring quad link 12G‑SDI to allow real time high resolution 8K workflows. This new DeckLink 8K Pro breaks new ground in high quality as it supports all film and video formats from SD all the way up to 8K DCI, 12‑bit RGB 4:4:4, plus it also handles advanced color spaces such as Rec. 2020 for deeper color and higher dynamic range. DeckLink 8K also handles a massive 64 channels of audio, stereoscopic 3D, high frame rates and more.
DeckLink 8K Pro will be available in early January for US$645 from Blackmagic Design resellers worldwide.
In addition, Blackmagic Design has also announced a new low price of US$895 for DeckLink 4K Extreme 12G.
DeckLink 8K Pro will be demonstrated at InterBEE in Japan on the Blackmagic Design booth 8211.
DeckLink 8K Pro is the ultimate digital cinema capture and playback card. Featuring four quad link multi rate 12G‑SDI connections, DeckLink 8K Pro can work in all SD, HD, Ultra HD, 4K, 8K and 8K DCI formats and is compatible with all existing professional SDI equipment. The 12G‑SDI connections are also bi-directional so they can be used to either capture or playback quad link 8K, or for the simultaneous capture and playback of single or dual link SDI sources.
When it comes to quality, DeckLink 8K Pro is better than any other solution because it lets customers work with both more pixels than ever before and better pixels than ever before. The 8K images have 16 times more pixels than a regular 1080 HD image, which lets you reframe or scale shots with incredible fidelity and precision. DeckLink 8K Pro also works in 12‑bit RGB 4:4:4 as well as Rec. 2020, which is a massive color space designed for high dynamic range Ultra HD and digital cinema work in 4K and 8K.
The combination of higher resolution, a vastly larger color space and incredible dynamic range means that DeckLink 8K Pro delivers the sharpest and most vivid images customers have ever seen for editing, color and high end visual effects work.
DeckLink 8K Pro supports capture and playback of 8 or 10-bit YUV 4:2:2 video and 10 or 12‑bit RGB 4:4:4. Video can be captured as uncompressed or to industry standard broadcast quality ProRes and DNx files. DeckLink 8K Pro lets customers work at up to 60 frames per second in 8K and supports stereoscopic 3D for all modes up to 4K DCI at 60 frames per second in 12‑bit RGB.
The advanced broadcast technology in DeckLink 8K Pro is built into an easy to install 8 lane generation 3 PCI Express for Mac, Windows, and Linux workstations. Customers get support for all legacy SD and HD formats, along with Ultra HD, DCI 4K, 8K and DCI 8K, as well as Rec. 601, 709 and 2020 color.
DeckLink 8K Pro is designed to work seamlessly with the upcoming DaVinci Resolve 14.2 Studio for an incredibly seamless editing, color and audio post production workflow that lets you master full resolution high dynamic range projects in full 8K resolution. In addition, DeckLink 8K Pro also works with other professional applications such as Final Cut Pro X, Media Composer, Premiere Pro, After Effects, ProTools, Nuke and more. There’s even a free software development kit so customers and OEMs can build their own custom solutions.
“DeckLink 8K Pro is our most advanced PCIe capture and playback card ever,” said Grant Petty, Blackmagic Design CEO. “It’s exciting because the 8K images have so much clarity and detail that it’s as if you’re looking out a window. Whether it’s for the 2020 Olympics or the next generation of Hollywood blockbusters, DeckLink 8K Pro has the speed, quality and compatibility customers need to do their best work!”
DeckLink 8K Pro will be available from Blackmagic Design resellers worldwide for US$645 in early January. DeckLink 4K Extreme 12G is available now from Blackmagic Design resellers worldwide for US$895.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|Abstract bokeh by Minas_Eye|
from Your City - Bokeh in the City (Rerun)
|Green Tree Frog by BruceRH|
|Custom Red Roadster by Mitchmeister|
from Car Shows 2018
Ricoh has announced the development of a third model in its popular GR lineup: The forthcoming GR III will feature an updated sensor and redesigned lens. We're at Photokina, where we took a quick look earlier at an early sample, behind glass.
It's been a busy old day for news: it's not often you get promised three full-frame cameras by different brands and still have a debate about whether they're the most interesting announcements. To make sure you've not missed anything, we've condensed the day's news down into an easy-to-swallow, er, digest.
At Sony's press conference at Photokina the company announced that 12 more E-mount lenses will be arriving over the next two years. In addition, the company is working to utilize artificial intelligence in its technologies, with one application being Eye AF trained to detect animal eyes.
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt or convert SA mount lenses to the L mount, for existing users.
Hasselblad is expanding their X System with their announcement of three new lenses: the XCD 80mm F1.9, XCD 65mm F2.8 and XCD 135mm F2.8, along with a teleconverter. The 80mm F1.9 is the fastest in the system. Get all the details and check out Hasselblad's official sample images here.
Sigma has announced give new lenses at Photokina, including a 'Sport' series 70-200mm F2.8 and a 56mm F1.4 for Micro Four Thirds and Sony E mounts.
Sigma has announced the 28mm F1.4 Art, 40mm F1.4 Art, 70-200mm F2.8 Sport and 60-600mm F4.5-6.3 Sport lenses for several full frame lens mounts, including Canon, Nikon and, in the first two instances, Sony E.
ON1 has announced the impending launch of ON1 Photo RAW 2019. The new version, due out in November, brings a handful of new tools and features in a revamped interface.
Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
Fujifilm has announced its GFX 50R, a rangefinder-styled version of the company's GFX 50S medium-format camera. The 'guts' of the two cameras are the same, with the difference being the design, weight and Bluetooth, all at a considerably lower price.
In this episode of DPReview TV, we get our hands on Fujifilm's GFX 50R which hides a medium-format sensor in a new, more compact body. Watch to get Chris and Jordan's first impressions on image quality, video and more.
Fujifilm is adding a trio of new medium-format lenses to its G-mount roadmap. GFX owners will soon be able to get their hands on 100-200mm F5.6, 45-100mm F4 and compact 50mm F3.5 lenses. Pricing and availability have not been announced.
Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.