The guys at DPReview TV always go above and beyond to produce their videos. This video comparison of Fujifilm's F1.4 and F2 primes show just how dedicated they are, with Chris powering through the pain after suffering a nasty injury.
I just got this lens for a steal used and it has quickly become a favorite lens of mine. I always loved my 28mm prime on my film cameras but it was never a popular focal length on digital for whatever reason. After 3 days of using this lens I’m in love. Incredible minimum focusing distance, great character, and beautiful images.
I really like my 23mm f2 for street work. The 35mm f/2 plastic lens (the $200) is actually also pretty good too, and about half the price of the metal version.
For me, I don't usually buy super fast primes, like 1.2's or 1.4's. f/1.8's or f/2's are more than plenty for what I do. But for an APS-C system, there may be some benefits to buying the super fast primes....
But I only have a small Fuji kit now, and plan to keep it that way (just an XT20 and a 23 and 35mm lenses). I had a full Fuji kit (with about 6 lenses) but over time, it just got to be a lot of money to maintain (buying lenses for both kits) so I sold off most of the Fuji stuff and the NIkon became my primary kit. But for those who want a small system, Fuji does offer some great lenses and reasonable prices (for the most part).
I am now officially out of Fujifilm. I had an XPro 2, with all of the ‘Fujicron’ lenses plus the 14mm. Then a GFX 50R. I may be back, but my Canon R5 does everything I want. I do miss the monochrome jpegs, though…
Hope you get well soon, Chris. One could literally feel the pain from the video.
I purchased a lightly used XF 50mm f2 (Made in Japan) and it‘s awesome. The 16mm f2.8 is okay but nothing special. My sample of the 18-55 f2.8-4 is just plain horrible when focused to infinity. Extreme field curvature makes it totally useless for landscapes. Hope Fujifilm can/will fix it.
@Janist74 Tried this many times and it doesn‘t help at all. When I focus to infinity in the center, the borders appear to be focused to a much shorter distance. Even stopping down won’t help significantly. I‘ll send it to Fujifilm, then we‘ll see.
Dear Chris, hope you've avoided any worse infection after the accident and I am really glad you could just visit a free & working healthcare as I would do in a European country...
Just for the sake of interest, were any actions taken to remove this bar of metal by the park authorities or maintanance? Such would be a true testament of working system in your city.
Thanks. After looking at some Fujifilm raw files and listening to this, I feel like my Oly camera and lenses will do just fine till camera breaks apart.
Hey, I don't even own Fuji kit but I watched the whole vid just to see if Chris would make it to Emerg. I'm waiting to see the healthcare vid... stitches and a tetanus jab. The lenses were nice too.
The 18mm f2 and 23mm F2 are two of Fuji's weakest lenses. The 35mm f2, 50mm f2 & 90mm f2 are superb, however. The 27mm pancake lens is excellent too but it's only a f2.8.
I sold my 23mm f2 - couldn't stomach the color fringing that I kept on getting ever so often. Sharpness was ok. The 1.4 is not as responsive and larger - I much prefer it's results.
The 23mm f2 has indeed CA's and Haze/Sharpnes issues. The lens has also some strong distortions which have to be heavily corrected per software in camera. This impacts edge and corner sharpnes.
Only really if you want shallow DOF. But if you're doing things like landscape or otherwise are shooting deep DOF or moderate DOF, then the APS-C format, and Fuji's, work just fine.
I know people who shoot Fuji's (APS-C) for a number of genres of photography and they are doing just fine. So sensor size is only a part of it and only matters for some stuff....
FF has it's advantages but with advancements in technology, those differences are becoming less and less of a concern these days. It used to be, 8-10 years ago, you could only get clean images at high(er) ISOs with a FF camera compared to an APS-C camera of similar resolution, but that has changed. Not to mention the build quality of some APS-C cameras now rivals that of the FF cameras too, and same with features.
I had it in a kit with my old xe1 and I still love it on my xt2. Yes, it could focus a little faster and quieter but otherwise the limitation to consistently make good photos has been me, not the lens.
You can find expensive lens for Sony too, and cheaper lenses for Fuji. But not everything is about price. I've tried the Sony E 10-18mm F4 a few times and it was not good enough compared to the Fuji 10-24mm F4. So it doesn't matter if you have cheaper options if the one lens you need is better for the other brand.
When talking for crop sensor cameras, I would say going cheap is the way. Viltrox 23mm 1.4 and the XC version of the 35mm 2.0 are my picks. And for the wide angle Samyang 12mm 2.0, because the manual focusing is easy on Fuji cameras, plus a lens that wide gives you pretty much everything in focus, even wide open. That's like $750 for all three brand new. Throw in a X-T20 in very good condition and there is a whole system for like $1200. And if you know what you are doing, the photos will be indistinguishable from the X-T4 ones, that is $1700 for the camera alone ;)
It's a shame that Sigma's F1.4 APSC primes aren't available for X mount, as the would breathe some fresh air into Fuji's lineup, while saving users money.
Though I guess that's why Fuji doesn't allow the competition...
Actually Fuji does allow competitors, but there is a price to pay in terms of a license fee.
But look at it from Sigma's point of view. For years we have now seen a decline in <35mm lens sales due to the fact that this segment is more eroded than other segments in a market that has considerably slowed down.
Now add to that the fact that the overal revenue per lens of <35mm lenses has also dropped considerably and it all becomes an investment risk rather than an extension to your product line-up.
For Fujifilm Sigma needs to put in a lot of R&D money as it needs a dedicated line of lenses while Fuji's overall marketshare in the total camera market does not exceed 7%.
Sigma already makes lenses for Sony E-mount, and with the same optical formula and adding 1mm to the tube they can easily convert the lenses for E-mount to Z-Mount at relatively low cost. At the same time Canon is guaranteed to be a large market.
Now knowing this, where would you put your money on if you were Sigma?
"For Fujifilm Sigma needs to put in a lot of R&D money as it needs a dedicated line of lenses while Fuji's overall marketshare in the total camera market does not exceed 7%."
I agree that Fuji might just to be too small to care, but they should be able to reuse the existing 16mm, 30mm, and 56mm optical formulas. The Viltrox lenses on Fuji X are also available on E and EF-M, for example.
And no one will release Z-DX lenses, as the platform is stillborn.
Brentschumer - Most likely Sigma don't want to this. Reason being the fact that to reuse an optical formula it also has to match the flange range.
With reusing an optical formula for DX lenses to X-mount Sigma would need to extend the tube for x-mount lenses with 19mm to make up for the flange range making the lenses considerably larger than needed and also making them considerably larger than the native X-Series lenses or Viltrox offerings.
Flange range difference between E-Mount and Z mount is just 1mm. This would aesthetically make not much difference.
Next to that Sigma would need to compete against Viltrox, 7 artisans, Irix and Meike in a segment that is shrinking. While Sigma would not yet have any competition in RF and Z mount yet.
I think chances of Sigma actually start making lenses for the X-Mount are becoming less. They seem to be just too late, making it difficult to be sustainable on the long run.
that's the beauty of Canon EOS M system: all 3 Sigma f/1.4 DG DN lenses available. Plus EF-M 22/2.0 and 32/1.4 at way lower prices than Fuji X, with IQ fully on par.
@nonolet, I’m not sure the M system looks good going forward. What has Canon released for M lately? At leas Fujifilm is still releasing new APS-C products, even at a higher price point.
I agree with Samuel Lucifer: I think it's too late and not that useful anyway. Lots of people might appreciate cheaper options but others might prefer Fuji lenses. I would not buy the Sigma 16mm f1.4 if I can find a used Fuji version at a decent price. The Sigma looks bigger and uglier...
@nonolet: I usually would agree, but I like the bodies a bit less. The 'lesser' bodies like the M200 or M50 are a bit castrated on the software side (no way to customize auto ISO for instance). They didn't give EFCS to the M6 II, which could have avoid some shutter shock issues I've experienced. Finally, IBIS is useful and coming to smaller bodies with Fuji.
@lakhon - totally agree with you re. Canon EOS M bodies. Of course M6 II should have gotten EFCS. And M50 should have received a real "Mk. II worthy" update. M200 is simply priced too high - almost the same as M50 (I) where I live; Otherwise not much wrong with it for a supercompact, entry level crop ILC.
And of course Canon should already have launched an M5 Mk. II with 32 MP sensor as in M6 II, excellent built-in EVF and IBIS. Maybe they will eventually still do so, as it is clear that EF-S / xxD DSLR lineup has come to an end (90D was the last one).
@BrentSchumer: I haven't tried the Sigma but looking at opticallimits' reviews I don't see the 'way sharper'. One is peaking at 3000 lw/ph on 16mp, the other at 3200 on 24mp. The Sigma is probably a tad sharper wide open. If you have an experience with the lenses that contradicts those reviews, feel free to share. I have no stakes in the debate, sold my Fuji when I bought the Oly 17mm f1.2, but I was very happy with it. The Oly simply allowed for longer shutter speeds with the fantastic IBIS. Also, the Fuji is 2cm shorter, has a closer focus of 15cm (that seems to be popular), and has WR. I mean you're paying more to get more in return, in my opinion. Unfortunately not enough, I agree.
@nonolet: with all the rumors about APS-C RF cameras, I wonder if they will invest R&D in EF-M anymore, unless it is a quick win (which they should have done with M50 II, as you pointed out).
No it doesn't. The 16mm has extremely minimal distortion. There's a difference between optical distortion (e.g barrel distortion) and perspective "distortion" - which is a natural and unavoidable phenomenon of how perspective works.
Google "draw perspective lines" and what you see is exactly the same phenomenon that wide angle lenses display.
I love the 24mm use it on many systems and the 16 1.4 is why I bought Fuji. The f.2 is horrible and boring . Try inspecting without the software baking also and see.
fp is right, the 16mm F2.8 has a lot of distortion. You're just seeing it automatically corrected in software. (while the F1.4 version is fully corrected optically.) Capture One allows you to disable the automatic lens corrections.
Usually a little too sweet for my taste. Or is the extra sugar just covering up a bad recipe?
Silliness aside, i never said one should do that, or that it necessarily makes it a bad product, or whatever you're suggesting.. thanks for putting that on me.
I see you guys complaint about the toxic commentary on here sometimes, but clearly you don't mind fueling the fire.
M Jesper - My comment wasn't particularly aimed at you, I just picked up the phrase you'd invoked and ran with it. It was more generally aimed at the idea that the 16mm lens has 'pretty bad distortions,' which is only true if you mess up the processing.
Of course if the final images look bad after the processing, fair enough, people should criticise that. My point was that digital corrections are just as much a part of modern lens design as complex aspherical lens elements (and there can be benefits to doing some correction digitally, in that it means you don't add optical elements to correct distortion than then introduce other aberrations or undermine your efforts to make other corrections).
I do accept that I should have said 'If one were to intentionally remove...' so that it didn't point it back at you so specifically. I apologise for that.
Adding those corrections outside the lens ( thus digitally) make desirable attributes for some lenses like smaller form factors and lower pricing possible.
It of course isn't all roses. Nothing ever is. But some are interesting products.
So, Chris, in Canada, was undoubtedly able to get his injury treated at minimal cost. Whereas in the U.S., for a visit to an emergency room or one of the under-utilized "urgent care" locations that suddenly seem to be sprouting like weeds on nearly every major street corner (and have to recoup their costs), a photographer might have to sell several lenses to pay for the visit, and be reduced to shooting pinhole images afterwards. That's if he didn't have to sell the camera too.
There would’ve been no upfront, billable to patient fee. He “pays” every year through his income tax and means-tested premium (usually < $1,000 per year).
There is no “means-tested premium” in Canada for most provinces with the exception of British Columbia and Ontario, who both essentially charge a little more provincial income tax with that name attached to it in the hopes it would make the tax increase more palatable.
Ontario here... Haven't been means tested in 50 years. Back then I had to fill out a form as a starving student. It's better than the USA but Canadian healthcare is far below European standards. It is a provincial jurisdiction and services, sad to say, are not uniform across the country.
unhappymeal ...And how? To repeat, I have not paid a premium directly or filled out a request for exemption form since about 1971 Unless you are my age or older, you have never made a direct payment to the Goverment of Ontario for healthcare or been granted an exemption from said payment. It is part of everyone's income tax contribution.
unhappymeal That's Tory cant! Your entire incom tax assessment is based on 'means'. Your income is more... You pay more! Tell me whether you have or have not *ever* had to fill out a form to request an exemption from paying a healthcare premium as I, at my age, have.
I repeat and for the last time... When have you ever filled out a form to be exempted from a payment to or remitted a direct payment to the Ontario Ministry of Health for your healthcare coverage? Unless you were of voting age in the 1960s you have not. Spin it how you will, healthcare is paid for from general, provincial tax revenue and a massive transfer of federal tax revenue to the provinces.
Whether or not you fill out a form has nothing to do with whether or not the health care levy is means-tested. It is a fact that it is.
At the same time, RolliPolli, you are also correct that it really is just an increase to the provincial income tax with a name stuck on it to make it more palatable to some.
Also, someone above compared the health care in Canada to Europe and as someone who has lived in Europe I can tell you that Canada's system is far better as a patient than most countries in the EU as well as the NHS in Britain. No system is perfect though, including Canada's, and there is variability from province to province without a doubt.
CTMRIGguy I pay no more for healthcare than a minimum wage worker beyond the fact that my income tax levy is higher. That's not a "means test". Nobody now has to request on exemption from healthcare premiums as occured in the past. I have, in years past, been required to fill out a form stating income to get excused from paying a premium. You are required to 'beg' for your coverage! That's what "means tested" involves. A citizen is made to beg for charity from the state. I don't get what some people fail to understand about that. Maybe it is because they have always been of a class that has never had to write an actual 'means test' themselves.
I think you are misunderstanding what means testing is. Whether or not you fill out a form is not part of the definition, and it has nothing to do with “begging” for coverage. The amount you pay is automatically calculated from your income, and below a certain level there is no levy at all.
I leave this here as evidence that what unhappymeal and I are telling you is fact. I will not belabour this any more as we have veered far off topic from Chris’s foot, so perhaps we just agree to disagree as gentlemen. Have a good evening and good shooting.
CTMRIGuy Thanks for the link. However, it is a statement, not a 'means test'. Do check the O.E.D. for the meaning of the word "test". Further, many if not most European systems cover drugs, spectacles, even dental. The life-sized replica of a developed country's healthcare system that is Ontario's (and Canada's) covers none of these. We in deed disagree. Trusting that Chris is patched, medicated and again fully bipedal and wishing you good light and good night
@Andyyy Since 23mm F2 in X100V is pancake lens, just take it out, put in a WR body (a case similar to XF 27mm F2.8), then make it affordable compact kit lens for X-E4.
@forest dream, I believe he means the lens is actually not a pancake, but it's shorter because part of the lens body is hidden inside the camera.
If you try using the same lens on an interchangeable lens camera, you'd need to add a bayonet mount that would make the lens larger and possibly push the inner lenses out to fit inside that mount.
sensor is the same, so no bayonet is needed, probably proper back cap will be enough, there is marketing problem, who will buy X100 system only for hybrid viewfinder, but I still wish something like 21(22 or 23)mm F2 pancake :)
I would have liked you to include the 50/2 vs 50/1.0 vs the 56/1.2. OK, that last one's not exactly like for like, but near enough to be worth the comparison.
Oh and universal health care? An indispensable asset of any modern developed nation that believes in, and cares for, ALL of its people. May your foot be with you.
I think the short DOF of the 1.2 compared to the 2.0 will be the deciding factor for most people. I think someone who specifically wants the bokeh of 1.2 wouldn't switch to the 2.0 even if it happened to be e.g a bit sharper (the 1.2 is amazing though) and faster focusing which is the case. But for anyone who wants something more casual the 2.0 makes sense.
I'd love an updated 56 1.2 with faster AF, but even in the current state I wouldn't switch my 1.2 even to an F2 lens that had 10x faster focus and the world's best weather sealing.
My Fuji 16mm f1,4 as my most used and preferred wide-angle lens.
On universal healthcare; every country facing the demands of older population. Pandemic as virtual body-blow. In Britain partial privatisation with US companies buying hospitals serving more private patients. NHS will not survive in its present form with long waiting-lists (rationing) . NHS by not charging user-patients is a prescription for abuse.
In France high medical charges with private consultants on referral. Refunds by State computerised system paying share plus mandatory mutual insurance also reimbursing share of cost. In effect personal medical costs split (three ways) for any major operation. Considered one of the best serving health services in Europe.
US national hospital system profit-driven by corporations?
The 56mm 1.2 is a wonderful lens.. is a bit on the heady side and slow to focus. It sadly wound up being my least used lens. Well amongst those I keep anyway.
I took one look at the color fringing of the 50mm 1.0 and it died right then and there there. For me at least. Sales here in Europe are low, dealers don't tend to even keep it in stock. I heard sales differs per market.
@Chris- on the XF35 F2.0 vs F1.4- in general I think the F1.4 wins hands down in the image. I find the XF35 F2.0 is sharp indeed but a bit "clinical"- the XF35 F1.4 is just magical.
"Magical" is only the hype around the 35/1.4. A dream for every markering manager and controler: selling such an old lens for such a high price. No investmenst for about 9 years, just cashing in...
@lumberjack63 - "magical' is the adjective I use for the output and the quality. Given I have done paid work with it that has more than paid for itself, I am not sure what exactly is so "pricey" about the XF35 F1.4. Good optics/primes cost some money. I wouldn't say the XF35 is *that* expensive at all for the quality it's giving you.
But in case everyone else wonders- this lens has a certain micro contrast that is very nice. It does very well with portraits. It renders with a certain "bite" of "chromic-metallic" light. And it's of course F1.4 which Is nice for low light shooting.
There's just something about the output I get from the Fujinon 35 mm f1.4. that I find extremely pleasing.
If a Mark II which was quieter and had faster focus but those exact same optical qualities were released I'd buy it, but I'm happy with the current version and would still purchase it today.
I shoot it at f1.4 in low-light situation and would not swap for an f2 that would force me to push ISO further.
I have the 35 1.4 since I bought it in a kit with an xe1. Switching from a Nikon d200. Still love its images. Together with fuji’s colour profiles, it makes people look good. I do also have the 50/2. Splendid really.
For anyone who doesn't need the faster focus of the 2.0, the 1.4 is simply stunning. It has amazing "3D render" depth to it. And it's not too slow at focusing either. Make sure you update the firmware of the lens too, not just the camera.
I own the 35/1.4. It was quite a waste of money in the relation to the price and performance. The (AF / AF motor) design is 9-10 years old, the AF is loud and quite slow, not really useable for faster moving objects/models at AF C / face / eye AF (while the AF/ tracking performance of the X T3 and X T4 is far from class leading, but this lens makes it even worse). Fujifilm didn't invest a penny in this lens for almost 9 years, so it's still quite and nowadays too expensive. Sigma, Tamron or Sony couldn't survive with a Methuselah lens lineup like this.
@Capi, I don't know the 35/2, Ii can only say that I like the images even on my XT2. I often use it wide open, nice for people. It is true that the AF while pretty ok is not the quickest so if that is crucial then the 35/2 would be your choice.
The autofocus is not the fastest but the rendering is unparalleled and far superior to the F/2 in my opinion. I purchased this lens for the first time in 2021 and it has become one of my favourite 50mm equivalents. For comparison, I also recently received the Sony GM 50mm f/1.2 and while that lens on a technical level is unsurpassed, the rendering of the Fujifilm 35mm f/1.4 is superior.
Indeed, it makes such nice real life images, even wide open. Very happy with it and used much more often than I expected (previously I was not a big fan of 50mm). I also like the 23/1.4 - again a not that quick focusing lens with gorgeous images And the 50/2 is great too even open, but I sometimes prefer the bulkier viltrox 85/1.8 for its bokeh.
- there has always been something about leaf-shutters that adds to the quality of rendering, almost a variable 'aperture' for a moment during exposure magically massaging OOF areas.
Seeing it with this lens (it's even superior to the 1.4) and also the medium-format Hasselblad leaf-shutter lenses vs the GFX Fuji.
Ok the X100V lens is a fixed lens, but it's a great Fuji prime.
It's a shame for Fujifilm, that they still don't have a high performance 35/14. The AF is quite slow, not great for AF C, the motor quite loud, Hoping the new 33mm is coming soon.
All this shows is that Fujifilm desperately needs to update its older lenses. They have the charm and the character. But they lack the autofocus speed and weather sealing.
Personally I find the whole f2.0 line pretty boring. They offer such dull images compared to the f1.4 and f1.2 versions.
Moved away from Fujifilm late last year (after 8 years of using x-series cameras) and went back 'home', because of its poor support of the X-H1 and X-T4. I feel they scr3wed me twice. And so I voted with my wallet.
Btw. Don't get me wrong. They are on itself nice cameras. If you are not too demanding. However the X-T4 has several flaws for video that yet have to be fixed. They have updated the X-T3 with a gazilion updates up to the point that it is an X-T4 without IBIS. That's fine for those owning one.
But really no love, zero updates so far that allocate the AF problems with the X-T4. Nothing of Kaizen yet, and this now has been the second time for me.
CTMRIGuy - Back to now Nikon Z7II. But will still be using the X-T4 for video up to the moment I find something else. Z7II for me is everything I liked about the X-H1 but the ergonomics of the Z7II is really excellent plus its image quality is outstanding. Its video is good, but has less options to tweak.
I also must say that I always have found X-H1 is Fujifilms best camera in terms of ergonomics and operation. So I am not the typical 'classic style' camera user that so many find attractive in Fujifilm cameras.
Next to that I have never had complaints about overall image quality of the X-Series camera. But I do have to say that I always found something missing in the look of the images itself that is hard to put a finger on. So I was content with Fuji, but never raved over them.
So after my first discontent over the X-H1 update policy and now the same with X-T4 I found it was time to move on, and in the meantime Z7II ticked all the boxed of what I want in a camera and system.
Nice. Way back I had a Z7 but it did not last long because the autofocus was so abysmal at launch. I know that people say it has come a long way since then, both due to firmware updates and now the dual processors in the Z7II. I think Nikon has always made great glass and that is why I thought it would be a good first mirrorless camera. Since then I have dabbled with almost everything but never went back to Nikon. I picked up a Fujifilm X earlier this year mainly for a fun and light camera that I could take on trips, and while the AF is better than the old Z7 I would not say it comes remotely close to L-mount cameras (yes, I am one of those who feels the DFD system is actually pretty good) or Sony (TOTL but the cameras are not what I would call fun).
How do you find the Z7II AF compared to the H1? I suspect it is much more advanced?
CTMRIGuy - I actually find the keeper rate of the Z7II exceed that of the X-T4. Many more infocus images with moving objects with the Z than I have with the T4. This is one of the complaints I have had all along with Fujifilm cameras. Also backit images have always been troublesome with the X-Series. Up to now (nearly 7 month of use) I have had none of these problems with my Z7II.
I do not want to diss Fujifilm in any way as there have also be things I've liked, but in general terms I am happy with my move away and move back to Nikon.
This of course is my personal experience and based upon my personal reasonings. Everybody has to make his own decisions when it comes down to buying cameras and lenses.
I upgraded my X-H1 to an A7RIII, and while the IQ is now way better (no debate, it just is), the X-H1 was just such a nice camera to hold and to listen to... that smooth shutter sound, damn. That nice solid 'chunk of camera' feeling. Focus stacking; automated. Even the focus peaking is way more accurate. That body and my current sensor would be my dream camera!
Appreciate that, Samuel. Those are all fair comments and agree they are weaknesses of the Fuji system right now. Nice to hear the Z7II has really stepped things up from the Z7. Thanks for taking the time to write about your experience.
If this was the USA, the foot injury would a $2500 visit to the emergency room with a lawyer following you in claiming your injury was worth a million dollars.
And that's where the money disappears in the US system - it's not that delivering universal healthcare is free, it's the whole insurance / claims / overcharging / kickbacks / liability side that costs *extra* money. Particularly trying to drop coverage on people that show signs of budding health problems.
Here in Norway the specialist healthcare (not including nursing homes etc.) cost $4000/person/year and our average pre-tax income is $70000/year so yeah that's a solid chunk of the national budget.
But the last decade of his life my dad also got major surgery with a long stay in the hospital, several minor procedures, an ambulance ride, 6 years of cancer meds and probably over a hundred doctor's appointments for chump change in copay.
That no doubt cost a ton of money, even if you could get it at cost. But he got he healthcare that he needed, based on medical needs. Nobody got rich. Nobody went bankrupt. Nobody would make money on not giving him the care he needed. Unlike the US.
If that is the piece of rebar which caused Chris' injury, it does not look like an accident. It's possible some vandal pounded it into the ground to cause injury. That is unfortunately common in the US, including various rails-to-trails projects, even the Appalachian trail. Our local (Chicago) bike trails had boards with spikes facing upwards buried in the gravel. Canadians seem to be more accommodating to public use as a whole, but perhaps not all are so inclined. Have a speedy recovery, Chris, and get a tetanus booster.
Which are the best Fujifilm primes? When used by most, neither. It's like asking a novice artist which brush is better. Sorry, but this is nonsensical.
This is a gear review website after all. (Even if there is merit to your POV,) If you skip all gear related discussions, you'll find little to read/view here.
Very interesting comparison, once again. Personally I love this little Fujifilm XF 35mm F2 R WR And I did a "somewhat extreme" comparison between my Fujifilm X-Pro1 with this small 35mm et mon Pentax 645D et le Pentax-D FA 645 55mm f/2.8
Universal medical care is awesome, but do keep in mind it's not free :). There's an annual premium and 2/3 of every tax dollar (~12% of our GDP) is spent on health care, making us one of the least efficient countries in the OECD. Our system also does not cover prescription medicines unless you are a Senior Citizen, patient with cancer or low income individual. We are due for an overhaul to our system. Having said that, I'd take Canada's system any day over the US system.
Just need to step in and correct that. Health care accounts for 1/3 of the budget in most Canadian provinces, not 2/3 (lest people get the wrong idea). That also does not equate to 1/3 of every tax dollar, but much less when you consider federal taxes and relatively meagre health transfers to the provinces.
Still, it is not free. Just not as costly as you suggest.
Great review. As for 23mm I'd recommend going with Viltrox F1.4. Unfortunately, Fuji 23mm F2 has terrible onion rings and nervous busy bokeh. Many comparison reviews and LensTips made a conclusion that Viltrox 23mm F1.4 is better than Fuji's original 23mm F2. As for Fuji 23mm F1.4, it's just too outdated to consider it for the price. As for 35mm, Fuji 35mm F2 is one of the best options. If not the best.
Viltrox 23mm F1.4 is good, but the 23mm F2 WR & 23mm F1.4 XF are being somewhat better. Viltrox does have some CAs at different apertures, therefore too much for my taste, and is much bigger than the 23/F2 XF. And of course, the cheaper Lens. Bokeh is a bit busy, open aperture heavy vignetting, and a bit distortion in straight lines, for architecture photography. Considering the price, its fair - good enough.
When it was being announced, i really wanted it, but when i've read the 1st Reviews, i see it as a ok to good Lens. But it's great, that Viltrox still does support it via Firmware Updates.
As a self admitted Fuji fan I’ve got most of the XF lenses. The 35 1.4 has a look that I love. I should sell my 2.0 as it never gets used. If it’s raining I end up taking the 16-55 zoom as it is WR.
Fuji themselves talked about the design of the 35mm 1.4 and how it wasn’t meant to be an MTF chart monster. Yes - it’s noisy. Not a video shooter so I don’t care. The AF is horrible on the oldest X cameras but decent on the latest ones.
No one should choose Fuji if AF is their #1 priority. :)
Here is the 35 1.4 backstory straight from Fujifilm:
The new Fujifilm XF 18mm F1.4 R LM WR provides a 27mm-equivalent focal length for Fujifilm's X-mount cameras. Find out why Chris and Jordan like this fast, sharp 18mm lens.
We've been shooting with a pre-production copy of Fujifilm's new XF 18mm F1.4 R LM WR lens for a few days, which offers a 27mm full-frame equivalent field of view, and optically, we're impressed.
Fujifilm has announced its lightweight (370g/13oz) XF 18mm F1.4 R LM WR wide-angle prime. This 27mm-equivalent lens offers numerous special elements and a linear focus motor, and is also weather-sealed.
It's been eight years since Fujifilm released its XF 35mm F1.4 R lens, but that's not stopping the company from releasing a new promotional video for the popular prime.
The Fujifilm XC 35mm F2 prime lens has the same optical formula as the company's XF 35mm F2 WR prime but costs half as much. How can this be? Chris and Jordan explain the differences.
The Canon EOS R8 is the company's latest mid-level full-frame mirrorless camera. It brings the sensor and autofocus from the EOS R6 II and combines them in a smaller, more affordable body.
The Canon EOS R50 is an entry-level, company APS-C mirrorless camera. A 24MP RF-mount camera aiming to attract smartphone users and, perhaps, vloggers.
Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder.
There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. We've combed through the options and selected our two favorite cameras in this class.
What’s the best camera for around $2000? These capable cameras should be solid and well-built, have both the speed and focus to capture fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best.
Family moments are precious and sometimes you want to capture that time spent with loved ones or friends in better quality than your phone can manage. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens.
What's the best camera for shooting sports and action? Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best.
The Canon EOS R8 is the company's latest mid-level full-frame mirrorless camera. It brings the sensor and autofocus from the EOS R6 II and combines them in a smaller, more affordable body.
The Canon EOS R50 is an entry-level, company APS-C mirrorless camera. A 24MP RF-mount camera aiming to attract smartphone users and, perhaps, vloggers.
The 50mm F1.4 DG DN Art is a fast 50mm lens for full-frame Sony E-mount and L-mount Alliance cameras, and makes use of linear focus motors for the first time in the Art series.
Tall buildings, expansive views, and tight spaces all call for an ultra-wide lens. Here we round-up four Micro Four Thirds-mount fixed-focal-length examples from Laowa, Panasonic, Meike and Samyang.
Chris and Jordan are enjoying some well deserved time off this week, so we're taking a trip in the wayback machine to revisit the launch of Canon's original full-frame mirrorless camera, the EOS R. Give it a watch to see how far Canon's mirrorless line has come.
While peak Milky Way season is on hiatus, there are other night sky wonders to focus on. We look at the Orion constellation and Northern Lights, which are prevalent during the winter months.
We've gone hands-on with Nikon's new 17-28mm F2.8 lens for its line of Z-mount cameras. Check out the sample gallery to see what kind of image quality it has to offer on a Nikon Z7 II.
The winning and finalist images from the annual Travel Photographer of the Year awards have been announced, showcasing incredible scenes from around the world. Check out the gallery to see which photographs took the top spots.
The a7R V is the fifth iteration of Sony's high-end, high-res full-frame mirrorless camera. The new 60MP Mark IV, gains advanced AF, focus stacking and a new rear screen arrangement. We think it excels at stills.
Using affordable Sony NP-F batteries and the Power Junkie V2 accessory, you can conveniently power your camera and accessories, whether they're made by Sony or not.
According to Japanese financial publication Nikkei, Sony has moved nearly all of its camera production out of China and into Thailand, citing geopolitical tensions and supply chain diversification.
A pro chimes in with his long-term impressions of DJI's Mavic 3. While there were ups and downs, filmmaker José Fransisco Salgado found that in his use of the drone, firmware updates have made it better with every passing month.
Landscape photography has a very different set of requirements from other types of photography. We pick the best options at three different price ranges.
AI is here to stay, so we must prepare ourselves for its many consequences. We can use AI to make our lives easier, but it's also possible to use AI technology for more nefarious purposes, such as making stealing photos a simple one-click endeavor.
This DIY project uses an Adafruit board and $40 worth of other components to create a light meter and metadata capture device for any film photography camera.
Scientists at the Green Bank Observatory in West Virginia have used a transmitter with 'less power than a microwave' to produce the highest resolution images of the moon ever captured from Earth.
The tiny cameras, which weigh just 1.4g, fit inside the padding of a driver's helmet, offering viewers at home an eye-level perspective as F1 cars race through the corners of the world's most exciting race tracks. In 2023, all drivers will be required to wear the cameras.
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