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Now reading: Leica releases audio and S-lens adapters for SL mirrorless 49 comments

Leica releases audio and S-lens adapters for SL mirrorless

Published Jun 6, 2016 | Damien Demolder

Leica has announced the availability of a pair of adapters for its SL full frame mirrorless camera that will allow users to fit lenses from the S medium format system and to use microphones and headphones when shooting video. The Leica S-Adapter L opens the camera to 16 lenses from the S system including the company’s collection of leaf-shutter lens. While this doesn’t add any focal lengths that aren’t available via the existing SL zooms it will allow access to wider apertures for some and will also save existing S users having to buy extra lenses.

The new audio adapter uses the camera’s USB port and provides a pair of 3.5mm jack sockets for connecting a microphone and audio monitors for those shooting video with the SL.

The Leica S-Adapter L is available now and will be priced at £950, while the audio adapter AA-SCL4 will be on sale at the end of the month for £120. US pricing has yet to be announced.

For more information visit the Leica website.

Press release

Leica announces availability of Leica S-Adapter L and forthcoming release of Audio Adapter for the Leica SL

- Leica S-Adapter L enables S-lenses to be used with the Leica SL
- Leica AA-SCL4 Audio Adapter available end of June

Leica Camera has today announced that the Leica S-Adapter L for the Leica SL mirrorless camera system is now available. This adapter further extends the range of lenses that can be used with the Leica SL to include those of the Leica S medium format camera system.

The S-Adapter L allows the use of 16 Leica S-Lenses with focal lengths from 24 to 180mm (including six central shutter lenses), in addition to the system’s own lenses, the Vario-Elmarit–SL 24-90mm f/2.8-4 ASPH. and the Leica APO-Vario-Elmarit-SL 90-280mm f/2.8-4. The exceptionally fast S-Lenses are the result of more than 100 years of experience and expertise in optical design and precision engineering. Combining traditional Leica quality with cutting edge technology, they achieve uncompromising imaging quality in virtually all photographic situations, in the studio and on location.

Furthermore, the outstanding compatibility of the Leica SL-System grants photographers access to almost every Leica lens ever made. For example, Leica T lenses can be mounted on the Leica SL without an adapter, the M-Adapter T (already available) enables the use of almost all Leica M-Lenses with the Leica SL, while the R-Adapter L (available Q3/2016) will provide access to an entire range of Leica R-System lenses.

Leica AA-SCL4 Audio Adapter

Another new addition to the range of accessories and equipment for the Leica SL camera system is the AA-SCL4 Audio Adapter, which is scheduled to be available at the end of June 2016.

Pricing and availability

The Leica S-Adapter L is available now from Leica stores and authorised Leica dealers in the UK at a suggested retail price of £950 including VAT. The AA-SCL4 Audio Adapter, available at the end of June 2016, will have an SRP of £120 including VAT.

Additional information can be found at uk.leica-camera.com

Source: Leica

Tags: accessory-news, leica

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View Comments (49)

Comments

All (49)

Most popular (3)

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Oldest first

El Jeffe

I want that audio adaptor for my GX85

Jun 11, 2016permalink

LFPCPH

The S-Adapter L cost £950 and the AA-SCL4 audio adapter will cost £120. Nobody can claim that those prices represent the value of these items. Like a Porsche is not a car but a social statement that also doubles as a car, the Leica products are not cameras but items that allow the beholder a to signal that he/she is a very serious and professional photographer whether that is the truth or not.

Jun 7, 2016permalink

peterwr

You'd think we'd done this to death, wouldn't you? But no...

Jun 7, 2016permalink

HowaboutRAW

Porsches usually perform well as sports cars.

Good Leica lenses are in a superior category. Think F40.

Jun 8, 2016permalink

LFPCPH

Superior performance is sometimes a characteristic of statement products but not always - think B&O - and it is irrelevant. What is relevant is that the price of statement products is always way above value and cost of manufacturing. The price is part of the statement. You pay for the statement.

The difficulty in creating a statement product is not to construct superior performance - many can do that - think Samsung NX1. The difficulty is to make the brand and design that the customer interprets as a statement. Remember the days when Porsche tried to kill the 911 models with models like the 928. It didn't work. The 911 remains the design that contains the statement. It's not easy. Think about the many attempts by Sony and Hasselblad.

It seems that Leica with the S-models didn't quite make it. But with the SL they may have gotten it right.

Jun 9, 2016permalink

HowaboutRAW

LFPCPH:

B+O hasn't been much for superior sound since say 1980.

Leica lenses, not cameras, are an entirely different matter.

Irony so are some of the Samsung (Optron) lenses.

Clearly Leica, Zeiss, and Optron know something about light that Canikon doesn't.

Jun 9, 2016permalink

Magnar W

Like other premium products: no problem if you want one and do have the money.

Jun 13, 2016permalink

Marcelobtp

Unleashing the beast.

Jun 7, 2016permalink

erickmoreno

I really miss the old way to sort comments by popularity. Put apart the reply from the original comment dont make any sense to me.

Jun 7, 2016permalink

adegroot

Snobbiest Company
Greediest Company
Image quality not better than competition

Jun 7, 2016permalink

peterwr

You're really hurting, aren't you?

Jun 7, 2016permalink

adegroot

Hurting?
Hardly.
I could easily afford it, but I'm not stupid.

Jun 8, 2016permalink

joe_leads

Does the leaf shutter work with those lenses, or does it fall back to the normal focal plane shutter?

Jun 7, 2016permalink

aris14

System becomes better. System is overpriced. No big problem for pros.

Jun 7, 2016permalink

malabito

Pros? Which pros? It's a wonderful camera, but mainly used by people who like gadgets and can afford it :)

Jun 7, 2016permalink

Robert Kempen

Watch MotoGP and F1GP and see for yourself who the pros are who shoot SL (and there are many!)

Jun 8, 2016permalink

malabito

@robert you have to be kidding, with what lenses? I try googling images but didn't found anything.

Jun 8, 2016permalink

aris14

You will not find any images. Photogs shooting in the grid are usually not the same guys shooting the race. Their work will contribute along with the other guys work usually in luxurious company editions or coffee table books. They are both pros not amateurs and can hardly care if you can see/find their work.

Jun 9, 2016permalink

malabito

No way these are pros, with the exception of maybe one or two guys, which lenses? You are telling me the SL has better focusing ? Those were probably people who payed 500 Iss entrances and took their nice point and shoot with them...

Jun 11, 2016permalink

aris14

Pros themselves don't pay for entrance in most cases.

Jun 12, 2016permalink

malabito

@aris14 and surely dont use Leicas for shooting sports :)

Jun 12, 2016permalink

aris14

OK malabito, whatever you say... U don't worth any argue...

Jun 13, 2016permalink

Robert Kempen

When watching the MotoGP this past weekend, I noticed how many pro sports photographers were using SLs on the grid before the start

This adapter will increase the number of fashion photographers no doubt

Leica's sales are soaring world wide - kudos for a fine camera with an ever increasing audience of pros and consumers

Jun 7, 2016permalink

Chaitanya S

I saw a lot of pro photographers during F1 weekend using Leica Sl. Funnily other than Nikon, Canon and Leica I didnt see any other system camera being used on side of track.

Jun 7, 2016permalink

Mais78

Are you serious?

Jun 7, 2016permalink

Robert Kempen

Dear Mais78 - why don't you watch the F1 GP or the MotoGP and see for yourself

What part of the the Leica SL which is faster, has more MP, has better optics and the best weather sealing in its class, compared to Canon 1DX and Nikon D5 is so hard to understand?

No, it was NEVER meant to compete with the Sony A7 which you will not find in the hands of a pro, will you?

Jun 8, 2016permalink

Mais78

Mine was a genuine question. I do watch MotoGP. The only one I know is Callo Albanese but he is sponsored by Leica. Can the AF of the SL keep up with 1DX and D5? And the EVF vs optical? How do they deal with blackouts between frames? I love the EVF of the SL but could not think it would compete with an optical viewfinder for sports.

Jun 8, 2016permalink

malabito

Yes I also don't believe this. With what lenses? And the focusing speed as fast as Nikon and canon? No way.... It's full contrast detection.

Jun 8, 2016permalink

Chaitanya S

@Mais78: From what I saw during F1 event, the photographer was just using the SL to take photos during pre-race track side photos and in pit lane. During the race, qualifying and free practise it was the 1Dx Mk II and D5 that were in use with long tele lenses.
@Malabito: The photographer that I saw during F1 weekend was using Leica's 24-90mm lens. And it was used for trackside(pre race) and pit lane activity for which the contrast detect AF is fast enough to get job done. For the action shots it was D5/1Dx Mk II with long tele lenses which was seen in use.

Jun 11, 2016permalink

malabito

@chaitanya that makes complete sense, but probably he was using that camera because he likes Leica or as anyone else will be using a Leica m, he was not using it because it was better, he was using it because he like it, and for the tough images to get he was still using the nikons and canons :)

Jun 11, 2016permalink

malabito

@chaitanya by the way, I am a Leica user. But truly believe Leicas are not for Profesionals, it's a wonderful camera use mainly by people who like photography, (fun and user experience) or by people with big pockets, pros getting payed will probably rather use a more reliable system that costs less, why increase the cost with a Leica if a nikon, canon brings same or better results for less money, it's simple mathematics.

Jun 11, 2016permalink

Chaitanya S

I know what you mean, a friend of mine is an avid Leica shooter(M7 and Type 240) and he swears by the Leica glass. But in case of this photographer it didnt seem like a backup camera as he was using it exclusive during trackside coverage. Also its possible Leica might have just given him a camera to use as part of some sponsorship or might have been given to him by media house he is employed with. Sebastian Vettel(Scuderia Ferrari driver) is a SL user, you might his photo using SL during one of the F1 weekend.

Jun 11, 2016permalink

Chaitanya S

Take a look at the pictures from last years US gp.
http://www.bbc.com/sport/formula1/34622733

Jun 11, 2016permalink

malabito

@chaitanya on the link, i only see a few pictures. And one of the drivers, (which actually sustains my thesis of deep pockets), using a leica sl...

Jun 11, 2016permalink

Mais78

Using it just in the pit lane is very different from saying "F1 pro photographers use Leica". This confirms my thesis that AF is just not good enough. As far as Vettel is concerned, Callo Albanese, the official Ferrari photographer, is sponsored by Leica so I guess he just took o pic of Seb with his camera. You can tell a lot from the way he holds the camera...

Jun 12, 2016permalink

Vanitas Photo

"I will totally complain about how expensive Leica is even if I am not their target audience, nor a potential costumer, nor do I have any possibility/intention to buy their gear.

Also I will point out how my "input brand here" is much better at one fraction of the cost.

Will mention Seal at some point"

You can use this template to save you time.

P.S. I want to know how their leaf shutter lenses work with that body :D

Jun 7, 2016permalink

mosc

Speaking of adapters, is DPR planning to do more with the Sigma MC-11??

Jun 6, 2016permalink

Johannes Zander

I like the designe of the adapter with the removable tripod mount.
If I only had the money for an SL plus lenses...

Jun 6, 2016permalink

sibuzaru

I hope the other adapter manufacturers take some notes on that design too.

Jun 6, 2016permalink

ShootFilmNotMegaPixels

Speaking of lenses when is DPR going to review the Otus line of lenses?

Jun 6, 2016permalink

steelhead3

Too much field curvature...the studio scene would look like cra*. Just joking

Jun 6, 2016permalink

sibuzaru

The Audio adapter is interesting, it's something that I think should be common to do but obviously using a standard like USB, especially USB-C 3.1, so you would be able to get not only audio but, video and power with a single connection.

Jun 6, 2016*permalink

Cameracist

If you are an S user, this is probably a spare change. Makes the SL great second body.

Jun 6, 2016permalink

mosc

$1,368 for a glassless pass-through adapter?!? Even by Leica standards...

Jun 6, 2016permalink

Magnar W

They assume that you already have the glass yourself, I think! ;-)

Jun 6, 2016permalink

shigzeo

It's a smart adapter. Every smart adapter costs significantly more than dumb adapters. And so do high-qualy dumb adapters. This is a smart adapter made by a company whose primary focuses are mechanical quality and brand image. But if another brand made an adapter with the same functionality, you can expect it to cost a lot. If another brand made an adapter with the same functionality to the same mount, and made it to the same standards as Leica make theirs, you can be sure it would cost a lot.

Leica are not a fly-by-night operation. And they are priced not only to match that image, but to match their own understandings of who their market is.

I happen to now several studios that run only Leica S cameras, some of whom use three S cameras with backup lenses of each focal length. I very much doubt those studios are charging 800$ for a wedding, or 150$ for head shots.

Jun 7, 2016permalink

MartinDixon

I do not doubt that there are many Leica users who enjoy their cameras. I love the M series for their stealth and minimalist approach. But if I am in the studio and require high end files, I grab my Mamiya DF body and leaf shutter lenses. I slap a digital back on and tether it to Capture One. That is a simple and effective work flow that allows art directors to watch the shoot live on their ipads. What Leica wants for an SL and lenses is not worth more than a used Leaf back and good glass. And when I trade in my old backs and upgrade, I am not changing the camera. We spend so much time talking about gear and never about what we photograph. When did cameras become jewelry?

Jun 7, 2016permalink

Magnar W

MartinDixon: True! Content is king!

Jun 7, 2016permalink

shigzeo

@MartinDixon:

Of course you are aware that in MF digital, Leica is almost entry price. An S body costs about what a middle-of-the-road back does, and it, too, has trade in value. I shoot on technical cameras only, so I understand the problems inherent with a non-modular design. But the S also does live view and you can tether it to a variety of output devices. The SL can only currently tether to tablets, but that too is a viable tool for creative direction.

The point is this: if it's price you insist on attacking, don't. Leica have no disadvantage in the MF world apart from a non-modular design. And you can shoot both Leica and Hasselblad centra shutter lenses, so it is as much a part of the general work flow of a pro as any medium format system.

Jun 8, 2016permalink

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Leica releases audio and S-lens adapters for SL mirrorless

Leica announces availability of Leica S-Adapter L and forthcoming release of Audio Adapter for the Leica SL

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