GoPro's pro-grade spherical camera has been in the works for a while now, but today Fusion gets its official debut today. It's capable of 5.2K/30p and 3K/60p spherical video capture, in addition to 18MP spherical stills. It touts gimbal-like stabilization without a gimbal, and provides a feature GoPro calls OverCapture to create tradition fixed perspective video from 360-degree footage.
It's not quite as rugged as its Hero siblings, but Fusion is waterproof to 5m/16ft. Wi-Fi and Bluetooth connectivity are included and the camera is compatible with the existing GoPro app. It's up for pre-order now to US, UK, European and Canadian customers for $700.
Its not like all the older gopros with a real water housing. Its waterproof to 16ft, that's nothing. There is a big difference between gently going 16 feet under water and slamming into a wave. This thing isn't nearly as waterproof as the older gopros that I have used for years specwise. I just don't know how close to the margin they are cutting it.
The Video Hack (a hack is professional who does subpar work) should love the Fusion. They can spend days and days trying to get the camera angle right ;-D
Samsung gear 360 is a cheap option at $166 now. Yi has something coming out soon for $400. Ricoh theta is $429. These are all similar.
I think the self leveling option Gopro speaks of may be so important that you have to have it. Without that your 360 world will be moving all over. If this thing can keep your result level as you move all over, that would be a big deal. Not sure if that is being done with these other ones.
Ricoh Theta has self-leveling, works perfect even when shaken like no camera should be (like if you keep it in your hand and... dance). Should be trivial for any camera processor that has enough power to encode (at least) two separate videostreams into one, provided that you have a gyroscope built-in.
The DJI Air 2S is exactly what many drone enthusiasts have been asking for: a consumerdrone with a 1"-type camera sensor that's budget-friendly. Does it live up to the hype? In our opinion, yes.
DxO has just released PureRaw, a simple, standalone program that can automatically apply its high-quality lens corrections and impressive noise-reduction algorithms to your Raw files, and then pass those Raw files off to your favorite editing app. We're pretty impressed by it – find out why in our review.
The Fujifilm Fujinon XF 70-300mm F4-5.6 R LM OIS WR is a very versatile, compact telephoto zoom lens. But how does it perform? Read our review to find out.
The X-E4 is going to make a lot of photographers happy, especially those craving a near-pocket-size X-mount body with Fujifilm's latest IQ performance.
In our latest software shootout, we pit Adobe's Camera Raw against Capture One Express Fujifilm, included for free with every Fujifilm camera. Can you get all you need with the free option? For a lot of people, it looks like the answer could be yes.
If you want a camera that you can pick up and use without having to page through the manual first, then this guide is for you. We've selected seven cameras ranging from compacts to full-frame, all of which are easy to operate.
Family moments are precious and sometimes you want to capture that time spent with friends or loved-ones in better quality than your phone can manage. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that might be a bit older but still offer a lot of bang for the buck.
Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform. In this guide we've chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media.
Whether you make a living out of taking professional portraits, or are the weekend warrior who knows their way around flashes and reflectors, you'll want a camera with high resolution, exceptional autofocus and a good selection of portrait prime lenses. Click through to see our picks.
Sony's latest FX3 has a lot in common with the a7S III on the inside, but we've got our hands on one to show just how different it is on the outside – take a look.
The DJI Air 2S is exactly what many drone enthusiasts have been asking for: a consumerdrone with a 1"-type camera sensor that's budget-friendly. Does it live up to the hype? In our opinion, yes.
The winners of the Professional, Open, Student and Youth categories of the Sony World Photography Awards have been announced, showing some exceptional projects and single images.
Canon has announced two new telephoto prime lenses for the RF mount: the RF 400mm F2.8L IS USM and 600mm F4L IS USM. Click through for a closer look at these two new telephoto options for RF.
From the stately twin-lens reflex to the timeless view camera, here are some of the less common film camera types still kicking around on the used market.
Micro Four Thirds users can now enjoy the Speedmaster 35mm F0.95 Mark II manual lens that was previously limited to Canon EF-M, Fujifilm X and Sony E mount camera systems.
Hasselblad Masters contest opens to professional photographers, with a dozen medium format mirrorless cameras up for grabs. And you don't need to shoot on a 'blad to enter!
Fujifilm's latest prime, the XF 18mm F1.4 R LM WR, is a solidly built lens that we've really enjoyed shooting with. It's also a big departure from Fujifilm's previous 18mm F2 prime lens – get a sense of how it handles right here.
The new Fujifilm XF 18mm F1.4 R LM WR provides a 27mm-equivalent focal length for Fujifilm's X-mount cameras. Find out why Chris and Jordan like this fast, sharp 18mm lens.
We've been shooting with a pre-production copy of Fujifilm's new XF 18mm F1.4 R LM WR lens for a few days, which offers a 27mm full-frame equivalent field of view, and optically, we're impressed.
Fujifilm has announced its lightweight (370g/13oz) XF 18mm F1.4 R LM WR wide-angle prime. This 27mm-equivalent lens offers numerous special elements and a linear focus motor, and is also weather-sealed.
DxO has just released PureRaw, a simple, standalone program that can automatically apply its high-quality lens corrections and impressive noise-reduction algorithms to your Raw files, and then pass those Raw files off to your favorite editing app. We're pretty impressed by it – find out why in our review.
Canon has just announced a native RF-mount contemporary to its popular EF 100mm F2.8L Macro lens. The RF 100mm F2.8L Macro IS USM is an all-new design, and we've been digging into its feature set. Click through to learn more.
Sony's Xperia 1 and 5 Mark III smartphones introduce a variable 70-105mm telephoto optic, 120Hz OLED displays, and are the first cameras ever to shoot 20 fps with temporal noise reduction. Read on for an in-depth look.
Canon has just announced the development of what will be the highest-speed RF-mount camera yet, the EOS R3. It looks like a really interesting camera, but the R3 also points toward something else coming in the future; something even more capable. Here's what we know.
In today's episode of DPReview TV, Chris and Jordan answer the question everyone is asking: what do they think about Canon's EOS R3 development announcement?
Canon's new RF 100mm F2.8L IS USM offers a minimum focus distance of 26cm (10"), up to 8 stops of shake reduction, and the ability to adjust bokeh and softness by turning its 'spherical aberration' dial.
Canon has announced two new super-telephoto primes for RF-mount: the 400mm F2.8L IS USM and 600mm F4L IS USM. Both lenses share the same optics as their EF-mount counterparts, and will arrive in July priced at $12,000 and $13,000, respectively.
Canon has announced that it is developing the EOS R3, a high-end full-frame mirrorless camera. It will feature a Stacked CMOS Dual Pixel sensor and be able to shoot at up to 30 fps.
Adobe's latest addition to Camera Raw is a Super Resolution feature, which quadruples the pixel count of your Raw files and, in theory, doubles their linear resolution. Does that mean that you really don't need more than 12 or 16 megapixels anymore? We've put it to the test.
Tokina's atx-m 33mm F1.4 X is an affordable fast prime for Fujifilm's X-mount cameras that offers autofocus and solid image quality. Check out what it can do and our impressions of its image quality right here.
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