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We've been digging around under the hood of the Nikon Z50. We look at what Nikon's first APS-C mirrorless camera does and doesn't offer.
Sony has introduced the a9 II, which adds a host of features for the working professional, along with a refined design largely borrowed from the a7R IV.
The sports-oriented a9 II uses the same full-frame 24MP sensor as its predecessor, though its faster Bionz X processor improves AF speed and precision, along with EVF display response. It retains the same 693-point on-sensor PDAF system as the a9, but with new algorithms that improve subject tracking.
The camera can still shoot at 20 fps with no blackout using the electronic shutter, but the burst speed using the mechanical shutter has risen to 10 fps. There's also a new anti-flicker system when using the mechanical shutter, making it much more usable under artificial light. In combination, these changes should make it camera that is much more comfortable shooting indoor sports than the original.
The biggest changes on the a9 II are targeted toward those who make a living taking photographs and need to deliver large numbers of them quickly
The a9 II has a larger grip than its predecessor, with improved weather-sealing around ports and doors similar to that of the a7R IV. The rear control dial now sits on the top plate, the EV comp button has a lock and the AF-On button and joystick are a bit larger. Battery life has gone up – and the camera can be powered over its USB 3.2 Type C port – and both SD card slots now support UHS-II speeds.
The a9 II has a slightly improved in-body IS system, which can reduce shake by an additional 1/2-stop, while its 3.76M-dot EVF, tilting LCD and oversampled 4K video capture remain unchanged (meaning 8-bit and no Log modes).
The biggest changes on the a9 II are targeted toward those who make a living taking photographs and need to deliver large numbers of them quickly. Some of the new features include Gigabit Ethernet, 5GHz (802.11ac) Wi-Fi and voice memos. The camera can store up to ten sets of both FTP and camera settings, which is helpful when sharing the a9 II with multiple photographers.
The a9 II will be available in November for $4500. The a9 will continue to be sold as a more accessible model - at least for now.
New Alpha 9 II Combines Alpha 9’s Unrivaled Speed with New Functionality to Match the Needs of Professionals
SAN DIEGO — October 3, 2019 — Sony Electronics today announced Alpha 9 II (model ILCE-9M2). The latest model from Sony’s acclaimed line-up of α (Alpha) full-frame interchangeable lens cameras, the new model has been created to support working professionals in the fields of sports photography and photojournalism.
The new Alpha 9 II builds on the impressive legacy of the original Alpha 9, maintaining groundbreaking speed performance, including blackout-free continuous shooting at up to 20 frames per second with Auto Focus and Auto Exposure tracking at 60 calculations per second.
Updates include significantly enhanced connectivity and file delivery, continuous shooting at up to 10 fps with mechanical shutter, and evolved AF performance with newly optimized algorithms, re-designed build to enhance durability and operability.
“The voice of our customers is absolutely critical to Sony – we are always listening,” said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony Electronics. “The Alpha 9 II is the direct result of our work with agency, sports and news photographers since the launch of the original Alpha 9. We have added connectivity and network capabilities that drastically improve the professional workflow, while also making enhancements to design, interface and processing power that complete the user experience. Complemented by our extremely versatile E-mount system – with 55 native lenses introduced at this point including super-telephoto 600mm and 400mm G Master™ series lenses – this new camera is a tool unlike any other for professionals, whether in the field or on the field.”
Raising the Bar for Built-in Connectivity in the Professional’s Workflow
The Alpha 9 II includes a built-in 1000BASE-T Ethernet terminal, enabling gigabit communication for high-speed, stable data transfer operations. Additionally, File Transfer over SSL or TLS encryption (FTPS) is supported for increased data security and PC remote (tether) shooting performance is improved, with decreased release time lag and reduced live view screen delay when using the ‘Remote Camera Tool’ desktop application. The speed of the camera’s built-in wireless LAN functionality has also been increased, adding a stable and fast 5 GHz (IEEE 802.11ac) band, in addition to the 2.4 GHz provided in the Alpha 9. IEEE 802.11a/b/g/n/ac standards are all supported.
Designed to improve the speed of news agencies’ workflow, the Alpha 9 II features a new Voice Memo function that allows spoken information to be attached to images in the form of voice memos that can be replayed when the images are reviewed. The voice data can also be included with images sent to an editor, giving them important information needed for effective editing. Alternatively, a field photographer can also use the ‘Transfer & Tagging add-on’ “Imaging Edge™” application to transfer voice tags with the images to their mobile device and have the voice memos automatically converted to text and added to the JPEG images in the form of IPTC metadata. All of this can be done automatically or manually selected by the photographer.
By combining wireless voice/image transfer and automatic voice-to-text conversion with the ability to auto-transfer images with attached voice memos via FTP, it is possible to shoot and transfer the results to an FTP server without ever having to operate a smartphone. FTP settings within the app can also be sent to a camera via Bluetooth®, allowing for a faster workflow.
The Platinum Standard for Speed and Auto Focus Performance
The new Alpha 9 II shares the same acclaimed 35mm full-frame stacked 24.2 MP Exmor RS™ CMOS image sensor with integral memory as the original Alpha 9, giving it the same unmatched speed performance and outstanding image quality. The new model can shoot continuously and completely silently at 20 fps for up to 361 JPEG images or 239 compressed RAW images, with no viewfinder blackout allowing the photographer to follow the subject and action with no interruption to the EVF during picture taking. For times when mechanical shutter is preferred or required, the new Alpha 9 II has been improved to shoot at up to 10 fps, about 2x the speed of the Alpha 9.
The camera is able to function while continuously calculating Auto Focus and Auto Exposure at up to 60 times per second, with newly optimized AF algorithms that provide notably enhanced AF precision and performance, ensuring that even the most erratic subject motion that is associated with sports are captured with high precision. Also useful for sporting events, the camera now offers an anti-flicker shooting mode that automatically detects and adjusts for the presence of fluorescent or artificial lighting to maximize image quality.
The advanced focusing system in the new Alpha 9 II is far beyond the capabilities of any professional camera. Comprised of 693 focal-plane phase-detection AF points covering approximately 93% of the image area, as well as 425 contrast AF points, the Fast Hybrid Auto Focus system achieves extremely fast and accurate performance, ensuring all fast-moving subjects are accurately captured. Additional notable focusing capabilities include Real-time Eye AF with right eye / left eye selection, Real-time Eye AF for animal augmented with a new algorithm, Real-Time Eye AF for movie, Real-time Tracking, selectable focus frame color, Touch Pad focus point control while using the viewfinder and more. AF can also now continuously track even if continuous shooting is greater than F16, providing further accuracy for shots that require slower shutter speeds.
Refined Build and Operability
Pricing and Availability
The new Alpha 9 II will be available in November 2019 priced at approximately $4,500 US and $6,000 CA. It will be sold at a variety of Sony's authorized dealers throughout North America.
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The Olympus OM-D E-M5 Mark III is a 20MP Micro Four Thirds camera aimed at enthusiast photographers. It shares the same sensor, AF system and 4K-video capture as the flagship E-M1 II and E-M1 X, in a considerably smaller and lighter package.
The Live Planet VR system may look like something out of a science fiction movie, but this stereoscopic, 16-lens camera and its associated cloud platform may be one of the best tools out there for live-streaming events in 360 degrees.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
Long-zoom compacts fill the gap between pocketable cameras and interchangeable lens models with expensive lenses, offering a great combination of lens reach and portability. Read on to learn about our favorite enthusiast long zoom cameras.
If you want a compact camera that produces great quality photos without the hassle of changing lenses, there are plenty of choices available for every budget. Read on to find out which portable enthusiast compacts are our favorites.
|Vulcan Duxford-4804 by Mike Engles|
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from Best Photo of the Week...
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from Old Tech: Lens Mounted Via A Custom Adapter
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The small camera uses microbial fuel cells to power the camera, which in turn keeps an eye on the plants and animals around it.
Luna Display comes in the shape of a hardware dongle and a Mac app and is compatible with older macOS versions.
The CS2740 monitor is a successor to Eizo's ColorEdge CS2730 that increases the resolution, adds new connectivity options and now offers 10-bit input. Pricing information isn't yet available, but Eizo says it will officially launch on October 24.
ON1 software has today released the latest version of its Raw processing and image editing and organization application Photo RAW.
The Natural History Museum has announced the winners of its 55th annual Wildlife Photographer of the Year competition.
According to a report from Bloomberg, beta testers of Adobe's Photoshop CC for iPad have noticed a number of major features missing or incomplete.
The lens is currently available to pre-order for $449 and is set for retail availability on November 8, 2019.
Datacolor is offering the 64-bit update as a free software update to ensure the Spyder5 calibration sensor works with Apple's latest desktop operating system macOS Catalina.
Instagram is rolling out a number of new privacy-centric features that will make it easier to see and edit what third-party applications have access to your Instagram data.
We've got our hands on the Olympus E-M5 III and it is is, on the outside, a refinement of its predecessor. But we'll go a bit deeper and talk about what's also changed on the inside in our hands-on slideshow.
We spent 48 hours exploring the deserts of southern Utah with the E-M5 III, Olympus smallest, lightest 20MP camera. Click through to read about our experience shooting with the camera and to see what kind of photos it's capable of taking.
We recently joined Olympus in Moab, Utah for some preliminary shooting with the OM-D E-M5 III. See how the photos look in our extensive sample gallery.
Olympus has announced the OM-D E-M5 Mark III - a more compact camera than its predecessor, which incorporates a lot of technology found previously in the higher-end E-M1 Mark II.
The PEN E-PL10 remains largely unchanged from its predecessor aside from the redesigned display and a few software additions.
DPReview Science Editor Rishi Sanyal had an opportunity to sit down with Marc Levoy and Isaac Reynolds of Google to dive deep into the most important camera updates on the new Pixel 4.
Chinese company Zhiyun, the world's leading gimbal manufacturer, announced the WEEBILL-S earlier this week.
United Kingdom photo retailer Jessops is reportedly looking for administrators to help sort out rising costs and falling revenue.
Google has confirmed it's ending its free 'original quality' image backups with its Pixel 4 and Pixel 4 XL smartphones. This marks the first time the popular perk isn't offered since the launch of the original Pixel smartphone.
In a story shared on 35mmc, photographer Steve Boykin tells how he stumbled upon a Fujifilm XF 23mm F1.4 R lens he had lost four months prior during a trek in the wilderness and discovered it still works fine.
Sandmarc's new filter series combines the characteristics of polarizing and neutral density (ND) filters into one single filter.
Our testing of the Canon G7 X III continues, which means we've brought along on plenty of day trips and adventures to get a feel for its performance in a number of situations. Take a look at some of the resulting images.
Shimoda Designs has launched a Kickstarter campaign to fund its new 'ultra-aggressive' lineup of camera bags that includes three backpacks, two rollers and a handful of new and improved accessories.
Meike has added yet another mount option to its 85mm F2.8 manual macro lens, which was previously available for Canon RF, Canon EF, Sony E/FE and Nikon F mounts.
Camrote version 1.2.0 adds new zoom and time-lapse capabilities to select Sony camera systems.
Google has officially unveiled the Pixel 4, with the addition of a telephoto camera headlining the camera updates. Other improvements include real-time HDR preview in live view, added brightness and exposure controls, and an updated portrait mode with better depth mapping.
With Luminar 4, Skylum Software aims to provide sophisticated editing tools in an easy to use package.
The a7R IV is Sony's latest high-resolution interchangeable lens camera, but that doesn't mean it's just for landscape photographers. Get all the details about this 60.2MP full-framer in our full review.
Google's Night Sight has justifiably been considered the low light king, but with the iPhone 11 Apple is challenging for this title with its own Night Mode. Take a look at how they compare side-by-side.
Be vigilant on what's being reflected in eyes (or glasses) before posting photographs of yourself or others online. High resolution photographs aren't always beneficial.