Scott Whittemore

Scott Whittemore

Lives in United States Jacksonville, FL, United States
Works as a Info Technology
Joined on Jul 23, 2004
About me:

Current equipment: E-M5, E-5, 2 E-3s, 2 E-1s, E-330, ZD 50mm macro, ZD 7-14, ZD 11-22, ZD 12-60 SWD, ZD 14-35, ZD 14-54, ZD 14-45, ZD 50-200 SWD, ZD 40-150, FL-50, m.ZD 12-40, m.ZD 12-50, m.ZD 75-300

Scott Whittemore's recent activity

  • I have nothing to add to what others have said. The long shadows make the shot, providing important lead-in to the main subjects. A nice story of human connection accompanies the perfect snap.
  • So festive! An interesting mix of symbols & messages here. Rigid insistence that happiness is a warm gun for Christmas.
  • Replied in an idea ...
    Great job on the colors, Lou. I think you nailed it. It’s a nice photo, Mike.
  • Thank you all for your comments. To me, that leaf is like a presenter. Like the magician's hands saying "voilà!" Pete noticed the "hair" projecting from that bottom left petal. As Pete suggested, ...
  • I like the irony in your subject line. I also like the way the subject people are framed by the converging lines of the light/ornament strings above and the white line on the road. The contrasty ...
  • Replied in A New World
    I love this. Your processing gives it an old-world feel. It looks like he girl on the right with her hands out is having the world tossed to her. Perhaps she is. One never knows who will change ...
  • Replied in Lotus Flower
  • This photo makes me feel anxious and sympathetic. The youngster with her two animals isolated in a setting to which they do not seem to belong, and the animals seeming a bit out of control. The ...
  • Replied in Shower
    I'm not a fan of tight crops, as a rule. I do like the black & white treatment of this subject, with its cold, sharp, contrasty, metallic form lording it over the softer landscape background. I ...
  • Welcome to the thread, Calum. The bold diagonal and vertical lines in your image point upward and leftward, along with the exiting bird and woman. The image feels well balanced and works well. I ...
  • Thanks, Pete. I'll have to give that focus stacking a try one of these days. Two assumptions about it have hindered my interest: 1) I assume the focussed-stacked image must be stored as a JPEG or ...
  • I can't think of any way to improve this image. It's a wonderful candid glimpse of a Havana street, complete with the vibrant human activity that probably busies it every day. It ism full of ...
  • Replied in Apparition
    Nice reflection shot. I like the way the reflection lines up with the tile pattern. The colors from the stained glass add a lot of appeal.
  • Sorry I'm so late getting to commenting. Too many other things going on. This image grabbed my attention firmly as soon as it appeared on my display. I think it would have done so even if I hadn't ...
  • I really love this one. One of the most effective concert photos I've seen, I think. The audience's role in the performance is perfectly portrayed by the dynamically canted arch of the arms and ...
  • Thanks, Roel. Sharpness definitely is not this image's strong point, I agree. :-) Yes, it's the m. Zuiko 40-150 with the 1.4x teleconverter. I've been very happy with this lens but it's not a macro ...
  • Replied in Leaf Cutter Ant
    I've missed the last two C&C threads. I was in Trinidad during the first one and just tied up with holiday social stuff last week. While in Trinidad, I was presented with the irresistible ...
  • Replied in Persuasion
    You’re right, of course. I can’t even remember the thinking that compelled me to name it “Persuasion.” I should have called it “Leaf Left.” When I look at photos or art works in a physical exhibit ...
  • Yes, the corrected version is much better. Beautiful image! I love the reflected light on the street cobbles.
  • Replied in Coimbra Night.
    I love the blue/gold color palette and that strange building on the corner is whimsically delicious. I really like this but I think the sky gets a bit too dark at the top and I really want to pan ...
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