Einride

Joined on May 21, 2017

Einride's recent activity

  • Indeed, a cheap and silly bait sentence. It’s not even trying to be funny.
    The laptop part is a stupid cover attempt. Some really classy writing there champ.

  • This x 1000.
    I shot 135 as well as 120. I used the formats for different things. Incidentally, apsc systems like Fujifilm X is about the same size as your Nikon Fm2’s or Canon AE1’s with...

  • 3:2 is the amateur small picture format. 4:3 is the format of painting, of large format cameras, of mighty Mamiya RB67’s.

    4:3 makes much better use of the image circle from a lens. A square...

  • Great news! Still based on a Mac and probably will continue to be for larger paid projects, but for everything else I can’t wait to change my post workflow to iPad.

  • There’s a lot of focus on sensors nowadays but in my experience great glass is very important. See people with D850’s or A7r3’s and the cheapest primes on there. Strange balance.

  • Yeah makes no sense. Real controls are much better when learning about photography and more fun to use. Photography schools would always have those Pentax cameras with dials or FM2’s. What was the...

  • Love x-trans. Super sharp, best colour, noise that feels organic and grain like. Very little chroma noise.

    Used to have a Df which has a wonderful sensor but the X-Pro2 is actually nicer in some...

  • Practice is a useful word and points to the application of an idea or method, as opposed to theories relating to it. You seem somewhat bitter. Certainly I'd rather go to a doctor who is a...

  • Funny, the haters that write things like "they should have had it right from the start". They mostly do. The X-Pro2 or X-T2 were fantastic cameras out the gates. They got raving reviews on their...

  • Colour photography is no more real than monochrome. Both are photographs. Flusser argues that colour photography is indeed even more abstract.
    Black and White was indeed dominating at one point....

  • An M43 mystem is much much smaller and lighter. Equivalence isn’t the answer to everything and the 135 lenses you mention are terrible compared to the m43 lenses you mention. Now so many seem...

  • I think it’s great that they use the same. Makes my workflow way easier. I can choose between a rugged pro camera like the XH1 or a tiny camera like the XE3 or a rangefinder like the XPro2, with...

  • Absolutely. The XH1 isn’t meant to be small. It’s meant to provide a certain type of ergonomics for certain situations with certain lenses. There’s the X-E series for those who want tiny.

    I...

  • Very similar to the D500 or GH5 which are similar type of cameras. For some jobs a camera like this is preferable. Especially when using a pro f2.8 zoom.

  • Yep it’s a great option. Between the X-Pro2 , the X-E and this X-H1 one really has access to a wide range of shooting experiences and options within the same lens system. There’s nothing else like...

  • Nah. When I compare the cost and weight of 2.8 pro zooms there is a huge benefit with the Fujifilm system. Which is why I switched from 135 format Nikon. The Sony lenses are almost twice the price...

  • When you compare lens systems a smaller system has great advantage in both cost and weight. Compare f2.8 zooms for example.

    Some will say compare with a 135 format f4 lens but that doesn’t make...

  • I think price and weight comparisons against 135 format cameras should include mention that these are system cameras. Include some f2.8 zooms and 3 or so primes and then look at cost and weight....

  • Also remember, when thinking in system perspective, that one can complement an X-H1 with for example an X-E3, which is a tiny camera yet using the same lens investment and workflow investment.

  • F2.8 is F2.8. Doesn’t matter what format you’re using that’s the whole point of F stops. Anybody who regularly uses an external light meter and different format film cameras understands this well....

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