rialcnis

Joined on Aug 16, 2012

Comments

Total: 166, showing: 1 – 20
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In reply to:

rialcnis: Will the m43 version be a 17.5mm with 35 equivalence? Or what? How long will it take to get one?

Trioplan wanted a 35 mm view, so it could also be a 17.5mm in m43. That would mean the lens itself would be different, as opposed to the same lens for each format adapted.

I think I'd prefer it as 17.5mm for the m43.

Link | Posted on Mar 26, 2017 at 19:21 UTC
In reply to:

rialcnis: Will the m43 version be a 17.5mm with 35 equivalence? Or what? How long will it take to get one?

So in terms of equivalence, would the m43 version, be a 70mm? Trioplan 35+ is 35 mm or not? Would the m43 Trioplan 100 be a 200mm? Please explain how the Trioplan equivalence would differ.

Link | Posted on Mar 24, 2017 at 20:07 UTC

Will the m43 version be a 17.5mm with 35 equivalence? Or what? How long will it take to get one?

Link | Posted on Mar 23, 2017 at 09:06 UTC as 2nd comment | 4 replies

I like it. All the colars. I want the two lens kit. Might be fun for video.

Link | Posted on Mar 23, 2017 at 08:44 UTC as 3rd comment

I hope they make some new fantastic E Mounts at tempting prices. This looks good.

Link | Posted on Mar 23, 2017 at 07:45 UTC as 27th comment

Never tried Drabo. The price is low. It looks attractive. Basic storage and if it goes bad you have another dusty paperweight with redundant data that will end up in a landfill.

Might pick up the non networked version. I can always use a new paperweight.

Link | Posted on Mar 23, 2017 at 07:25 UTC as 17th comment

Self absorbed sheep, blaming Trump, really have no clue.

What the EU has done is self-destruction/suicide and sheep live in la la land, what an inconvenience!

Soon you won't be allowed cameras because they steal your soul or offend.

Link | Posted on Mar 22, 2017 at 11:22 UTC as 33rd comment
On article Erez Marom: On causality in landscape photography (106 comments in total)

Great photos, Attribution of Causality though, can be a misleading projection from an observer.

Link | Posted on Mar 18, 2017 at 19:14 UTC as 26th comment
In reply to:

Sirandar: Here is a my experience with the reliability of digital cameras.

Perhaps it should be remembered that renters don't always treat gear nicely or are particularly honest about what they actually did if something goes wrong.

That's because of the New Oly's anti-fall, anti-gravity feature. Oly innovates.

Link | Posted on Mar 5, 2017 at 17:53 UTC
On article These are the four cameras that won Oscars in 2017 (112 comments in total)
In reply to:

rialcnis: Compare the specs themselves with the Sony A7rii And A7sii and the upcoming a9s to the Alexa. Of course the Alexa has more hardware bells and whistles. but check out bitrates and even m4/3 the Oly bitrates and GH5 by comparison.

Using any of these coud be used fir a big hollywood production after getting all the other needed hardware to go with it.

I understand this. Hollywood does what it does. The number of personel involved in "big" Hollywood movies today, does not ensure good movies.

For instance, last night I watched original " The Omen " 1976 on Netflix. Went to IMDB for that and the remake 2006. Crazy to see how many crew on the terrible remake. Compare it.

By contrast, I use Kubrick, not in Hollywood mentality, as an example of how different in size his crew was. He left Hollywood for UK after Spartacus, because he was disgusted by the system.

Link | Posted on Mar 4, 2017 at 20:03 UTC
On article These are the four cameras that won Oscars in 2017 (112 comments in total)
In reply to:

rialcnis: Compare the specs themselves with the Sony A7rii And A7sii and the upcoming a9s to the Alexa. Of course the Alexa has more hardware bells and whistles. but check out bitrates and even m4/3 the Oly bitrates and GH5 by comparison.

Using any of these coud be used fir a big hollywood production after getting all the other needed hardware to go with it.

Wack job

Link | Posted on Mar 2, 2017 at 17:46 UTC
On article These are the four cameras that won Oscars in 2017 (112 comments in total)
In reply to:

rialcnis: Compare the specs themselves with the Sony A7rii And A7sii and the upcoming a9s to the Alexa. Of course the Alexa has more hardware bells and whistles. but check out bitrates and even m4/3 the Oly bitrates and GH5 by comparison.

Using any of these coud be used fir a big hollywood production after getting all the other needed hardware to go with it.

Avoiding the question. Making topic personal. Duh.

Link | Posted on Mar 1, 2017 at 15:52 UTC
On article These are the four cameras that won Oscars in 2017 (112 comments in total)
In reply to:

rialcnis: Compare the specs themselves with the Sony A7rii And A7sii and the upcoming a9s to the Alexa. Of course the Alexa has more hardware bells and whistles. but check out bitrates and even m4/3 the Oly bitrates and GH5 by comparison.

Using any of these coud be used fir a big hollywood production after getting all the other needed hardware to go with it.

@flruckus

Surely you arent lumping the Fujinon into the "super expensive cine lens" category?

Link | Posted on Mar 1, 2017 at 07:27 UTC
On article These are the four cameras that won Oscars in 2017 (112 comments in total)
In reply to:

rialcnis: Compare the specs themselves with the Sony A7rii And A7sii and the upcoming a9s to the Alexa. Of course the Alexa has more hardware bells and whistles. but check out bitrates and even m4/3 the Oly bitrates and GH5 by comparison.

Using any of these coud be used fir a big hollywood production after getting all the other needed hardware to go with it.

@flruckas the idea of the 500 dollar hammer is at work here. They are great hammers, but a filmmaker's vision and skill is more importent and they make great cheaper hammers now.

Again even the very best digital is still not as good as film.

Compare the best digital movies with FILM. Someday it could reach films, but not now. In the meantime fantastic new cameras and new lens have capabilities good enough to make good films and these cheaper camera systems are innovating faster then the top digitals.

Link | Posted on Mar 1, 2017 at 07:09 UTC
On article These are the four cameras that won Oscars in 2017 (112 comments in total)
In reply to:

rialcnis: Compare the specs themselves with the Sony A7rii And A7sii and the upcoming a9s to the Alexa. Of course the Alexa has more hardware bells and whistles. but check out bitrates and even m4/3 the Oly bitrates and GH5 by comparison.

Using any of these coud be used fir a big hollywood production after getting all the other needed hardware to go with it.

Bottom line is these pro digital cameras cannot beat real 70mm filmmaking, so if money is no object then film still rules. Fact is the Alexa is still lackng in it's specs. The look annoys me.

All around the block.

Look how Kubrick made his films with a film Arri and all kinds of lenses. His crew and hardware was tiny by usual standards--and he preferred Super 35 size for most of his films.

The Alexa camera specs are still lacking. The dslrs i mentioned actually have better camera specs, in terms of 4k and bitrate and why need the most expensive cinema lenses, when so many cheap, great lenses exist.

Link | Posted on Feb 28, 2017 at 06:21 UTC
On article These are the four cameras that won Oscars in 2017 (112 comments in total)

Compare the specs themselves with the Sony A7rii And A7sii and the upcoming a9s to the Alexa. Of course the Alexa has more hardware bells and whistles. but check out bitrates and even m4/3 the Oly bitrates and GH5 by comparison.

Using any of these coud be used fir a big hollywood production after getting all the other needed hardware to go with it.

Link | Posted on Feb 28, 2017 at 05:01 UTC as 12th comment | 13 replies
In reply to:

rialcnis: I guess i'll flip flop and get the Sony Alpha a7S III instead ....So much for M4/3 loyalty.

Kidding, I love Oly and my lenses, never dump them, especially for stills, but if Sony improves the as7sii and has a as7iii or a9s. I'll get one. I think it would be superior for filmmaking then the OLY or GH5. I still want the new Oly.

Link | Posted on Feb 21, 2017 at 21:56 UTC
In reply to:

Sergey Borachev: There were some claims earlier that there was a supply problem with E-M1 II due to excessively high demand. I laughed. Ha ha ha ha ha! I mean this action camera with limited IQ, ISO performance and small sensor that costs more than a D500.

With the GH5, I don't know if the camera is really out of stock due to high number of pre-orders (you would think that manufacturers would ensure there is a reasonable number before release and there should be many people who would wait for decent reviews before parting with so much money). However, I can see that the GH5 can be significantly more popular. It is the best hybrid camera for video taking. The GH5 is also, except for niche features like 60 fps, the equivalent of the E-M1 II in stills. It does not have the gimmicky HiRes features or Procapture, but it does have IBIS and Dual IS, which can be used with more lenses, more reasonably priced lenses, DFD, and Photos from 4K or 6K. That is , much better value, though still high IMO.

I think we need some popcorn right now.

Link | Posted on Feb 9, 2017 at 18:55 UTC

I guess i'll flip flop and get the Sony Alpha a7S III instead ....So much for M4/3 loyalty.

Link | Posted on Feb 8, 2017 at 21:27 UTC as 5th comment | 2 replies
In reply to:

Sergey Borachev: There were some claims earlier that there was a supply problem with E-M1 II due to excessively high demand. I laughed. Ha ha ha ha ha! I mean this action camera with limited IQ, ISO performance and small sensor that costs more than a D500.

With the GH5, I don't know if the camera is really out of stock due to high number of pre-orders (you would think that manufacturers would ensure there is a reasonable number before release and there should be many people who would wait for decent reviews before parting with so much money). However, I can see that the GH5 can be significantly more popular. It is the best hybrid camera for video taking. The GH5 is also, except for niche features like 60 fps, the equivalent of the E-M1 II in stills. It does not have the gimmicky HiRes features or Procapture, but it does have IBIS and Dual IS, which can be used with more lenses, more reasonably priced lenses, DFD, and Photos from 4K or 6K. That is , much better value, though still high IMO.

I was referring to vscd 's above link to supertele sports event.

Link | Posted on Feb 8, 2017 at 21:17 UTC
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