Lives in United States San Diego, CA, United States
Joined on May 11, 2010


Total: 157, showing: 1 – 20
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On article Hands-on with Hasselblad X1D (811 comments in total)
In reply to:

jon404: Looks like a fine, fine camera... simple, well-thought out. Priced reasonably enough, for that market segment. Good to see Hasselblad back in the ballgame!

... and if the €uro tanks, we can get it for <$10,000 USD?

Link | Posted on Jun 23, 2016 at 17:25 UTC
On article Hands-on with Hasselblad X1D (811 comments in total)

Looks like a fine, fine camera... simple, well-thought out. Priced reasonably enough, for that market segment. Good to see Hasselblad back in the ballgame!

Link | Posted on Jun 23, 2016 at 17:20 UTC as 63rd comment | 3 replies

Storage costs are amazingly low. Bought a 64 GB Sandisk microSD card for less than $40 at Staples the other day. If you are into still images and text rather than movies, you'll never fill it up! And they are so small... must be a LOT of industrial secrets walking out of corporations these days...

Link | Posted on May 27, 2016 at 00:58 UTC as 17th comment | 2 replies

What a shock! I subscribe to his LuLa site, and deeply enjoy it. But he is in a better place now, where the landscapes truly are luminous and boundless, and where there is always the latest medium-format camera to be enjoyed with an endless selection of excellent lenses, in the grace of God with heavenly post-processing computers that never crash...

Link | Posted on May 20, 2016 at 04:26 UTC as 86th comment

Money aside, and looking at the other side of this, why not a fixed-lens full frame, like the Sony or Leica Q, and then crop to get that extreme telephoto effect?

Link | Posted on May 10, 2016 at 15:40 UTC as 84th comment | 5 replies
On article Leica Q In-depth Review (1160 comments in total)

Interesting that they compared it to the Ricoh GR, which has far, far better ergonomics and can fit in a shirt pocket. And then there's the delightful older GR Digital IV, with it's bright 1:1.9 28mm lens and built in flash... and the same killer ergonomics for street photography.
Of course, the Leica is way better in vey low light. But $4,000 better?

Link | Posted on Mar 24, 2016 at 15:13 UTC as 101st comment
On article Pentax K-3 II added to studio test scene comparison (177 comments in total)

Pentax pixel-shift is the real thing. But as a consumer, and a non-tripod guy, I think the regular K-3 is the sweet spot ... Pentax ergonomics, and also great quality images!

Link | Posted on Jul 17, 2015 at 22:31 UTC as 18th comment

What if you took the photo and then ran it through a Photoshop-type 'pen and ink' or 'cartoon' filter?

Link | Posted on Jul 15, 2015 at 14:13 UTC as 20th comment
On article Sony Cyber-shot DSC-RX100 IV Review (1579 comments in total)

Found myself buying a a new Ricoh GRD IV a week ago... after thinking very hard about moving 'up' from my RX100 to this RX100-4, or to the new GR II.

But I went with the much older (2012) GRD IV. Price, and excellent ergonomics... far better than the Sony. and the teeny sensor (plus RAW and Lightroom) gets me along OK in twilight... though the Sony is much better in very low light situations.

OTOH, if I were a journalist, I would buy the Sony in a heartbeat. What a perfect camera for a reporter, or a technical writer... and so much room to crop those sharp images!

Link | Posted on Jul 13, 2015 at 16:28 UTC as 361st comment
On article Leica Q In-depth Review (1160 comments in total)

The Ricoh GR has far better ergonomics, a decent grip, and fits in your shirt pocket...

Link | Posted on Jun 11, 2015 at 04:42 UTC as 304th comment | 3 replies
In reply to:

Mssimo: Im going to be the first person to skin this to look like a shark and take it out to the beach.

Too real! Of course, someone will ... EVERYONE can make their own Jaws movie now!

Link | Posted on Jun 8, 2015 at 21:32 UTC

Put it on a surfboard at Maverick's? Rocks, dude. Awesome!

Link | Posted on Jun 8, 2015 at 21:31 UTC as 15th comment

I use an Pentax K-5 IIs, and can happily set it to show the scene in B/W on the LCD screen. Then RAW capture, then into Lightroom where I can 'develop' it in B/W... and get whatever look I want... film noir to high key... Clarity, Sharpness, etc, etc.

Am honestly curious what the Leica brings to the table, beyond the larger-light-gathering FF sensor... can anyone explain it to me? Not trying to start a debate, but is there an actual perceived difference between B/W images from the Leica and those from a 'normal' FF camera, like the Nikon 810 with the same sensor size?

Link | Posted on Jun 2, 2015 at 21:08 UTC as 130th comment | 2 replies
On article The effect of pixel size on noise (101 comments in total)

Richard -- am I right in saying that, until you get into very high ISOs, there isn't much difference between large-or-small pixel counts, for equal size sensors -- BUT that the small-pixel variety, like the 36 MP Nikon, gives you more room to crop and also to deliver a good image through reducing it?

And so... that the small-pixel cameras, like my RX100 with its 20 MP on a 1" sensor ... might be the most useful, the most practical for professional photographers, mainly because of the extra cropping that their great MP count allows?

Link | Posted on May 31, 2015 at 05:47 UTC as 14th comment | 1 reply
On article Panasonic Lumix DMC-G7 real-world samples (102 comments in total)

Good seeing great pix from Indy. So many drunks! Babes! Cars! This is the kind of field test DPReview should be known for. Way to go.

Link | Posted on May 27, 2015 at 22:48 UTC as 28th comment

***** Five-Star Article!
Thanks, Richard. Your writing is so clear and informative... VERY much appreciated.

Link | Posted on Apr 27, 2015 at 18:48 UTC as 161st comment | 2 replies
On article Opinion: The myth of the upgrade path (1623 comments in total)

I use an APS-C Pentax K-5 IIs. Take pictures for ads and brochures, for web pages, for e-mail newsletters. Nothing fancy -- the 75% of all commercial images that just don't need full pro photographer magic. Bread-and-butter work.

Far as I can tell, I don't need a full-frame camera. 16 MP gives me a lot of room to crop. I also shoot 'wide' to get even more space to crop or distort perspective in Lightroom. For lighting, PocketWizard Plus units and a couple of Yong-Nuo 560 II speedlights, and a white umbrella.

If I ever decided to drastically ramp up my skills and equipment, I'd skip past full-frame and get a Pentax 645Z... AND a full complement of studio lighting equipment, backdrops, etc. But that's a whole other time and money investment situation. You have to know yourself, and psychologically, I'm happiest with my simple jobs that I can do quickly without getting confused by highly-professional equipment...

Link | Posted on Mar 10, 2015 at 00:37 UTC as 90th comment

My career was in high-tech. I can tell you for a fact, it takes a LOT of capital to bring a product to market. With the key being your 'burn rate', how fast the money is disappearing, a race against failure. This is not news to high-tech investors... hoping for that one super mega success. Business is risk. If you are risk averse, try short-term US Treasury bonds...

Link | Posted on Mar 4, 2015 at 19:17 UTC as 11th comment
On article Opinion: The myth of the upgrade path (1623 comments in total)

I use a Pentax K-5 IIs and a Sony RX100 to take pictures for ad clients... who use them on the internet and on small-quantity-run Xerox Docucolor-printed flyers and brochures.
With RAW, Lightroom, and a simple PocketWizard Plus/YongNuo 560 II flash setup, I have all I need, actually overkill for the customer requirements.
Next camera? A new Pentax, when the fully-articulating screen and wifi button make their way to the K-5-type platform, whatever its called in a year or so.

Full-frame? no need at all.

Link | Posted on Jan 9, 2015 at 06:38 UTC as 328th comment

Why on earth would someone buy this new camera, when you can still get a K5 or K5 ii for less money? What am I missing here?

Link | Posted on Jan 6, 2015 at 09:40 UTC as 21st comment | 3 replies
Total: 157, showing: 1 – 20
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