Atlasman

Could it be the memory cards?

I believe a true hybrid should have a swivel EVF—like the one on Canon's Optura that was released in the late 90's.

Those "poor little lambs."

Keep up the great work!

I covered my grand daughter’s acrodance recitals for a couple of years. At the time I used a Sony a6500 with the 18-105mm f4 PZ. I set my shutter to 1/60 sec, aperture at f4 and auto ISO.  The ...

My favourite feature of the FX30 is the form factor, but having owned the FX3, the dealbreaker is the lack of a compact EVF option. No, there are a number of dealbreakers with this camera: no...

No EVF, no DCI, no prores internal—all high values in my book. But Sony has the better AF and a better selection of lenses.

As a hybrid shooter, my money is on Fujifilm—they can give more as they have no cine line to protect. It would be interesting to compare the XH2S and the FX30—in both stills and motion.

Great post! But my H2S does the 120fps in 4k DCI.

I owned the LC1 and it was the lens and form-factor that I like the most about that camera.

I would also investigate if the band is going through a mixer and perhaps tap into its output.

I would say that it has to do with the binning and line-skipping. Maybe try cropped mode where downsampling is employed. See if you get better results. Joseph

There is a down-side to this logic: ISO performance will be better with RP + 1.4x extender.

I find the 200Mbps to be more than sufficient—especially if the 8K footage is used in 4K projects.

And yet it's been going on since the introduction of the A9.

It all depends on the type of capturing—fast moving subjects would be an issue. As an example soccer ball could appear skewed. As for time-lapse captures, I've been doing it for years and haven't ...

4K 60p 10-bit color and a tilt-only lcd.