Atlasman

Great shot!

AFC does exist. It has eye/face/body AF detection. In single-shot AF using Panasonic native lenses, the system is responsive for most application.

I've been using Sony cameras since the NEX 5n. I currently own the A9 and the A6500. Last year I bought into the Panasonic S1for a number of reason—I'm a hybrid shooter, so I value both video and ...

The DP Journey has a two part series of ProRes Raw on the S1H—very informative and to the point,  here are the links:

I agree, recording voice can be like rolling the dice. I know, I've done thousands of recordings where sound is critical to the video—this is why I recommend a 24-bit audio recording. It's the ...

If I'm shooting footage with the A9, I set the standard picture profile to -2 saturation, -2 sharpness and -2 contrast. Then in post I grade to suit my requirements. Here's an example of A9 footage ...

If I were in your shoes, I would use an external recorder with clearly visible peak-level meters and record in 24-bit—this will give you extra headroom during recording. cheers! Joseph

In late 2018, as part of our retirement plans, my wife and I moved from the big city to a small community. This video represents some of the footage captured since our move. Cameras used: Sony A9, ...

If you can still find one (discontinued), the Roland R-7 is small. I have one and it works great!

C1 works great with S1 raw files.

I believe he was referring to the 5DMKII and not the R5.

Great piece!

After a ten year absence, I will be returning to the Mothership!

I my opinion, there is no benefit from recording 24p—unless your project is going to be viewed in a movie theatre. I believe that image resolution is king. Shooting at shutter speed of 1/48th sec ...

It appears that the L-Mount has not gotten the traction expected—at least not by Sigma. Sigma CEO has voiced disappointment in the market share and now they will be mostly focusing on APS-C lenses. ...

Yes, Ninja V with Z6 and internal on S1.

I shoot the Z6 (NLOG) and S1 (VLOG) and I'm having no problem matching color. So I would think that the S1H would be identical to the S1 when using VLOG.

It happened with Olympus. I owned the EM5 which had the tilt-only screen. Then in version two they went to swivel and all successive iterations have been swivel.

I was prepared to upgrade my XT3, but now I'll wait to see what the XH2 brings. If it is the same swivel out as the XT4, I'll sell off all my fuji gear. Panasonic did it right with the S1H.

I've been calling it the Japan Camera Cartel . It seems like the camera makers have divided the market up into slices and each plays in their own sandbox. Look at Olympus, who it seems are ...

Segmentation is a more accurate word to use over crippling—crippling is a word used by those who want more than they are willing to pay.