guyfawkes

guyfawkes

Lives in Birmingham, UK
Works as a Retired.
Joined on Feb 20, 2012

Comments

Total: 307, showing: 1 – 20
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In reply to:

guyfawkes: At Legacy GT.

The Canon Selphy 1200. It prints using dye-sub and can print to standard 6x4 inches. The battery pack is optional. I'm not into this sort of thing, and I haven't been able to find out if it will wirelessly connect to a wireless enabled camera, although it will with a smartphone or tablet. Given that the majority of smartphones now have quite good cameras on board, the results using the Selphy are likely to be much better.

Miki, I awaiting your next post when you tell me you've bought the INSTAX as well. :D)

Link | Posted on Aug 23, 2016 at 10:52 UTC
In reply to:

guyfawkes: At Legacy GT.

The Canon Selphy 1200. It prints using dye-sub and can print to standard 6x4 inches. The battery pack is optional. I'm not into this sort of thing, and I haven't been able to find out if it will wirelessly connect to a wireless enabled camera, although it will with a smartphone or tablet. Given that the majority of smartphones now have quite good cameras on board, the results using the Selphy are likely to be much better.

Miki, I'm pleased I was able to assist in your choice.

Link | Posted on Aug 23, 2016 at 10:13 UTC
In reply to:

tkbslc: I worked at a computer shop in 1997-1998 and the Floppy-based Mavicas sold like crazy. Although at that time, most people bought the more compact and cheaper versions that just had a prime lens (I think it was a 35mm eq. f2 lens)

There were a lot of drawbacks with floppies, but you have to remember that memory cards were crazy expensive. Even an 8 MB (yes Megabytes) card was $50 or more. So packing a few $1 floppies in the bag seemed like a nice alternative. Not to mention, you could just pop the disk in your computer without hooking up cables. And in the late 90s, transferring images wasn't as easy as just Autoplay on plugging in USB. Some of the cameras and card readers used Serial ports and a TWAIN driver like a scanner. So the simplicity of using a drive everyone was familiar with was very appealing to many.

Anyway, fun to bring back those memories.

You hit the nail on the head. We need to look beyond the, now, obvious imaging capabilities to how user friendly these dinosaurs were. And they were quite clearly fit for certain purposes demanded of them. Times move on and now we find people using multi megapixel cameras simply to post images on the net. Talk about overkill.

Link | Posted on Aug 17, 2016 at 14:00 UTC
In reply to:

OzarkAggie: I passed on the Sony and bought a Canon Pro70 which came with PhotoShop LE. It was very cool in 99 but a year or so later it went swimming in the Meramec River. One of the first to offer raw capture if I remember correctly.

I suspect it was even cooler after its swim. :D)

Link | Posted on Aug 17, 2016 at 13:42 UTC
In reply to:

mxx: I also started the digital camera age with a Sony: The V1 in 2003. It had a feature set which is impressive even by today's standards, like an infrared mode for shooting in total darkness, and laser focusing. It's 5 megapixels and quality lens mean that it's pictures will probably still be adequate for many uses today. It's tiny 1.5 inch screen was really too small, however.

I have one in my camera collection. But I find it too small and fiddly and the CD-500 beats it for IQ. They were contemporaneous and as I assume they used the same CCD 5 meg sensor this is odd.

Link | Posted on Aug 17, 2016 at 13:33 UTC
In reply to:

Brian Steele: I used to have one of the cheaper Maniacs. My first digital camera. Stopped working when it got dropped and the FD head went out of alignment. Probably something that won't ever happen with other cameras... :)

Brian, try dropping one. :D)

Link | Posted on Aug 17, 2016 at 13:24 UTC
In reply to:

sh10453: Just the looks alone were fascinating and intimidating back then.
We were working on a big project for one of the largest companies in North America, about 3 dozen of us, electrical engineers. We convinced management to buy one, especially for the convenience of the 1.44MB floppy storage.

The office assistance had a sign-up sheet, and when it was your turn to borrow it, she'd call you. People looked at you with envy and just wanted to ask about it. It wasn't affordable to many.

My first digital camera was a 1995 silver color Olympus, 500kp (one half a megapixel). People would look at me and shake their heads saying "what in the world do you need a 500kp for!!!".
Then in 1998 I upgraded to the Kodak 1 megapixel, and got even stranger looks!
Never mind the looks and comments when I bought the full frame Canon 5D with a set of Canon L lenses.
Those were the days!

Funny, to me he speaks with a distinctive US accent. I can understand, though, that to a native US speaker anything less than a home-grown pronunciation is readily identifiable. It would be the same for me hearing non-British people speaking English.

A French friend has lived in England since 1974 and she speaks excellent and fluent English but to me she hasn't entirely lost her French accent. Recently at a restaurant a French waiter could not place her French accent, guessing at all the French overseas territories before we had to enlighten him that she hailed from Paris! Oddly, she hadn't lost her French accident, but it seems it has been modified by living in England for so long. And to the waiter neither did she appear to have had her accent slightly Anglicised.

Link | Posted on Aug 17, 2016 at 13:21 UTC
In reply to:

Mike Sandman: The Mavica was a neat product for its time - 1999 - but the use of a floppy disc drive highlights how much changed in just the next few years. By 2002, there were 5 MP sensors and 256 MB CF cards, which left the Mavica in the dust. The shrinking cost of sensors and memory were omens of the limited future of film.

It's interesting to note that after the Mavica, Sony stepped back from the leading edge, sticking largely with small sensor cameras, while Canon and Nikon stepped forward with practical DSLRS. Now Sony seems to be intent on reclaiming its position as an innovator, a position they held briefly with the likes of the Mavica.

@Hasa. And not forgetting the F828 battling it out with the other first 8meg cameras coming on the scene in 2003 from the likes of Canon, Nikon, Minolta, and my favourite, which I purchased, the Olympus W8080.

Link | Posted on Aug 17, 2016 at 12:52 UTC
In reply to:

Ben Stonewall: Sony were quite innovative back in the day.

Ben, quite true. Something internet trolls railing against modern Sony tend to either forget or not know.

Link | Posted on Aug 17, 2016 at 12:39 UTC

I never used one of these early Sony digicams but they are today digital curiosities and part of history. So a few years ago I did acquire an FD71, floppies only, then an FD200 which used floppies and memory stick and up upped the resolution to 2meg. But the piece de resistance is my CD-500, a 5meg beauty using 8cm CD's and CD-R's.

I am very surprised by the image quality the CD-500 produces. Very sharp and clean images, and better in my eyes than a contempory Canon G5 I owned. It uses the same readily available FM50 battery as my R1 and the only downside to running it today is the lack of availablity, at least here in the UK, and high price of the discs. Fortunately I bought in a stock of 40 CD's and 10 CD-R's, so the camera isn't a dodo.

Link | Posted on Aug 17, 2016 at 12:32 UTC as 9th comment
On article Meyer-Optik Goerlitz launches 3-element 95mm F2.6 (123 comments in total)
In reply to:

reedjecdf: Warning to all.
Meyer-Optik-Görlitz does not exist as a Company and is not registered as such. The brand named lenses Meyer Optik are manufactured and distributed by GLOBELL, this is the text I have received from them
"Meyer-Optik-Görlitz is only a brand name, not a company. Globell and net SE are the companies that produce and distribute the lenses under the brand name Meyer-Optik-Görliz.
Buyers be aware before sending any money.

@Cameracist. Not really. Pentax and Ricoh have a history of producing excellent cameras and lenses (from wherever they are sourced) and this company doesn't. Instead it is using an old lens maker's name to peddle expensive lenses without a pedigree. In their day Meyer made entry and middling lenses for the likes of Pentacon, Praktica and Exakta. So-so performance when stopped down but apart from the current fad for the Trioplan, just cost effective lenses for cheap cameras.

Link | Posted on Jul 24, 2016 at 17:07 UTC
On article Meyer-Optik Goerlitz launches 3-element 95mm F2.6 (123 comments in total)
In reply to:

HG Well: I Doubt that this Lens is made in Germany; Meyer-Görlitz is not a German company (anymore). It is just a marketing trick. Maybe they do a little tiny bit of the production process in Germany, so they can use the Label "Made in Germany".

Your observation goes back to the old argument about what "Made in xxx" actually means. It has been applied to parts fabricated elsewhere in country XX, and then shipped and assembled in country XXX. Then the fully assembled item is marketed as "Made in XXX". To others, Made in XXX means the whole process of manufacture to full assembly has to be carried out in the same country.

It is, as you say, a marketing ploy to take advantage of the perception that if it is Made in Germany it must be better. Not always so.

Link | Posted on Jul 24, 2016 at 15:59 UTC
On article Apple planning to open imaging research lab in France (43 comments in total)
In reply to:

Baba Ganoush: Grenoble is a high-tech city with lots of research centers, an excellent university (Joseph Fourier), and on top of that it's very livable. The graduates of French universities in the physical sciences are top-notch, among the best in the world.

PS: I have to add that their university students are the politest in all of France. When my wife and I were visiting there and traveling on their light rail (tram) system, they kept standing up to offer us a seat, the young whippersnappers!

Lots of Brits did take note, as you know, and decided it was no longer for them.

I note that the Frenchwoman, Christine Lagarde, head of the IMF, and who rolled out dire consequences if the UK left, is to face trial for alleged negligence in office. This has nothing to do with this dpr article, as much as yours doesn't.

No doubt you are weighing up your options and judge the time when it will be most economically convenient for you to leave. You would be welcome to stay, so the decision is yours.

Link | Posted on Jul 24, 2016 at 15:39 UTC
In reply to:

marc petzold: Just for example, my old, beloved Sony DSC-R1 is 24-120/2.8-4.8, so this superzoom Zeiss is not only does feature much more reach from focal length terms, but also even faster from speed, on both ends - really amazing. The R1 lens was worth alone 1000 bucks back into 2005...and the R1 onto it was basically free. ;)

Marc, I missed your reply, but yes the lens is a cracker. Dpr's review is still on site and I was surprised to be reminded of how it compared to the Canon equivalents needed to cover the same focal length and quality. Also the number of "Firsts" it debuted with.

Link | Posted on Jul 14, 2016 at 12:10 UTC

At Legacy GT.

The Canon Selphy 1200. It prints using dye-sub and can print to standard 6x4 inches. The battery pack is optional. I'm not into this sort of thing, and I haven't been able to find out if it will wirelessly connect to a wireless enabled camera, although it will with a smartphone or tablet. Given that the majority of smartphones now have quite good cameras on board, the results using the Selphy are likely to be much better.

Link | Posted on Jun 30, 2016 at 09:56 UTC as 3rd comment | 4 replies

@ Simon Joinson. That is exactly what I found. The moment I logged in, back came my preferred black screen. Super.

Link | Posted on Jun 30, 2016 at 09:39 UTC as 11th comment

The litmus test. I tried viewing in the white mode for a little while and found it was uncomfortable. Switched back to the black mode, no problems viewing over extended period. There has to be a reason why black works better. Not scientific, I know, but having a large expanse of white hitting my retina when I am trying to differentiate small black text from the glare of the background must have something to do with it.

Link | Posted on Jun 30, 2016 at 09:34 UTC as 12th comment
On article Hands-on with Hasselblad X1D (810 comments in total)
In reply to:

AJDVD: I wish there would be a real medium size digital alternative for 6x6 or 6x7.
Do not forget nominal 37.52cm2 for a 6x7 Mayima film camera. While the Hasselblad or any other sensor is just 21.69cm2. With all the consequences in depth of field, color-resolution, etc.
Please Sony make a 56X56 or 56x67 sensor.
Of course it means larger lenses and body but think about a modern version of Fuji's analogue folder.
Dreaming because those sensors would be really expensive right now.

I suppose if one could do without AF, the lenses could be just the same size as the original Zeiss lenses for the 500 series. And these lenses weren't that bad, either. :D)

Link | Posted on Jun 23, 2016 at 09:53 UTC
On article Hands-on with Hasselblad X1D (810 comments in total)

Can't see on the Hasselblad site any reference to IS, in-body or lens, nor in-built sensor cleaning. Or does the physical size of the senor preclude such niceties?

Link | Posted on Jun 23, 2016 at 09:47 UTC as 112th comment | 3 replies
On article Hands-on with Hasselblad X1D (810 comments in total)
In reply to:

lucinio: Who made lenses ? Nikon, Fuji or...?

Lenses are not made by Fuji, but another Japanese company, Nittoh, not Nikkoh.

Link | Posted on Jun 23, 2016 at 09:26 UTC
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