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Picked up my GF 20-35 yesterday and was "happy snapping" in the Palm Springs area on the way home. Dark (and windy/dusty) desert highway... 40 mph wind in my hair... Rand
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Simon, Thanks for reporting. Looks to me like there isn’t a large enough user base to make anything much of the anecdotal evidence. Since the problems encountered are real, I’m going to guess a QC ...
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Thanks for reporting! Rand
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Thanks for reporting! Rand
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Not so far. Yours seems to be the only one I’ve read about that just locked things up “every single time” right out of the box, so to speak. Rand
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Thank you for reporting. Well that’s 4 of them … perhaps more than a coincidence? Rand
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I’m looking forward to picking up my new GF 20-35 sometime this week. I had rented one from a well known and reputable lens rental company to test for a week. During the rental period, during one ...
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“ My problem with Pure Raw is that it always sharpens, even if you turn Global Lens Sharpening off. On the other hand, DxO PhotoLab can turn off all sharpening, often reducing artifacts compared to ...
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“Funny you should mention this…” as the old saying goes. I’ve just spent the last week testing for this exact question. I’ve tested with files ingested into LR at “default” settings from the ...
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Bob, Something to try. Get some black construction paper and mask off the area of the light box that “isn’t being used” to back light the area being photographed of the slide / negative. There ...
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Just go with your gut. The speed and tracking of the “s” model notwithstanding, all the discussion about megapixels and dynamic range are not really probative in light of today’s processing ...
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This might work: https://smile.amazon.com/Removable-Repositionable-Silhouette-Turner-Moore/dp/B07WW6XNTH/ref=sr_1_9?crid=2ZGEGDVX7WPZH&keywords=black%2Bremovable%2Bthin%2Bvinyl&qid=1673832432&spref ...
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I’m using only GF native lenses. Love them. But my friend David Brookover has been using various adapted “high-zoot” lenses including his Zeiss Otus 85 for 1:1 images on his GFX cameras. Fabulous ...
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Just soft proof it. That will get you 95% of the way there. https://www.youtube.com/watch?v=UjoR14VxKJ0&t=2s Rand
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The latter approach is the only one that makes sense to me. The whole point of soft proofing is to make the “ink on paper” look as much like your preferred editing of the file “on the monitor” as ...
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The gamut warning in Lightroom Classic’s soft proof module is boolean. Almost worthless re providing useful information for soft proofing. Rand
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https://www.lensrentals.com/blog/2008/10/front-element-scratches/ Don’t think small dust particles amount to a hill of beans. Rand
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Something is wrong. Contact Fuji with this info. Rand
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Yup…. soft-proofing this paper is challenging. It usually takes at least one hard proof to dial it in. Rand
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If you want something different, try Hahnemuhele Photo Rag Metallic. Some landscape images look wonderful on this paper. Rand
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