MiguelATF

I've owned not one but two K200D's and found them both wonderful cameras: relatively simple control-wise and not necessarily the fastest focusers but capable of such beautiful images. And rich RAW ...

One more - an impromptu available light portrait, taken with the DA 21, in a local coffee shop.  The RAW negatives this camera produces are rich and lend themselves beautifully to monochrome ...

I have to totally agree with you, Joe: it IS a gem. And...so fun to shoot with :)

This was taken on a stroll, with the DA 40 Ltd Another, taken on the same stroll. Something about the way this lens renders color and colors, just gets to me. And finally an indoor available-light ...

Thank you, Richard.  Truth be told, though I haven't owned my DA 40 for that long, it is (also) rapidly becoming one of my favorite lenses as well.

An image taken on a cold, dark, foggy and overcast day - the last day of the year here in southern Oregon - with my KP and the SMC DA 40 Ltd lens, which I don't usually think of as a landscape ...

The light in these shots is really very nice.  So are the shots themselves ;)

The shot of the river - and the quality of light in it - is (are) quite beautiful.

My third and final entry was taken in September, when I spent a few days at the Oregon coast, visiting an old friend.  One day I was driving up the coast and I spotted what could only be described ...

Taken in late November, when I drove to a neighboring town to get a haircut. The barber shop is a cool, eclectic spot which reflects the eccentric and personal tastes of the owner. I had to wait ...

Okay, Peter...I'll bite.  Although it is truly hard for me to say which pictures I like best, let alone why. But I am pretty sure this is one of them. It was taken on a cold winter day at the ...

Taken with the DA 40mm Ltd, a lens I am growing more and more fond of the more I use it. Lightly processed in Lightroom and the Analog Efex plugin from Nik.

A few more quick images from the KP which I have now had for several weeks...and which continues to impress me for a variety of reasons. First, a semi-close-up-macro shot taken with the 10-17mm ...

Beautiful shot, Alexey. I think what I like the most about it, is the sense of light it conveys - and the extremes of brilliance and deep shadow. Personally, the so-called blown highlights of the ...

I have to say, Peter, for my own admittedly quirky tastes, I quite like the way the photo is with no cropping. I like the relative brilliance of the upper row of hotel windows - in a way, for me, ...

A thoughtfully judged challenge - props to Peter Bendheim's winning image - it's a great shot, Peter, and one which I personally kept coming back to and staring at, over and over again.  Lainee's ...

My entry - light from a window in a dark room. Which for me is close to the definition of the Italian word 'chiaroscuro':  an effect of contrasted light and shadow created by light falling ...

Ditto on the previous comments. After literally decades of shooting with both analog Pentaxes - including Spotmatics and MX's - and great DSLR's - including the late and underrated K200D - I ...

I recently bought a KP but also shoot with mu43 as well.  I used to have a GX7 but replaced it with the larger GX8, mainly because of the amazing EVF which was worth it for me.  But I must also ...

One more - a landscape shot just before sunset, with the oh-so-tiny DA 40mm, a lens that's so small it almost seems like there is no lens on the KP. taken on a cold, cold Oregon winter ...