bmike

Again, depends what story you want to tell (and did a little work on the fog) Also - you have some brush work you need to tidy up:

Depends on what story you want to tell...

Thanks. Yes, I was surprised I liked the cooler tones as well after I shot them. I can say now that I'm longing for the warm tones - been gray and cold here the last few weeks... Please visit - we ...

Thanks Tim. Will chew on comments via PM. Had not though about 'big sky' turning 2d when presented as such, as opposed to overarching volume as I see and feel it. I work in 3d (design for humans to ...

I feel like the second image wants to be a vertical. And I’m initially thinking that the structure wants to break the horizon so you have to get lower, but I can see the stark geometry of the ...

Can you post the color versions?

Waterfront, Reflection, Framed

Bridge, Stars

Bridge, Star Trails

I generally title all of the pilings starting ‘Three’ so, yes, numbers are a fine way to comment on those.

A few from here in VT. I've been shooting these pilings in the lake every couple of weeks for the last year and a half: And right nearby is North Light:

I think it is too tight a schedule. Lots of windshield time. Lots to see in between, places to stop, and, to be honest, most of those places have been photographed a thousand times before (but I ...

Eric - thanks for the detailed setup. That Z bracket idea is great... I think I will order one. Would enable me to ditch my nodal setup / gimbal...

Love mine. I moved from an M6, so no comparison to the 6d, but I think all the hand wringing is over the top, and it is a fine camera. (Roger Clark is using the mk2 as well, not that it matters ...

Everything is nearly abstracted I feel like doing the same to the water might help... Quick and hasty concept attached. I think this is a bit too smoothed out, there's a balance to find.

I see what you are trying to do with the water as the anchor - maybe take it into PS and surface blur it or blur it enough to abstract it - keep it heavy / dark, but just try to smooth to the texture.

I have used this method many times, before getting the polar scope for it. Use the compass / inclinometer gauge, and if I can see polaris sight through the little eye hole. Or take my phone with ...

I use the ball head to simply level the pano / nodal setup. From there I proceed as normal to key in my location in my sequence. It makes overlap and sequencing easy (for me). I've also shot with ...

The setup was being used with a Canon M6 and the EFM 22 and the Sigma 35 with no issues. I have used it once with the Sigma 85 on my 6d Mk2, but have not done significant night work (weather, ...

Yes. Sort of silly that a tech site can't read embedded data correctly. Not to mention needing flash to enter challenges.