9VIII

https://www.dpreview.com/reviews/image-comparison?attr18=daylight&attr13_0=canon_eos_r&attr13_1=canon_eos5dmkiv&attr13_2=canon_eos6d&attr13_3=canon_eos1dx&attr15_0=raw&attr15_1=raw&attr15_2=raw&at ...

Fuji is fine with APS-C because they're making appropriately fast lenses. Fuji 8-16f2.8 vs Canon 11-24f4.0, Fuji 200f2.0 vs. Canon 300f2.8. Canon's 50f1.2 does have a slight advantage over Fuji's ...

Not APS-H, what we need is a 1:1 sensor, 24mm x 24mm. The Sigma 18-35 looks great if you shoot 1:1. (And if not 1:1 they should at least make a 4:3 sensor, I don't know if cutting the sensor down ...

The only logical launch date for an X-H2 before 2022 would be 2020 in anticipation of the Tokyo Olympics. Fuji will launch "Something" really good in early 2020, and push it all over the Olympics, ...

The film simulations are great, and for me X-Trans matters because when you're shooting Macro there's a lot of potential for Moire. Really it's amazing that we don't have X-Trans or other non-bayer ...

This is nothing but your opinion, and really just off topic. You're ignoring the fact that sensor readout data is heavily modified before being recorded as a RAW file. For your assertions to be ...

So, what you're saying is, each camera does have unique colour science, but Adobe has gone out of their way to create unique profiles for each camera that neutralizes the natural output of the RAW ...

My point is that the only practical difference between JPEG and RAW is that the RAW file hasn't been through the demosaic process and it contains full bit depth.

I see someone watched a Tony Northrup video and believed everything Tony said. https://www.dpreview.com/reviews/image-comparison?attr18=daylight&attr13_0=canon_eos1dxii&attr13_1=canon_eos_r&attr13_ ...

You can see the exposure values on any image in the DPReview Studio Scene tool. RAW files in the tool are always the same exposure, but with JPEG a lot of different cameras jump around in shutter ...

I used to say that IBIS is a negative factor because the floating sensor can't have a heat sink on it, but after seeing the teardowns of EOS-R and Nikon Z recently, I can't see any reason to think ...

One of the most interesting things about this subject is that Instax is one of Fuji’s most profitable products. Most companies probably would have abandoned the ILC market by now if they had a ...

Good. Fuji X is the only system with a truly homologous ecosystem, every body works ideally on every lens, there will never be a Fuji X body that suddenly is gimped as soon as you put it on Fuji's ...

I still say there was nothing that could be done to avoid the downturn, the sales of Smartphones has nothing to do with "Enthusiast" camera sales dropping, and this is entirely a case of market ...

For me, what puts Fuji over the top above Canon is the DR% settings. There’s no way to tell a Canon to compress 10 bits of colour data into an 8-bit file. Fuji can perform what would otherwise be ...

Since getting the X-E2S this spring I’ve been deleting files in camera constantly. After about 5,000 images (~6 months of photos) and never reformatting, I had a read error, but the PC read the ...

https://www.dpreview.com/reviews/fujifilm-x-t3-first-impressions-review/6 So the X-T3 produces more noise at high ISO... What Is, "Noise?" The X-T3 is clearly very (very very) "Grainy", BUT ...

I suppose that is another caveat. Full Frame has potential for more Dynamic Range "at the same resolution". For the application of Landscape most people want maximum resolution and dynamic range, ...

The Sigma 50mm ART weighs and costs twice as much as the 35mm Speedmaster (currently on sale for $420), that’s a lot of room to make a better 35mm f1.0 lens. Take two lenses of the same size and ...

We'll just have to ignore that I had the lights on the wrong side so the top half is bleached out. The SOOC JPEGs are using a lightly enhanced profile so RAWs are linked underneath. Kamlan 50mm at f1.1