Scott Eaton

Kodachrome may have lacked dynamic range and had the lattitude of a razor blade and had proprietary processing, but it had better midtone detail over Kodak's sludgy E-6 emulsions. Kodachrome's...

Since most labs ran Kodak control strips the only way to get maximum quality from Fuji E-6 was to manually process it. Fuji E-6 films required extended color developer times that wasn't quite in...

Color slide film nor color neg film "is corrected in processing". Color neg film can have some degree of color correction applied during analog printing because color C-type paper is essentially a...

Stability testing for rough estimates doesn't nee to be THAT scientific :-) Make three test prints of the same subject. Store one in a box, another under normal room light, and the 3rd taped to a ...

The above crops from Silverfast show siginificant sharpness improvement over the Epson and Vuescan samples. It's not subtle...it's significant. Not sure what changed, the editor here needs to...

The only thing you need to get Brownie is you are right. Shooting film is like painting without showing anybody the painting, or spending a lot of time shooting a video and then never showing...

If you're going through the effort of printing on classic B&W paper do it right and use fiber. RC B&W paper doesn't even have the density range of Color RA-4 papers and it was invented to be cheap...

At one point in the early 90's Kodak Vericolor III accounted for 60% of professional print film saes industry wide. There were some professional labs that would only accept VPS III as the only...

Minolta was one of the first to dive head first in the AF / enthusiast segment and this is probably what kept the company going. Their Maxxum series was well regarded by amatuer shooters, sold well...