Slaginfected

High ISO (the nastier parts) Just to give you an impression what to really expect. The studio scene is not the best example of all the real world ugliness you will encounter. And sure, the ...

He works on a different technology than our current sensors, which will (hopefully) solve a few existing problems (I'm looking forward to it). There are even prototypes of that already, albeit ...

Well, that's sidetracking the argument, isn't it? I was talking of sensors of comparable tech level. Sensors are always a compromise. I see it similar to tabletops where you have a fixed amount of ...

Read this interview: https://www.dpreview.com/interviews/4571668362/sony-interview-our-focus-is-to-increase-the-overall-market Aside of the fact that Rishi seems to have mental conflicts sorting ...

Sorry for having not added my thought context. I was referring to using same pixels as for example current µFT or 1" cameras and put them on a lets say FF sensor. This doesn't change the quality ...

Look at µFT cameras. Want more resolution? Look at 1" cameras. Want even more resolution? Look at that crap you get out of compact camera sensors and the garbage from smartphones. Ever checked the ...

The time I mainly used the 5D3 I also ended up with broken shots, mostly of the pink kind shown/referenced by the OP. As it was visible both in the JPG preview as well as the RAW it was clear that ...

This one. Got me one pretty much on release date right before a longer vacation and am happy I spent that money on it. It couldn't hold any water to my 5D3 under normal conditions, but the 5D3 ...

A7s.

Thing is, the 24-105/4 employs an IS. So as long as the camera is capable focusing with it, you can get away with slower exposure times, because the IS will compensate for that up to a certain ...

The suggestion has been mentioned already: Probably best to check the narrowed down options out. Stuff like viewfinder, how good it feels in your hands, AF behavior or similar will be a make/break ...

I know, and it isn't the first time I run into this discussion, either. Contrary to most I discuss this with (and also most who review it), I have a big amount (high 5-digit if not low 6-digit) of ...

That depends what you define as "low light". The A7rII is pretty good, but an A7s is even better. Also, the AF of the A7rII starts to stumble in low light, especially compared to the central focus ...

RGBW has about the same color reproduction capabilities as RGGB (there are some papers looking into various color patterns and I think this was the one of the results). You will gain some ...

I have a medium quality LED stage light here, and the "flicker" frequency is somewhere in the low kHz range. That is fast enough to see "banding" with mechanical shutters. In return it means that...

Part of the reason is that these 8 bits in JPEG come out to about 11 bits linear. Due to the missing tonalities in some areas (you do map 8 bits to ~11, so there must be steps somewhere) you can ...

Here in the city we had processed prints from the iPhone6 8MPix camera hanging around as advertisements. Most were larger ad prints (around 4x3 yards), one I've seen was like 10x8 yards or ...

Modern tech stuff is complicated, and the article snippet one can read without subscribing isn't showing much. Why do I say complicated? Because there has been banding in other cameras which ...

Obviously you've never seen such banding with a mechanical shutter, because I did. As long as there is no global shutter mechanism you will always find ways to produce such artifacts. Dunno why...

Please don't mix up the compression used in Sony cameras with the 12bit signal handling applied for full electronic shutter modes in the A7 series cameras so far (Jim has put up some articles in ...