iae aa eia

iae aa eia

Lives in Brazil Belo Horizonte, Brazil
Works as a English school coordinator and EFL teacher
Joined on Jan 13, 2011
About me:

I was born in João Pessoa, Brazil. I lived in a few other cities in three neighboring states in the northeastern region before moving to where I currently live, about 1,300 miles away down south. Back then, photography was not offered at colleges and universities, and I never got a higher education. I tried to get in the AirForce—they offered the career of aerial photographer (don't know if they still do)—but I could not get in because they detected a health problem. I tried to work with social photography, and shoot a couple of birthday parties and some portraits, but I wasn't successful. I liked the experience, but I had never been a very social person and the few clients I got had been with the help of my mother.

I was living by myself and in a different city, and I was not able to prospect any clients by myself or get any indication from the few folks I had done work for. I was just to shy to ask for indications. I had some issues related to lack of perseverance. I was constantly feeling down since my later teenager years. I ended up giving up and working with motorcycle sales, an area in which I was also unsuccessful because it had to be socially more engaged as well, but I thought that it was going to work just because I liked motorcycles. After, I found an opportunity to work at those 1-hour photo labs/shops as a minilab operator. Now I was able to do a better job, probably because I didn't need to have high social skills. I worked isolated most of the time. As a minilab operator, I was considered one of the best at all the places I worked at, thanks to the fact that I loved photography, read a lot of technical literature, and learned how to operate and maintain those machines from very good folks. One of them had worked at a Kodak laboratory for more than a decade and opened a photo lab along with two other business partners, and it was the first photo lab I worked at. The other one was a Noritsu consultant/technitian.

I started to get socially more engaged after I got involved with the church of Christ. If I was as socially engaged as I was after 2 or 3 years attending church and doing volunteering work when I started shooting, the story would have been different. Since I got involved with church, I have been often in contact with Americans and my English improved considerably.
It was because of that that I had my first opportunity to teach English, helping some classmates at a course I was attending in which English was an asset. My classmates noticed that I liked teaching and taught well, and they encouraged me to be an English teacher.

After about six years working at at least four schools, I got the opportunity to have my own business, an English school franchise for private classes. This opportunity was offered me by the current company I had been working for as a teacher for two and a half years, but only if I moved to a pretty far city, where I live now. My current hometown is cooler and drier (I had terrible headaches in the Northeast because of the heat and higher humidity), it's also good for business, a little more developed, the fried and cooked food is amazing (except baked stuff, nothing special), and the accent is among the nicest in Brazil (if not the nicest).

INITIAL INTEREST IN PHOTOGRAPHY
The first camera I've ever shot with was my mother's Kodak Instamatic 177XF, in the 80's; I used to disassemble and assemble it quite often. The first contact I've ever had with photography literature was still in the 80's, when the husband of a distant relative of mine gave me a photography guide composed of two magazine-sized and four less-than-letter-sized books. Each one of the magazine-sized books was divided into many sections, like cameras, lenses, flashes, framing, darkroom, techniques, pro-photographers' galleries, etc; and the other four books focused on specific photo subjects. Only photos and commentaries in them. One was about people, the other was about women, another one, about nature, and one about architecture. I loved that kit. Decades later, already late 2000's, when I was able to understand English much better, I could compare them with many other guides and I realized that they were quite complete and technically accurate. Really good stuff for Brazilian standards. It was probably the translation of an American guide.

In 1993, I was living in a city called Natal. I was riding a bicycle when I decided to stop at a newsstand located at a supermarket for a quick look at the magazines, as I used to do. I wasn't looking for anything in particular and didn't intend to buy anything, but while I was browsing, I saw that beautiful red glossy cover magazine with lots of SLRs on it, standing on the top shelf. It was the December's 1993 edition of Petersen's PHOTOgraphic magazine. I was in awe, thinking, "Wow, look at that!" (in Portuguese, of course). I had never seen such an appealing cover (uncommon to Brazilian magazines at that time) and that rich content in terms of equipment. I decided to buy a compact Collins Gem Eng-Port Port-Eng dictionary and a calculator in the same week I bought that magazine, and spent the whole month trying to translate most of the magazine's content and converting feet to meters, inches to mili/centimeters, and pounds and ounces to (kilo)grams, and even dollars to royals (our currency, or 'real/reais' in Portuguese)—well, I started doing currency conversion from 1996 onward, as there was no 'real' in 1993, but only a temporary, transitioning currency in 1994, and I was still not interested in currency conversions by 1995). I continued to buy issues of that magazine for the next 6 months. At first, equipment ads, gear guides and articles, and shopping catalogs where the sections I read the most.

FIRST JOB IN PHOTOGRAPHY
In 1996, I was living in Guarabira, in the neighboring state, and the owners of a photo shop in Natal called me and invited me to move back there and work as a minilab operator. That was my first job. I knew the folks there because they didn't have access that kind of magazines and I used to go there to show them to them and talk about photography, and we enjoyed that a lot and we became friends. While I was working there, and SLR-wise, I had the chance to handle (not only, but more extensively) some very nice cameras like the Nikon F3 and FM2, Minolta Maxxum 9xi and X-370, and quite a large variety of Pentaxes, like the K2000, ME, and P30t. There were other cameras from same said brands and other brands, like Vivitar and Yashica. Canons were rare; I don't know why. I can't really remember handling a single SLR, except compacts. But, two brands I wanted so much to have an opportunity to see live were Contax, Ricoh, and Zeiss. I just drooled over seeing pictures Contax bodies and Zeiss lenses. Even one or two of Contax compacts. I also wish I had seen more Olympuses' SLR's. I also drooled over its µ-II.

I'M GONNA ADD MORE LATER.

iae aa eia's recent activity

Activity older than 12 months is not displayed.
iae aa eia has not added any gear yet.
Total messages 3
Threads started 0
Last post Apr 18, 2011
Total comments 275
Total likes 347
Last post 5 days ago
Total reviews 0
Entries 0
Votes cast 0
Photos uploaded 0