iae aa eia

iae aa eia

Lives in Brazil Belo Horizonte, Brazil
Works as a Coordinator and EFL Teacher
Joined on Jan 13, 2011
About me:

I was born in João Pessoa, PB, Brazil. I lived in a few other cities, but always in the Northeastern region. I got frustrated about how marginalized the professions I had chosen are in Brazil and ended up never going to college. I worked briefly as a photographer. I loved it, but since I have never been a very engaging person socially speaking (probably due to depression I found out I had much time later) and could not get any help (the closer I got to it were people thinking about it more like a laziness issue, and convincing me of that, making me isolate myself more and more), and I ended up giving up. Then, I worked with motorcycle sales and also with photo shops operating minilabs.

I then got involved with the church of Christ and I started to be able to look at myself in a clearer way and realize the problems I had and what I needed to do. During this time, I improved my English a lot by often being in contact with Americans, and I was encouraged to teach English. After about six years as a teacher, I got the opportunity to have my own business, a franchise especialized in private English classes. Although I had got a whole lot better, but still aware of my insuficiently high and constant positive mood, that kept me from continue being a photographer back then, I now work with a person that is an expert in marketing, the kind of profissional that, if I had back then, I would have been a 20-year-career photographer by now. Along with this business, came the first opportunity to leave the Northeastern region of Brazil.

The first camera I have ever shot with was my mother's Kodak Instamatic 177XF. It happened to me to work as a photographer in the 90's, but I always had problems working by myself (not having the skills to do that marketing thing; socializing and stuff; and thus, feeling discouraged) and I didn't care to find a partner. What I needed was someone to help me promote my work, just as described in the previous paragraph. I don't work with photography, but I can say I still do something I love. I have always liked English, so it never gets old. And most things I've learned through reading, including photography, were written in English.

The first contact I've ever had with photography literature was in the 80's. The husband of a distant relative of mine gave me a photography guide composed of two magazine-sized and four less-than-letter-sized books. Each one of the magazine-sized books was divided into many sections, like cameras, lenses, flashes, framing, darkroom, techniques, pro-photographers' galleries, etc; and the other four books focused on specific photo subjects. Only photos and commentaries in them. One was about people, the other was about women, another one, about nature, and one about architecture. I loved that kit. Later on, when I was able to understand some English, I could compare them with many other guides and I realized that they were quite complete and technically accurate. Really good stuff for Brazilian standards. It was probably the translation of an American guide.

In 1993, I was living in a city called Natal, RN. I was riding my bicycle when I decided to stop at a newsstand located at a supermarket for a quick look at the magazines as I used to do. I wasn't looking for anything in particular and didn't intend to buy anything, but while I was browsing, I saw that beautiful red glossy cover magazine with lots of SLRs on it, standing on the top shelf. It was the December's 1993 edition of Petersen's PHOTOgraphic magazine. I was in awe, thinking, "Wow, look at that!" I had never seen such an appealing cover (uncommon to Brazilian magazines at that time) and that rich content in terms of equipment. I decided to buy a compact Collins Gem Eng-Port Port-Eng dictionary and a calculator in the same week I bought that magazine, and spent the whole month trying to translate most of the magazine's content and converting feet to meters, inches to mm and cm, and pounds and ounces to kgs, and even dollars to royals (our currency, or 'real/reais' in Portuguese). I continued to buy issues of that magazine for the next 6 months. At first, equipment ads, camera and lens guides and articles, and shopping catalogs where the sections I read the most.

In 1996, I was living in Guarabira, PB, and the owners of a photo shop in Natal called me and invited me to move back there and work as a minilab operator. That was my first job. I got to know the folks there because they didn't have access that kind of magazines and I used to go there and take mine and talk about photography, and we enjoyed that a lot and we became friends. While I was working there, I had the chance to handle some very nice cameras like the Nikon F3, FM2, Minolta Maxxum 9xi, and some others from Pentax. Canon was rare.

Comments

Total: 209, showing: 61 – 80
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On article Fujifilm X30 (beta) real-world samples (95 comments in total)
In reply to:

iae aa eia: I hope Fujifilm feels they have proved to their consumers and to themselves they could do a heck of a corrected lens, a heck of a sensor,... a heck of a very good camera that can deliver a heck of good image quality from this stupid little sensor (not stupid in a phone, though) and launch its successor with 1" sensors. Please, Fujifilm, satisfy yourself with this 2/3" once for all, will you? Or, just get into the phone industry!

Yes, Jones R, they are used in professional, broadcast-quality video cameras, and I don't see a problem in that, either, but I think you posted your comment in the wrong place, because it has nothing to do with this particular discussion.

Link | Posted on Sep 6, 2014 at 02:55 UTC
On article Fujifilm X30 (beta) real-world samples (95 comments in total)
In reply to:

iae aa eia: I hope Fujifilm feels they have proved to their consumers and to themselves they could do a heck of a corrected lens, a heck of a sensor,... a heck of a very good camera that can deliver a heck of good image quality from this stupid little sensor (not stupid in a phone, though) and launch its successor with 1" sensors. Please, Fujifilm, satisfy yourself with this 2/3" once for all, will you? Or, just get into the phone industry!

Yes, I do. It's just that it doesn't make much sense to me a decade and a half later and companies are still investing heavily in enthusiast models with sensors as small as back then. I now there's a public for that, though. Compared to 1/1.7, there is 35 % more area in the 2/3, but in the 1-in, there is 100 %! Quite a difference. So, though not necessary, Fujifilm could fit 24 mp in a 1-in sensor and the pixels would still have the same size as they have in the X30 sensor. You see? Not that much of a problem. Should they had it, they just may had to have a little less bright lens (or with shorter zoom) in order to keep similar dimensions. Even a 28(or 24)-90mm with same aperture or a 28-112mm with 2.4-3.4 would be more interesting. Imagine yet a 1-in sensor with those 12 mp only? Pixels twice as large... Don't forget there will be new 1-in models and rumors say the LX7 successor will have it.

Link | Posted on Sep 4, 2014 at 14:19 UTC
On article Fujifilm X30 (beta) real-world samples (95 comments in total)

I hope Fujifilm feels they have proved to their consumers and to themselves they could do a heck of a corrected lens, a heck of a sensor,... a heck of a very good camera that can deliver a heck of good image quality from this stupid little sensor (not stupid in a phone, though) and launch its successor with 1" sensors. Please, Fujifilm, satisfy yourself with this 2/3" once for all, will you? Or, just get into the phone industry!

Link | Posted on Sep 3, 2014 at 13:19 UTC as 7th comment | 8 replies
On article Opinion: Do we really need the Fuji X30? (320 comments in total)
In reply to:

iae aa eia: The problem with this kind of cameras is that the body looks big compared with the lens (or the other way around). The front lens element would be larger if it came with a 1-inch sensor and it would look even better (or perfect), I guess. You know, from 2/3" to 1" is not that a big step upwards, even considering costs, since 1-in sensors are widely produced already.

"Do we really need the Fuji X30?" Perhaps those who missed the bandwagon, are curious to see how better such small sensors have become, or simply want something nicely retro but doesn't know or care about sensor size, yes. Others, me included, don't. In a single answer: we don't.

Yes, it is going to change how I feel about it, man. Knowing the sensor is big makes me be less exigent about seeing a smaller lens. I take the sensor size/body/lens into consideration. I do prefer a bit bigger lens, but if this camera were a 1", for instance, but having the same proportions and the lens the same zoom range (and extending outwards the same amount), I wouldn't mind the lens size the same way I mind the X30, because I know it would require more technology to the lens and maybe even less aperture.

Link | Posted on Aug 31, 2014 at 17:20 UTC
On article Opinion: Do we really need the Fuji X30? (320 comments in total)
In reply to:

iae aa eia: The problem with this kind of cameras is that the body looks big compared with the lens (or the other way around). The front lens element would be larger if it came with a 1-inch sensor and it would look even better (or perfect), I guess. You know, from 2/3" to 1" is not that a big step upwards, even considering costs, since 1-in sensors are widely produced already.

"Do we really need the Fuji X30?" Perhaps those who missed the bandwagon, are curious to see how better such small sensors have become, or simply want something nicely retro but doesn't know or care about sensor size, yes. Others, me included, don't. In a single answer: we don't.

I forgot to mention that that Nikon and Contax you mentioned are 135 format and their lenses have to be A LOT smaller if they want such compactness. Absurd comparison.

To each his own? Sure, man. I agree. I was just expressing my opinion. You are important to Fuji.

Link | Posted on Aug 29, 2014 at 16:44 UTC
On article Opinion: Do we really need the Fuji X30? (320 comments in total)
In reply to:

iae aa eia: The problem with this kind of cameras is that the body looks big compared with the lens (or the other way around). The front lens element would be larger if it came with a 1-inch sensor and it would look even better (or perfect), I guess. You know, from 2/3" to 1" is not that a big step upwards, even considering costs, since 1-in sensors are widely produced already.

"Do we really need the Fuji X30?" Perhaps those who missed the bandwagon, are curious to see how better such small sensors have become, or simply want something nicely retro but doesn't know or care about sensor size, yes. Others, me included, don't. In a single answer: we don't.

Weird is taking these Nikon and Contax for comparison. They are quite smaller and lighter than the X30 already, and their lenses look nice on them (and their lenses specs are different and their smaller housing design helps their lenses to look more visible). You are a little confused about my opinion. I wanted to say that these recent months we've seen a trend towards larger lenses. Not that I think bodies should be very small, because it may be bad to hold at times. I just think we have enough technology and demand to have cameras with larger sensors inside and brighter lenses. And I didn't say anything about a 'big honkin' lens on the front'. Just a little (a bit) larger.

Link | Posted on Aug 27, 2014 at 12:55 UTC
On article Opinion: Do we really need the Fuji X30? (320 comments in total)
In reply to:

iae aa eia: The problem with this kind of cameras is that the body looks big compared with the lens (or the other way around). The front lens element would be larger if it came with a 1-inch sensor and it would look even better (or perfect), I guess. You know, from 2/3" to 1" is not that a big step upwards, even considering costs, since 1-in sensors are widely produced already.

"Do we really need the Fuji X30?" Perhaps those who missed the bandwagon, are curious to see how better such small sensors have become, or simply want something nicely retro but doesn't know or care about sensor size, yes. Others, me included, don't. In a single answer: we don't.

What about the FZ1000? If you take this one and the Sony you mentioned in another comment, it becomes quite clear to me the addition of a 1-in sensor would not make this Fuji more expensive than the two. Even if its lens came a bit less bright ƒ/2.4-3.4 aperture, it would still sound more interesting. I myself rather prefer the more background blur of a 20 MP larger sensor to a smaller 12 MP.

The 12 MP one may give better high ISO noise results, but in both cases most people don't use the images at full scale, but half of it at most, and when that happens, this pixel count difference doesn't make any difference. I recognize the benefit of a smaller file size right out of the camera, though (but this doesn't seem to be a problem these days).

Link | Posted on Aug 27, 2014 at 04:35 UTC
On article Opinion: Do we really need the Fuji X30? (320 comments in total)

The problem with this kind of cameras is that the body looks big compared with the lens (or the other way around). The front lens element would be larger if it came with a 1-inch sensor and it would look even better (or perfect), I guess. You know, from 2/3" to 1" is not that a big step upwards, even considering costs, since 1-in sensors are widely produced already.

"Do we really need the Fuji X30?" Perhaps those who missed the bandwagon, are curious to see how better such small sensors have become, or simply want something nicely retro but doesn't know or care about sensor size, yes. Others, me included, don't. In a single answer: we don't.

Link | Posted on Aug 27, 2014 at 02:09 UTC as 63rd comment | 8 replies

Welcome to the boring world of too politically correct and humanization of animals (I love animals, ok?), and bye-bye other hundreds, thousands, millions of interesting led-by-a-human animal selfies.

Link | Posted on Aug 7, 2014 at 03:12 UTC as 430th comment | 1 reply
On article Ricoh expands Q series with Pentax Q-S1 (359 comments in total)

I... I... I don't know what to say.

Link | Posted on Aug 5, 2014 at 01:50 UTC as 63rd comment | 3 replies
On article 1991 Nikon-Kodak hack was first DSLR in space (67 comments in total)

A correction: "...used 'an' RS-232..."

Link | Posted on Apr 18, 2014 at 14:43 UTC as 8th comment | 1 reply
On article Hands on with the Pentax 645Z (706 comments in total)
In reply to:

iae aa eia: Haha! Come on! A normal lens is 55mm?! I remember that used to be wideangle and normal 70mm. Alright, the digital doesn't need to be bind to film era sizes, but do you really consider a decent step up going from 43mm to 55mm? That's ridiculous to me. Alright, the camera is awesome, the system too, it's a size other brands use in their digital-era "medium" format, and I can't afford one, it's just that it's even a smaller step than from an APS to an FF!

My point is that a normal lens in the 645 format was 70mm in the film era, a normal one in the 135FF is a 43mm, and a normal one in the APS (1.55 x) format is 28mm, while the normal lens for the digital 645 is 55mm. I'm just trying to say the difference between the APS and 135FF is much more than between 135FF and this Pentax's 645 (and others) sensor size.

Just saying it's a small difference (compared). If at least it were the Kodak KAF 39000's size (50.7 x 39), it would mean a reasonable difference (a normal lens now being 64mm).

I might be complaining too much about that because I love the natural miniature effect of a large sensor (without the need of a digital edit or TS lens) when the lens aperture is wide open.

And, Petka, I thought before posting. It didn't make sense and a point to you and others, but I did. It's a concept based on facts. Perhaps not facts or a concept contextually important.

Just speaking my mind.

Link | Posted on Apr 16, 2014 at 13:18 UTC
On article Sony Alpha 7S in low-light: See video at ISO 409,600 (246 comments in total)

This will allow for more natural scenes that are trying to reproduce actions in the darkness, since the actors could play their roles with very little extra light or no light at all, making them to act even closer to real.

Link | Posted on Apr 16, 2014 at 12:11 UTC as 8th comment
On article Hands on with the Pentax 645Z (706 comments in total)

Haha! Come on! A normal lens is 55mm?! I remember that used to be wideangle and normal 70mm. Alright, the digital doesn't need to be bind to film era sizes, but do you really consider a decent step up going from 43mm to 55mm? That's ridiculous to me. Alright, the camera is awesome, the system too, it's a size other brands use in their digital-era "medium" format, and I can't afford one, it's just that it's even a smaller step than from an APS to an FF!

Link | Posted on Apr 16, 2014 at 02:33 UTC as 133rd comment | 5 replies
On article Ricoh announces medium-format Pentax 645Z (161 comments in total)

I think it was supposed to be already mirroless, with a nice EVF, and its sensor 56 x 41.5mm, as it was the 645 film frame area. 33 x 44mm looks like what the APS format is to the 135 full-frame, a cropped sensor to cut their investment some slack. Not a true medium-medium. Just medium.

Link | Posted on Apr 15, 2014 at 02:49 UTC as 43rd comment | 13 replies
On article Windows XP is dead. Long live Windows XP 'Bliss' (119 comments in total)

Not my favorite background, but I really thought it was photoshopped. The color rendition and the latitude of the film were enough trick.

Link | Posted on Apr 15, 2014 at 00:00 UTC as 41st comment | 1 reply
On article Sony Alpha 7S in low-light: See video at ISO 409,600 (246 comments in total)

Jaw dropped

Link | Posted on Apr 11, 2014 at 23:11 UTC as 51st comment
On article Canon PowerShot G1X Mark II real-world gallery (132 comments in total)

In my opinion no brand beats Canon when it comes to natural color. They only need a Foveon-like sensor to complete the perfectness.

Link | Posted on Apr 7, 2014 at 20:39 UTC as 56th comment | 3 replies
On article Sony A3000 First Impressions Review (620 comments in total)

Just bought it! I wish I had a little more money to buy the A65, but... At least the sensor quality is very good. The LCD is not that bad, but I would rather prefer a 3:2 one, because I don't like 16:9 for photos.

The EVF is really really bad, but not that bad because of the resolution per se, but the eyepiece. Small opening, all plastic eyecup, short relief, and the lens quickly loses a lot of quaily if you don't look very in the center. Practically unusable for long time.

The other things (including the lens [18-55]) and qualitywise, it is exactly what to expect at this price point. Not good not bad. Acceptable and useful.

Link | Posted on Apr 6, 2014 at 15:52 UTC as 24th comment
In reply to:

Shamael: Tomorrow, Sony will officially announce the new A7S, 12 mpix FF, speedy AF like on a6000, 4k video. After that, let's see how fast Nikon will lose it's shoes with it's hyper expensive stuff when the first ISO 250000 clean shots appear on this forum.

Sony is not the same Sony, man. They incorporated K-M, didn't destroy it. May never be the best, but not respecting Sony as (now) a truly photographic and video tool is ignorance. Nikon being a respected photographic brand and letting their costumers take advantage of all their lenses for decades will always play a psychological advantage.

Sony (as Minolta was) is a brand that plays on the other side of the game, betting on innovation, pushing conservative brands like Nikon ahead. Not that Nikon development depends on brands like Sony, but I'm sure Nikon wouldn't update their products quickly without brands like Minolta, I mean, Sony.

Maybe one having a less superior impression on Sony is due to the fact it chose (for now) to play in the upper-lower (and below) category, avoiding competing directly against D4's and 1D's, but that, in my opinion, doesn't make Sony any less good. What is Nikon doing in the superzoom and mirroless premium segment? Not better than Sony is, for sure.

Link | Posted on Apr 6, 2014 at 15:14 UTC
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