AdamT

Great wasn`t it Ross, there were a bunch of Oly fans that really didn`t like the way the UZI took over the forum - LOL - I remember your dual holsters , EZI in one, UZI in the other ........

W3 the UZI (C2100UZ) and therefore its sports based cousin the E100RS used a Canon lens unit , so had lens based stabilization

SM - yeah even the tiny GX80 can pull off amazing DIS stunts with...

I was there near the start - had a Coolpix 900 and then a 950 .. my account got deleted at one stage due to a glitch early 2002 and had to re-join with a new Account which has remained til this day...

When was it that Minolta invented IBIS (Antishake as it was called in the Pre-Olympus days) ------ 15 years ago in the A1 bridge camera then a year later in the Dynax-7D . it really worked well in...

The D7500 has the same AF unit as the 7200 - all they did was up the metering sensor to the same as the D750 and D500 - AF wise this only affects continous mode, and even then I`m not sure by how...

Not suprised - though don`t worry , there won`t be a shortage of mint used ones for a very long time .... you can still find Mint Condition D100s if you look hard enough and tidy D90s & D7000s are...

no thanks to on sensor Focussing - look at the mess it makes of the Z6 in the shadows ....... I also wish Nikon would re-use existing grips, I can`t see any reason why they couldn`t have made the...

also 8000th sec shutter speed which the overpriced Full Frame version (D750 which I own ) sadly doesn`t have though it does have all the other D7200 goodies .....

Despite the crazy high UK...

Higher end camera bodies are incredibly expensive indeed for what they are (A portable computer with a shutter and a sensor) so you have to be doing it for a living or are a very enthusiastic...

Thanks Ken, I got it the wrong way around - Really glad I did , means sharp edges at less than tiny apertures in affordable standard zooms in a full frame Mirrorless finally

Isn`t a LONGER flange distance better ? - I thought the shorter the flange distance the harder it is to make lenses which are rectilinear without heavy software correction and the harder to make...

The 18-70DX was VERY sample dependant indeed, I have one which stands up to pixel peeping wideopen across the frame at both ends on a D7200 in RAW !! .. I`ve yet to see a 16-85 F3.5-5.6 or 18-140 ...

This thread was top of the list  - didn`t see how old it was LOL

In the past 5 years I`ve had two D7100s and a D7200 (which I still have - the last D7100 is still here but is being passed on to a collegue) all AFd bang on in all light, the 7200 really is better ...

they`d only have to redesign the rear PCB to make it compatible - optically it`s fully Pro grade (far better than the ovrersized very Focus shift prone Nikon 17-55 which really does need a ...

as we`ve seen in the 20Mp 1" sensors these are being overcome with BSI and other technologies -- I love the 36Mp of the D800E, it`s great for cropping and that 36Mp device is relatively a very old ...

I`m amazed they still haven`t brought out a Dock compatible version of this excellent lens .. it`s way overdue ... I`d have thought that an "Art" version would have landed the same time as the ...

likewise - on the 800E I shoot Raw to card 1 and high quality JPG to card 2 (as there is so much resolution on the 800E and the JPGs are so maleable -- JPGs will do as a backup) ...on the 7200 I ...

ME for one - I need two card slots (Yup, DX cams are work tools too, can`t trust just one card ) and a battery grip is pretty essential shooting portrait way a lot , I don`t need faster multi ...