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In corporate strategy, the tactics are different when you have a dominant market share vs. when you have an insignificant share. Nikon and Canon treated the DSLR world as a duopoly - two companies ...
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A simple test is to set up the camera with a large flat target and look at the sides and corners of the frame. No camera and lens will be perfect, and this approach let's you check for something ...
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There is a difference between genre and personal style. There are a large number of genres and many cross over. Generally each genre has unspoken rules about what makes a good photo. But if your ...
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I like the idea of keeping your D7500, and adding a Z6ii. The Z camera will be the best option for low light. You can use it with your 200-500 and it provides a different option. You could also ...
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This is similar to my conclusions. My travel kit for cities is an ultrawide like the 16-35, a 70-200 for tight compositions and some portraits, and a 50mm prime to fill the gap. It has worked ...
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I agree - these are not stuck pixels or hot pixels - they are damage to the LCD. I would continue to use the camera and not worry about the damage. If it bothers you or if you need other ...
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The 14-30 takes 82mm filters - so filters are not cheap. And unfortunately, the filter size does not match the 24-70 f/4 which has a 72mm filter. And the Z 70-200 f/2.8 or F-mount versions use ...
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With a fast card, clearing the buffer only takes a couple of seconds. The data generated is only 2.4 MB per frame, so we're looking at 300 MB/s. The fast CF Express cards can write at about that ...
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Thanks for posting. I've used the same setting a few time going back to my Nikon V1. It's actually quite good - just a short burst but when position or precise framing is required, it's a great ...
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I considered the F-mount 50mm lens relatively weak, so I added the Z-mount version relatively early. But as suggested, for video you may find the 35mm focal length is a better choice.
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Assuming you have it set up for Back Button AF - if you want to stay focused on a moving subject - even small movement - keep the AF-On button pressed the entire time. If you want the camera to ...
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That's a good point. One option is to look for other ways to reduce the weight of your travel kit. For example, I found that I was able to save more than two pounds by choosing a different - not ...
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In theory, if you want the subject larger in the frame for a larger print, it's a different style of photography. Often you'll use a combination of planned perches, bird food, and possibly a ...
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You're right - and that's an important distinction. Pixels on subject is important with a crop - especially a deep crop. But you don't need to crop every image. For most images you'll try to ...
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There are two big differences. If you have a lens that focuses quickly, the Z6II/Z7II cameras focus more quickly. The cameras have a second processor and a more powerful battery. The speed ...
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If you find one it will be much more expensive than individual readers. The components are completely different. I've got a combination XQD and SD UHS-II reader from ProGrade Digital. It was ...
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The Nikon cameras don't track in every mode. They track in Area AF mode if you invoke Subject Tracking - which is a separate step. Normally you get the best results by following the subject rather ...
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When you hit AF-On, the camera will focus. If you hold down the AF-On button, it continues to re-focus on whatever is under the sensor. If you take your thumb off the AF-On button, it maintains ...
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It really depends on how serious you are about photography. In general, a tripod will help you make sharper images. If you are not using a tripod, a monopod will also help. But there are a lot of ...
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I'd be awfully tempted to get the 40mm macro and the ES-2 attachment. That combination was designed for copying slides and negatives. When you finish the project you can sell the gear if it's ...
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