walker2000

Video will be an issue without OIS. Sony 24-240 will be a better choice for Sony cameras.

It's time for DPReview to write an article, explaining the recent trend of smartphone sensor pixel wars.
I don't know why, but I do see high megapixel phones produce better quality photos. I guess...

This down trend will continue until camera manufactures work with smartphone software developers to unleash the potentials from larger sensors. There are lots that can be done there.

Finally! A worthy opponent of iPhone X. ;)

My experience of film scanners: It's very difficult to get negative films colors right. Scanner manufacturers really need good color scientists and software developers from cellphone...

Great story! A strong reason that US should not ban DJI.

Do competitions always require original RAW? That's interesting to know. If photographer did not shoot RAW, does original JPG count?

The first shot is amazing, but I'd like to know how much post processing was done. If it is real decisive moment, I admire it.

I have seen many these kind of lost-and-found stories from internet, wondering if there were commercial campaigns behind some of them.

Good enough for most people.

I don't feel upset for 90D's soft 4K if Canon is weak on video technologies. I'm very upset that Canon intentionally removes 24p. This proves that Canon does not thinks for consumers.

The bokeh of this lens is better than my expectation, surprised.

Very good point! Too bad, social medias drive and twist truths.

Technically, this is amazing. It's definitely great for Sci-Fi movies. But, why do normal photographers need fake photos?

Hope this won't be impacted by Korea-Japan trade war.

I like RED's attitude: If failed, blame others!!!
It's easy to do and effective.

Who is the model sitting behind Jordan at end of the video? :)

Very pleasing colors. Nikon and Canon still have some advantages on color science.

Ah, size matters! It will be great if they can reduce size.
I know modern photo lenses are much bigger because of AF and OIS requirements. But Cine lenses are all manual focus without OIS, why are...

What's the advantages of these new classic cine lenses than existing modern cine lenses and post processing in software that movie shooters have to do anyway?