MILC man

i'd imagine that those lenses have the fd/nfd mount, and there are a bunch of cheap e-mount body adapters for that... this is how the adapter typically interfaces with that lens mount:

if you are saying that English is a second language for you, then yes, i'd agree with that. because you specifically claimed a bunch of attributes in hollywood films that are the very definition of ...

his claim was: " Are we more demanding than Hollywood? " that is nonsense... dpr is full of newbies for instance, who can't create anything on the level of anything that Hollywood turns out.

your exact words were, and I quote: "In almost every movie I see, even new ones, if I look for I can observe: fringing, busy bokeh, onion bokeh balls, grain, noise, and what seem to be sometimes ...

if you had worked on movie sets you would have known that the crews are fanatical about p.q., and in fact ellis just gave a good example of that, with his post about re-working the cameras every ...

it's not about what's not needed, it's about what works best in specific situations. the things you described doing here are not what should be done with normal photos. that's not what you said: ...

focus recompose causes mis-focused shots: https://fstoppers.com/education/heres-why-focusing-and-recomposing-photographs-fails-168567 you have focus sensors over nearly the entire plane of the sony ...

in a word, no... shooting a real Hollywood production requires very expensive gear, and impeccable technique, that most people out here know nothing about. try shooting without autofocus for ...

you have never used a sony ff milc. you have a long post history of trolling sony on dpr, including a bunch of your garbage posts being deleted by the mods on the sony milc forum. sad but true.

imagingresource measured a7rii startup at about 1.5sec: https://www.imaging-resource.com/PRODS/sony-a7r-ii/sony-a7r-iiA6.HTM make sure that it has the latest firmware update. yes, bringing it out ...

you don't own sony, and you don't know squat about sony "ergonomics" you are just out here to troll sony, like you always do.

why af-s? these cameras tend to like af-c in good lighting... set up back-button af. why are you doing that? what is the point of it? what is "20m"? 20 meters? you aren't using magnification and ...

"fa cameras" are industrial use, and "its cameras" are for transportation applications. it's also possibly a 4:3 sensor? definitely a step forward, when will see this for milc.

no, he's right, if you are using af-s on the Fuji, you are focusing with the lens wide open at f/2, so the shooting aperture doesn't matter here. use expanded flexible spot, at the minimum, as lim ...

I have no idea about that specific lens, but in general the laea3 will limit your af-c framerate to whatever sony set it at on the body you are using. so you might see 3fps af-c on the a7riii, but ...

I use the g1 version on the a9, it's never made any strange noises.

the old a7 has nearly two stops better d.r. than a 5dmk3: http://www.photonstophotos.net/Charts/PDR.htm#Canon%20EOS%205D%20Mark%20III,Sony%20ILCE-7 it's also 24mp vs. 22mp. good riddance.

at base iso, the a7iii has well over two stops better dynamic range than the 5dm3: http://www.photonstophotos.net/Charts/PDR.htm#Canon%20EOS%205D%20Mark%20III,Sony%20ILCE-7M3 I suspect that you'll ...

f/2.8 on your Olympus lenses would be equivalent to f/5.6 on the sony a7riii, so the 24-105/4 zoom will be faster than what you had with olympus. nothing about m4/3 makes sense to me, but to each ...

I like to shoot pro surfing, on the west coast, you generally need long glass to do it right out here... I'm at 600mm on ff for the most part, which is a similar fov to 400mm on sony crop cameras. ...