Marquee

Your ultimate option might be the TS-E 135mm F4L https://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=107&Camera=979&Sample=0&FLI=0&API=0&LensComp=1167&CameraComp=979&Sample ...

Maybe at 200mm it might meet your needs. https://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=972&Camera=979&Sample=0&FLI=2&API=3&LensComp=107&CameraComp=979&SampleComp=0&FL ...

If I was going to buy and RF lens, the 24-105 F4L is the one I would buy. Its the best 24-105 in its class. The other RF L lenses are great, but crazy money and I am not interested in F1.2L glass. ...

I have bought a 24mm TS-E 3.5L II, 100-400 II and a Canon 5d Mark IV from digital rev. All came within a week, no extra duty over the advertised price, all have worked flawlessly.

Why not import a lens from HK/China? I have done this a number oif times and saved a lot of money with great service https://uk-store.digitalrev.com/products/can1106243?_pos=7&_sid=36ba1b4d9&_ss=r& ...

Its a great lens and fine on uncorrected film SLR's https://www.opticallimits.com/canon_eos_ff/752-canon_40_28_ff?start=1 Crack on!

So here are some 100mm 2.8 samples taken at F2.8 when the CA is worst. Very harsh test with extreme contrast. Uncorrected fringing at F2.8 Here is DPP then trying to correct the fringing Fringing ...

Yes, Bracketing shots of cars in a F1 race : distracting. Bracketing shots of a static scene with a wide dynamic range: useful and with no discernible penalty.

Great to see some Peak District Images on DPR. I would say though, that particularly for the images taken from Bamford Edge (#1 and #4), its hard to understand if you intended the whole scene to be...

I have that lens and it is prone to decentering which can give soft images, particularly on one side / corner. A tune up on a bench would have it tack sharp again. I would send it in. In the UK ...

The melt area is right above the mirror, so only 5mm or so in-front of the sensor plane. It is therefore conceivable that a projected image through the lens has a hot spot in it that has melted ...

Try focusing normal to a brick wall manually off a tripod using live view. This eliminates all other possibilities. If you can correctly focus the lens @F4 then turn AF on and the camera refocuses ...

it used to be the case that the classic ISO settings of 100,200,400 etc were native iso's and the intermediate settings were "simulated" by adjusting gain, so basically increasing or decreasing ...

...and the list of potential discontinued lenses is growing. I guess a Canon DSLR now is only of interest to existing users.... Personally I am quite happy using EF lenses for years to come, its ...

Good to know - I have the 70-200F4L IS Mark I so at least of the IS unit goes I can get it fixed for the next 4 years.  Its the new DSLR purchasers I am think of here.

https://www.canonrumors.com/canon-ef-70-200mm-f-4l-is-ii-usm-canon-ef-85mm-f-1-2l-usm-ii-discontinued/ A number of sites are suggesting the EF 85 1.2L and 70-200 F4L IS II are going to be discontinued

"Printing at the small uncropped size of 20x13 the difference in detail between the Fuji XPS 100 and the Canon 5DsR was breathtaking and very noticeable at a distance of as much as six feet." what ...

As J A C S says, if its worse at F8, this could be because your SS has dropped too low and you are seeing the effects of camera shake. You need to repeat this test with a high SS or on a tripod to ...

These problems are usually solved with a replacement lens. Assuming your R5 is working well with your other lenses, can you investigate returning it or CPS loaning you a replacement to verify the ...

I don't know about the statement above, check out usedlens.co.uk, they seemed to have a few 70-200F4LISs for £500 or less https://www.ebay.co.uk/itm/313448055366 as an example