57even

Lives in United Kingdom London, United Kingdom
Joined on Jul 16, 2012

Comments

Total: 497, showing: 81 – 100
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On article Fujifilm XF 90mm F2 LM WR real-world samples (181 comments in total)
In reply to:

ecka84: So, why would I choose this over FF 135L or my 150/2.8 APO Macro?

Exposure is related to t-stop not f-stop.

DOF is related to f-stop.

So yes, 1/3 stop difference is not unusual.

Link | Posted on Aug 4, 2015 at 14:23 UTC
On article Fujifilm XF 90mm F2 LM WR real-world samples (181 comments in total)
In reply to:

ecka84: So, why would I choose this over FF 135L or my 150/2.8 APO Macro?

@brendon1000

Fuji ISO (along with MFT) uses the SOS ISO digital standard and Canon/Nikon/Sony use the REI one. Arguably, Fuji are the ones who are NOT cheating, since SOS is tied to an actual RGB mid-grey for standard JPEG. REI just means 'looks about right'.

Link | Posted on Aug 4, 2015 at 13:52 UTC
In reply to:

joyclick: The gear this guy uses is far down the rung of entry level stuff,sheer skill and imagination has taken his photography to a level that will put "the latest and the best" gear owners to shame.

You can always acquire gear more easily than talent. You only need money.

Unfortunately, talent is more important.

Link | Posted on Jul 18, 2015 at 14:58 UTC
In reply to:

JohnLL: So there are only 40 utterly idiotic MEPs?

Actually, there are many MEPs with agendas (just as there are MPs with agendas who table private bills). Several attempts to pass stupid laws have been heavily rejected.

It works better than you think. The only glaring exception is the VAT issue, but that was happily signed up to by our own government who didn't even bother telling us about it.

I have nothing against legal harmonisation of product standards, bank regulation etc. but not when it is a matter that directly removes an established right from a member state, such as the right of panorama. This would have been challenged under the constitution in any event so it would never have made it through.

Link | Posted on Jul 10, 2015 at 19:36 UTC
In reply to:

Mister J: And quite right too.

But - ridiculously - you still cannot shoot the Eiffel Tower at night.

Precisely - France has lots of laws, they just have a relaxed attitude to enforcement. The legal system is so protracted, very few people bother.

Unfortunately, in the UK if such a law were to be introduced, every business in London would be putting signs up saying permits required, and hunting down website owners.

Link | Posted on Jul 10, 2015 at 19:29 UTC
In reply to:

Mister J: And quite right too.

But - ridiculously - you still cannot shoot the Eiffel Tower at night.

You can, if the lights are turned off - the lights are supposedly a copyrighted artwork. However, France has no right of panorama and strictly speaking you have no right to shoot people in the street either.

However, being France, no-one can afford to sue anyone so they generally don't bother and settle it all over a bottle of red.

Link | Posted on Jul 10, 2015 at 18:39 UTC
In reply to:

AbrasiveReducer: Some impressive insults here. Spin this as you like; the idea is that if the person taking the picture manages to make money from it, somebody else wants that money. You see, the folks who own skyscrapers are having trouble making ends meet but you, the photographer, can help.

Just as stock photos create a revenue stream, helping Gates and Getty put food on the table.

Only in France. Not in the UK.

Link | Posted on Jul 9, 2015 at 00:46 UTC
In reply to:

AbrasiveReducer: Some impressive insults here. Spin this as you like; the idea is that if the person taking the picture manages to make money from it, somebody else wants that money. You see, the folks who own skyscrapers are having trouble making ends meet but you, the photographer, can help.

Just as stock photos create a revenue stream, helping Gates and Getty put food on the table.

I do not have any choice whether a building is there or not, so I have no obligation to compensate the builder, architect or occupier for something I have no choice in. This is true of any permanent structure in plain sight, hence the law protecting the 'right of panorama'.

If you want to destroy something that is a right in many countries then that's fine, but I personally do not agree that this is fair. However, the implications of the new law are indeed very obscure. There are already many private estates in London which try and prevent use of photographs because of copyright, but currently this is protected if the picture was taken from public land. They can make any restrictions they want about commercial use OF THE LAND for taking pictures, but this is different. You have to be ON the land to be in breach.

Link | Posted on Jul 9, 2015 at 00:08 UTC
In reply to:

AbrasiveReducer: Some impressive insults here. Spin this as you like; the idea is that if the person taking the picture manages to make money from it, somebody else wants that money. You see, the folks who own skyscrapers are having trouble making ends meet but you, the photographer, can help.

Just as stock photos create a revenue stream, helping Gates and Getty put food on the table.

@Nixda

Seems you apply 'art' to any copyrighted structure or edifice, in which case anyone holding an iPhone, or reading a book, or driving a car, or sitting in front of a building less than 70 years old, would potentially not be usable on any website that supports advertising.

It is a very shallow argument to say that someone who photographs a building on a paid site is profiting at the expense of the owner or designer of the building, since the building's main source of profit is occupancy rents.

This is very different from copying a unique artwork and selling the copy, when the work is the main source of profit for the artist.

In other words, there is NO DAMAGE OR LOSS to the building's designer from the sale of the photograph.

This would be different if a company logo was affixed to that building which then appeared in an advertisement for a competing product. In that case, the owner of the trademark would have recourse to sue for misuse. Nothing to do with copyright.

Link | Posted on Jul 8, 2015 at 22:42 UTC
In reply to:

AbrasiveReducer: Some impressive insults here. Spin this as you like; the idea is that if the person taking the picture manages to make money from it, somebody else wants that money. You see, the folks who own skyscrapers are having trouble making ends meet but you, the photographer, can help.

Just as stock photos create a revenue stream, helping Gates and Getty put food on the table.

That certainly is the interpretation in most countries, but not all it seems.

Link | Posted on Jul 8, 2015 at 04:08 UTC
In reply to:

Deliverator: Vanitas and nixda, you are replying to every single post expressing concern over these new laws, saying there is nothing to worry about.

Why?

The UK does not charge fees, the copyright holders do. If the law would let them.

But even if they don't I am obligated to seek permission.

Plus, the whole issue of what 'commercial exploitation' includes is wide open to debate. If the image is being used in advertising, then fair enough. If it is part of a documentary about architecture on a website supported by banner ads, is that commercial? More of a grey area.

Link | Posted on Jul 7, 2015 at 22:16 UTC
In reply to:

Vanitas Photo: Again this is for COMMERCIAL PHOTOGRAPHY dumbie dumbs, it WON'T apply to tourist, family, personal, selfie stick, etc. photography.

Step 0: Learn to read
Step 1: Don't diagonal or half read, read it completely
Step 2: Interpret what you read
Step 3: THINK what you read
Step 4: RE-THINK what you have just read
Step 5: Draw your conclusions from what is written and not from what you think it is written
Step 6: Avoid writing yourself something dumb because you didn't followed what it was written from step 0 to Step 5...

And those calling this foul from the USA try to take a photo of an US embassy in any part of the world without having a major issue with them... PFFFT

Using a picture commercially would include any website I own which also has advertising. Several million people do the same.

I am not exploiting their copyright because I had no choice but to include what is in public view. That is the right of panorama.

If I sell ANY shot taken anywhere in London, I am potentially going to include thousands of copyrighted structures. In most cases I would not even know.

It is absurd and unworkable.

As is the issue with cars.

Link | Posted on Jul 7, 2015 at 21:55 UTC
In reply to:

AbrasiveReducer: Some impressive insults here. Spin this as you like; the idea is that if the person taking the picture manages to make money from it, somebody else wants that money. You see, the folks who own skyscrapers are having trouble making ends meet but you, the photographer, can help.

Just as stock photos create a revenue stream, helping Gates and Getty put food on the table.

Architects don't work for free.

Link | Posted on Jul 7, 2015 at 20:48 UTC
In reply to:

Vanitas Photo: Again this is for COMMERCIAL PHOTOGRAPHY dumbie dumbs, it WON'T apply to tourist, family, personal, selfie stick, etc. photography.

Step 0: Learn to read
Step 1: Don't diagonal or half read, read it completely
Step 2: Interpret what you read
Step 3: THINK what you read
Step 4: RE-THINK what you have just read
Step 5: Draw your conclusions from what is written and not from what you think it is written
Step 6: Avoid writing yourself something dumb because you didn't followed what it was written from step 0 to Step 5...

And those calling this foul from the USA try to take a photo of an US embassy in any part of the world without having a major issue with them... PFFFT

These works are not being copied. They are in plain sight.

I did not grant the copyright holder the right to spoil my view, so they have no right to demand payment when I take a picture of it.

Besides, a photo of a building is not a copy or facsimile. It is simply an image of a building. It bears no relation to copying written text or images which can substitute for the real thing (a poster of a painting, a photocopy of a book, a recording of a song.

Technically, all car designs are copyright. Do you propose that I have to ask BMW, Ford and Toyota every time I include cars in my images?

Link | Posted on Jul 7, 2015 at 20:45 UTC
In reply to:

Tungsten Nordstein: What is not clear is whether an artist can take a photograph/film of a building and then display and sell such a photograph/film. Would Warhol's film Empire be allowed under such legislation?

In general, I don't think anyone who puts a building or artwork up in full public view (i.e in our living environments) should be able copyright and restrict its image and uses of. Developers should be forced to waiver all such rights on grant of planning permission.

I agree.

Link | Posted on Jul 4, 2015 at 22:19 UTC
In reply to:

RichRMA: So some multi-billion $$$ bank is going to ask some photo (avg. earnings maybe $30k.year) to fork-over money (perhaps) or beg to use a skyline image with their building in it? What is WRONG with Europeans? Another good reason Britain should maintain a distance from the odious EU.

The upside is that you don't have different versions of all those stupid odious laws in each individual country which makes selling anything in Europe a complete nightmare.

This bill has not been approved and is unlikely to be in it's present form. You can write to your Euro MP, though if he or she is a UKIP MEP, they won't be there to vote so it won't help.

And please try and distinguish the EU from the Eurozone. We are in the EU, but not in the Eurozone. Monetary union was indeed premature, but it is not the same thing.

Link | Posted on Jul 4, 2015 at 22:18 UTC
On article Alpha dog: Hands-on with Sony a7R II (1125 comments in total)
In reply to:

Marty CL: I think this a very interesting announcement and as Sony and other companies introduce other advancements--it's good for consumers and good for the industry as a whole. Since the 1920's---we've seen photography advance in similar fashions and we've seen winners (surviving companies) and losers (those who went out of business or were merged into bigger companies). It's just the way advances in technology works.

What is distressing is the increasingly angry posts--both in defense of mirrorless and criticism of DSLRs and the companies who make them.

As a user of both DSLRs and mirrorless---I appreciate BOTH systems for their respective advantages. But to claim that DSLR makers are in a death spiral is a bit premature. According to CIPA.JP, Jan- April DSLR shipments out number mirrorless by 3.8 times. With a smaller base, mirrorless will naturally show larger percent changes.

Some people can only think in binary. You either have to love something or hate it.

I use both as well, but I disagree with you in one respect. Mirrorless is at an early stage in its development, DSLRs are about as developed as they will ever get. There is no fundamental need for both.

Any practical differences are likely to be overcome within a couple of years. After that, they will start pulling ahead.

What killer feature will move people to ditch DSLR? I don't know. I suspect it will be the next generation of EVFs, which have the potential to make even a full frame OVF look small and dark.

This is not something to be celebrated or regretted. DSLRs are a film era carry over in a highly conservative market, but I am pretty convinced they are not going to be around forever.

However, I am pretty sure that Canon and Nikon have a few models and designs in development, and that they will protect the lens investment of their existing customers. They are just judging the market.

Link | Posted on Jun 14, 2015 at 22:11 UTC
On article Alpha dog: Hands-on with Sony a7R II (1125 comments in total)

Sony finally get serious. Looks great on paper, for sure. Didn't expect a full frame BSI sensor, but I guess it was inevitable, and it may solve the light falloff issues on the 24-70.

Link | Posted on Jun 10, 2015 at 23:02 UTC as 204th comment | 1 reply
On article Sony rides wave of US Mirrorless sales surge (727 comments in total)
In reply to:

justmeMN: CIPA's latest (January-April 2015) worldwide figures don't show any great surge in mirrorless shipments. To the contrary, they show mirrorless shipments falling slightly faster than DSLR shipments.

By value, DSLR is 98.2%, and mirrorless is 91.0% for the January-April time period, compared to the same time period last year. By units it's 93.4% and 91.6%.

Lower DR than the D7200 because of the low bit depth.

And why not have the option of lossless compression? Landscape photographers don't care about a few large files.

When all added together, issues like the compression, clunky shutter, shutter vibration, lack of lenses and relatively poor performance of the standard zoom don't make this a prime-time system. Not yet anyway. It's a spec sheet princess.

Link | Posted on Jun 8, 2015 at 15:30 UTC
On article Sony rides wave of US Mirrorless sales surge (727 comments in total)
In reply to:

justmeMN: CIPA's latest (January-April 2015) worldwide figures don't show any great surge in mirrorless shipments. To the contrary, they show mirrorless shipments falling slightly faster than DSLR shipments.

By value, DSLR is 98.2%, and mirrorless is 91.0% for the January-April time period, compared to the same time period last year. By units it's 93.4% and 91.6%.

Sony make good sensors, so why can't they get as much out of them as Nikon manage?

Link | Posted on Jun 8, 2015 at 12:54 UTC
Total: 497, showing: 81 – 100
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