Charles Hull

Sort the supported list by Inferno and look for 12 bit ProRes RAW approval.  There is now one Sandisk drive and some Sony drives approved besides all the Angelbird drives.

I have the Angelbird 1TB.  It is rated for ProRes RAW, and I wanted enough memory for a full days shooting.  Have had it for 3 months, shooting ProRes Raw with Atomos Inferno, and it has never ...

I shoot ProRes RAW and it is an outstanding format. In my case it is with a FS5 via 12 bit SDI, and looking forward to this with mirrorless cameras via HDMI. You typically shoot Log to get the...

Here is a field review of the Ronin-S. https://www.youtube.com/watch?v=no7-Fc3b8P0 I have the Ronin-S and it is very stable.  I have not compared it to other gimbals.  DJI was very late in coming ...

I don't have any encouragement. I've lost data on a LaCie RAID. I just read an interesting article from The RedShark Team called "RAID is not a backup system", and much is to be learned there.  I, ...

It's kind of like interpreting the Bible isn't it.  The Manual for my Sony SEL70200G says:  "MODE2: Compensate for camera shake when panning moving subjects."  It sure would be nice if it actually ...

I tried the 70-200 G on my Sony fs5 video camera, to look for this issue with Steady Shot on a tripod.  This is on a very steady Sachtler video tripod, and in Steady Shot Mode 2, the mode intended ...

Yes, the Sony fs5 is a video camera, and it is almost always on a tripod. I own the 70-200 G and will try that combo to look for the issue. I'm expecting it will be a problem.

That sucks.  I'm new to this thread, but had started looking at the 100-400 GM for my fs5 and have read through some of this.  I sold all my Canon lenses after I moved to Sony several years ago; I ...

I really doubt the next Sony aps-c (the rumored A7000) will have the improvement you are looking for.  At best it might have 10 bits out for a recorder, which could help just a little.  But i do ...

There's lots of speculation about what the A7SIII will bring.  My guess, 12 bit ProRes RAW with the little Atomos Ninja.

Here is what I would try; I'd convert those 5GB chunks from each camera into single continuous clips.  Open new Projects for the EM1ii and the OM5ii clips, and string the clips for each camera ...

Don't know that I can help, other than to say I've had good success with multi-cam with FCP, and would even say it is a strength of FCP.  Are you using the latest FCPX version?  Are you sure you ...

Good question.  I considered this camera while looking to get into RAW video.  I ended up getting the Sony FS5 II plus the Atomos Inferno, for ProRes RAW.  For me it was somewhat a question of the ...

Out here where military UAVs are developed and tested, and UAV pilots are trained, they all fly IFR with the pilot sitting in his office, talking to Joshua approach on the radio.  When this first ...

Newer 'big screen' TVs have motion smoothing, so he won't see anything.  It will show up on a PC monitor.

Thanks, I did take a look at the Ozark trailers.  It's definitely very HDR centric, and not a bad look.  But look always takes fourth place behind the story line and the sound and the clip ...

In terms of interesting use of HDR, to me third one, Subways, is by far the best.  Most of the action is in the highlights, yet all the shadow detail gives good depth.  You could tell a story with ...

Thanks for posting!  I check the DJI forum now and then but I missed this.  :-)

Again, I recommend the PolarPro mount, $50 from Amazon.  I've tried it with the Mavice 2 controller, it works fine and is very sturdy.  Now waiting for DJI to make Crystalsky compatible.  I agree, ...