Truman Prevatt

I think the real question is not so much the price but the rendering.  If the rendering is not as good as the 56 f1.2 then 1500 might be over priced.  If the rendering is as good or better then ...

Fuji has made it clear in interview after interview that their focus is on high end APSC and medium format.  They have made it clear that the FF product line is full and they have no interest in ...

To get good at anything it has to be programmed into muscle memory. Be it hitting a 100 mph fast ball, returning a tennis serve, playing a musical instrument. I started playing the trumpet when I ...

Normal process when an issue is found a DR (discrepancy report) is generated. Some places they are called problem reports. They go into the resolution process where they are prioritized. Those ...

Actually this is almost a no briner.  They pretty much own the medium format market.  Expensive products have more profit margin.  No doubt Fujifilms is paying a lot of attention for the medium ...

First and foremost - humans are show to react to visual stimuli unless it is baked into their muscles memory.  Multiple studies have been done with professional athletics to verify this.  One was ...

It only takes second place if you let it. I use the EVF very seldom. I use the ERF window in the OVF when I using MF. If I slap on my 90 f2 to photograph equestrian sports I will sometimes ( but ...

Weakness - Hell it's a strength.  I have both the H1 and Pro3.  The H1 I use at the track and other equestrian events.  The Pro3 for everything else.  However, I can (and have ) used the H1 on the ...

They have more cameras to support so there is not a lot of people sitting around that are available to work on updates for existing cameras unless it is for bug fixes. Prior to about a few years ...

Yes try are and shame on you.  The street Gods will not be happy.  ;-) Nice shots.  The first composition is quite nice.

Fuji has an interesting approach.  The most expensive part of a camera to develop by far is the sensor and image processor.  You don't call up Sony and say send me one of the XTrans 4 sensors we ...

Interestingly enough - I went over and took a look at the MF forum. Not many post.  On the MF forum one page is a week's worth.  On the FujiX forum one page is a day.  The majority of the post by ...

I primarily use the 35 f1.4 on my XPro using the OVF.  You cannot use the smallest AF point in the OVF so my experiences is through F/W updates in AFS - the AF has gotten faster and faster and ...

With subsequent F/W updates since I got my first Fuji (Pro2) in 2016, the AF on the 35 f1.4 has gotten better and better.  On the Pro3 is is down right snappy.  It should be as good on the T4.  In ...

I have no idea how Fuji sees the 16 f2.8.  For me the 24 (equiv) focal length is to short - introduces too much wide angle distortion so 28 (equiv) is as wide as I go.  The difference in ...

I use the 18 f2 some on my Pro2.  I've had it since about 2016 and primarily use it with the OVF on first the Pro2 and now Pro3.  I have never had an issue with switching between OVF and EVF and ...

So why is the SPro 3 & 5 included in this forum and the GFX is not?  The sensor is different. The CFA is different. Seems a little arbitrary and capricious to me.  Why is the GFX the Red Head ...

Videography is defined as the art of making a video. A video is defined as a recording of moving visual images (plural ) made digitally or on video tape. Photography is defined as the art and ...

The XPro2 was the only ILC mirrorless with an usable optical finder.  It was compact.  Without the XPro no Fuji for me.  I would have probably stayed with the Nikon DSLR (had a D800E at the time) ...