MEDISN

I have high-res bodies (SL2, R5) too but 20MP MFT is still the most common tool for paid work. What the editor / social media coordinator ask for is 1200-2000px on the long end. The bottleneck is...

The current DR, high ISO performance, AF and MP are comfortably sufficient for 90% of my paid work. Faster readout sensor like my A9 would be a welcome addition. For the price, it's hard to...

This is the case when ACR is used to demosaic pixel shift files.  If you open the file in Olympus Workspace then view side-by-side in Photoshop, the difference is relatively small.  I do think the ...

I've been known to use it now and then ;-) Photos Created With Olympus High-Res Remarkable feature I wish other manufacturers would employ.

I can't speak to the G9 but it should do okay in CAF. I have a few burst sequences with EM1mkIII so you can see how the camera tracks when you hold the shutter button down for longer bursts. I put ...

I'm working on it ;-) How about 300mm eq FOV :)  This was leaning against a pile for support, not free-standing. Definitely depends on the user and environmental conditions.  I tried the shot above ...

ND32 setting allows shutter speed as "fast" as 1/2s. That should be manageable for just about everyone with Olympus IBIS. At 1, 2, 4 seconds I find results acceptably sharp hand-held while ...

Preferably the latter.  The amount of misinformation posted by this individual distracts from informed discussion and limits forum participation by filling up threads unnecessarily.

Thank you Adrian (and Trevor above).  MFT has been a great compliment to the way I shoot sports.  I was hesitant until the EM1mkII came along.  That quickly changed my opinion of the system.  It's ...

That depends on the type of sports you are referring to. I have photographed a handful of NFL games and to be honest, the money was not worth the bother. There is no requirement that format X ...

Wow - must be the slope of the beaches in the Northeast.  Below is a scouting shot from a few weeks ago covering Men's Championship Tour of the WSL.  This red dot is typically where I shoot from ...

Interesting.  In twelve years of shooting surfing I have never seen that happen.  Are you saying the waves the surfers are riding are smaller than the waves in front of them (closer to you)?  In ...

Maybe atmospheric due to the distance. Or perhaps sharpening/compression in the JPG. It wouldn't hurt to get down lower and closer to the water. "Puddle butt" as we say shooting from the wet sand. :-D

Something I am struggling with at the moment between RF and M43 is the size and to some extent cost difference to deliver a noticeable advantage. For example, I have R5 with 70-200/2.8 that on ...

kenw's post is probably the most balanced, fair and well-rounded response one could expect. You will get bias/hyperbole/cherry picking in every forum but I can't find fault with kenw's comparison.

Nice! Thanks for the heads-up. 1:1 view of image

The problem is well above my pay grade!  I am glad you set to solving it as I recall when it was posted it stumped me. Does it have to do with readout time of the sensor between frames?

If you have time you could but it's not necessary.  With two to three dozen riders on track it is a constant sequence of 2 second bursts while panning.  As soon as one burst ends, pan left and ...

There's a few people here I pay extra attention to (you included).  The noise, I try and tune out.  The sharing of solutions and workflows (like yours) I find helpful in my pursuits.

Glad it was helpful.  I use JPG out of camera 99% of the time as Olympus JPG are so nice already.  In the event I want to edit ORF then I will open in OW, then export as 16-bit TIFF.  From there I ...