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Here you go:Would it be possible to post a less compressed version of images 1, 3 & 4 with intact EXIF?
I have the Zuiko 50/2 - quite a favourite. I’m interested in comparing rendering between these three lenses.
Thanks in advance.
Andrew
Much!Yeah, well I was on skis and the wind was blowing. How about this?Well, your blurred picture is not the best evidence either, and as I see it was not the subject that moved...It can, but I don't think extreme close up photo's prove your point.
Tedolph
Any better?
Tedolph
That's really helpful - much appreciated!Here you go:Would it be possible to post a less compressed version of images 1, 3 & 4 with intact EXIF?
I have the Zuiko 50/2 - quite a favourite. I’m interested in comparing rendering between these three lenses.
Thanks in advance.
Andrew
Mike.
Straight from raw
Straight from raw
Straight from raw
Hi,That's really helpful - much appreciated!Here you go:Would it be possible to post a less compressed version of images 1, 3 & 4 with intact EXIF?
I have the Zuiko 50/2 - quite a favourite. I’m interested in comparing rendering between these three lenses.
Thanks in advance.
Andrew
Mike.
Straight from raw
Straight from raw
Straight from raw
The centre of the uncurling bud in the last one is a world in miniature. I really like the way that the 45mm performs - the ladybird looks amazing and the image would be great at A3.
The composition with the cine lens is rather striking. May I ask how you see the glow around the flowers as part of your intent?
Thanks
Andrew
PS The bokeh with the cine lens is wonderful - both the composition and rendering.
Hi,That's really helpful - much appreciated!Here you go:Would it be possible to post a less compressed version of images 1, 3 & 4 with intact EXIF?
I have the Zuiko 50/2 - quite a favourite. I’m interested in comparing rendering between these three lenses.
Thanks in advance.
Andrew
Mike.
Straight from raw
Straight from raw
Straight from raw
The centre of the uncurling bud in the last one is a world in miniature. I really like the way that the 45mm performs - the ladybird looks amazing and the image would be great at A3.
The composition with the cine lens is rather striking. May I ask how you see the glow around the flowers as part of your intent?
Thanks
Andrew
PS The bokeh with the cine lens is wonderful - both the composition and rendering.
The glow round the cine lens seems to be because of UV - I didn't use a filter and the bright cine lenses seem very susceptible to it on the EM1 mkII. Sharpening reduces the effect, and if you use a green filter (for mono work) it disappears completely.
Mike.
Care to link to some examples of these?One of the criticisms I read repeatedly is that "Micro 4/3 can' t do bokeh" or "not so good for portraiture", "for soft bokeh you need full-frame", etc.
It can, but I don't think extreme close up photo's prove your point.
Tedolph
Yeah, well I was on skis and the wind was blowing. How about this?Well, your blurred picture is not the best evidence either, and as I see it was not the subject that moved...
Any better?
Tedolph
Here's a quote from August 14th 2021 issue of Amateur Photographer (well respected magazine in the UK):Care to link to some examples of these?One of the criticisms I read repeatedly is that "Micro 4/3 can' t do bokeh" or "not so good for portraiture", "for soft bokeh you need full-frame", etc.
Yes indeed - very nice!I get a lot of compliments on the BOKEH in this image. They are always surprised it came from a 4/3 camera.
I like it, that's the only thing that matters.