DR Camera performance - and a new DR example

Aaargh! What is wrong with my computer? Other people with MacBooks say their laptops work just fine, but mine just won't do what I want it to do.
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Alastair
http://anorcross.smugmug.com
Equipment in profile

 
John,

Define your paradigm shift? I actually think this is point where the whole argument breaks down. No one should deny more DR is a better thing, but life altering, shake the entire photographic world to its core.. no.
http://forums.dpreview.com/forums/read.asp?forum=1034&message=36887819
http://forums.dpreview.com/forums/read.asp?forum=1018&message=36912461

I particularly like this from cs hauser
Auto ISO has essentially become obsolete for the new generation of Pentax and Nikon SLRs. Auto ISO is yesterday's news. Awesome. Meanwhile, over at the Canon camp, the monkeys still haven't quite figured out how to even do Auto ISO properly.

This would be so hilarious, if it wasn't for the fact that I'm heavily invested in the Canon system.
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Bob
 
Did you consider that increasing pixels while maintaining DR at pixel level actually increases the DR for the whole picture?
From what ive seen, the difference between each series of XXD camera isnt that great- much of the achievements is due to better SW which i also benefit from with my 30D using raw files. However to me it seems that Canons line has mostly been to produce almost equally good pictures at pixel level, but making more pixels. Which means that if i were to buy a 18MP 60D/7D i would get at least twice the DR as with my 30D, as i could bin down the pixels two by two to achieve 1 more bit of DR.
At the pixel level; not at the image level. DxO "Print" comparisons already take this into account (by downsampling rather than binning). What they don't take into account is the fact that banding may be present (or low-frequency noise sources), and these do not reduce with binning or downsampling the same way noise sources at the nyquist do.

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John

 
2) The reciprocal of the mean photon count incident on the sensor, per unit of area, intended to be a medium gray in the display medium, times a constant.
IMO, what you actually said for #2 - exposure times sensor area -
That's not what I actually said. I said PER UNIT of sensor area.
would be a much more useful measure - it would be an absolute measure of shot noise (squared, of course) in the image. If one wanted to be even cuter, and give an absolute measure of shot noise in the captured image, it could be scaled by the QE.
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John

 
Sorry for all these annoying posts everyone. I know they're a real pain, and make me look a complete eedjit. I've finally figured out why my computer, which seems to work well for others, is messing up. It's because I don't know how to use it properly.
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Alastair
http://anorcross.smugmug.com
Equipment in profile

 
Don't know if it's exactly the same thing, but yes, the two are related in the sense that a so-called 'ISO-less' camera needs to have low read noise at 'base ISO', which automatically results in high DR.
No, no , NO!

It's just a coincidence that you are confronting this paradigm shift at a time when cameras have been introduced with revolutionary lower read noise.
Sorry, I must have missed the paradigm shift, when did that happen? ;-)
Most cameras besides ones with Canon and Nikon (and a couple older Sony) CMOS sensors are "ISO-less" starting either at base ISO, or just barely above it. Even those CMOS ones are "ISO-less" above a certain ISO. THIS IS NOTHING NEW.
The new 'ISO-less' cameras needs to have a low read noise in order to match Canon's current DSLRs at high ISOs.
 
Me thinks you're just trying to kill the thread ;).

Bob
The very idea! I'm offended, nay, deeply hurt that you would even suggest such a thing. I'm a humble seeker after truth. This is precisely the kind of thread that should live forever.

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Alastair
http://anorcross.smugmug.com
Equipment in profile

 
Perhaps I should switch from Mac to PC? I think Bill Gates might have figured out how to prevent laptops from posting in threads they don't really want to post in.
--
Alastair
http://anorcross.smugmug.com
Equipment in profile

 
Perhaps I should switch from Mac to PC? I think Bill Gates might have figured out how to prevent laptops from posting in threads they don't really want to post in.
--
On second thoughts, I think I'll stick with my Mac. It's an amazing machine that does almost everything I ask of it (except prevent me from posting in threads I don't want to be in). It puts my laptop from five years ago to shame, and it makes the manual typewriter I took to graduate school look like a chisel and stone tablet.
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Alastair
http://anorcross.smugmug.com
Equipment in profile

 
Most people don´t care enough about dynamic range to make any difference in DR important for choosing their camera.

But many buyers of a 1Ds camera will care enough that they would be seriously annoyed if they had to replace their new 1Ds mk4 a year later with a new model.

I think the reason that we still don´t see a 1Ds mk4 is that canon needs to create that high DR sensor technology first before they can introduce the new camera.
Or maybe because the price of MF digital is pushing Canon and Nikon out of the FF market.
Once Canon has developed the necessary technology they can easily use it in all their new cameras. I hope it will make it to the 600D already.
Define your paradigm shift? I actually think this is point where the whole argument breaks down. No one should deny more DR is a better thing, but life altering, shake the entire photographic world to its core.. no.

It's importance is limited to those situations where that extended DR is necessary, which is not every single photograph. Its capability is limited to the devices that can support the expanded range..printers, monitors, software, and so on.

This is at the core of where there is disagreement on the whole discussion. Those that feel the lack of the expanded range is a doomsday for any manufacturer not supporting it, to those who could care less.. and everything in between.

Expanded DR "will" expand creativity but not with the degree of importance I believe you place on it. Just my opinion..
Steen Bay wrote:
You're going to see the evidence of a change of paradigm slowly, because most owners of high-DR cameras won't even know it, or be aware of the possibilities.
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Jay S.
Fuji 7000 / Canon 20D / Canon 40D / Canon 7D
http://jaysott.smugmug.com
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http://www.pbase.com/rwbaron
 
Bob,

Do you see any less arguing in those discussions? I don't. The debate isn't whether expanded range, low read noise isn't better.. It is.. and never said it wasn't. The debate is whether it is so black and white as to cause some people not to take shots (as one put it) or to freeze in the decision on purchasing gear.

Any camera system (not just the sensor) is a compromise of the internals and externals (read lens, flash, TTL) etc. Where one is strong, another may be weak. My argument, such as it is, is that I'm not giving up shooting because I lack a couple of extra stops in DR.. Am I green with envy that someone else's camera can outperform mine in one area or another.. not in the least.

DR is just another area where cameras will, over time, add functionality and creativity, just like every other major new piece of technology did. Very rarely though were any of them complete paradigm shifts in the way photography is done.

I'm really not blind to the issue (or the technology behind it).. my debate is the level of importance some place on it.

Thanks for the links!
John,

Define your paradigm shift? I actually think this is point where the whole argument breaks down. No one should deny more DR is a better thing, but life altering, shake the entire photographic world to its core.. no.
http://forums.dpreview.com/forums/read.asp?forum=1034&message=36887819
http://forums.dpreview.com/forums/read.asp?forum=1018&message=36912461

I particularly like this from cs hauser
Auto ISO has essentially become obsolete for the new generation of Pentax and Nikon SLRs. Auto ISO is yesterday's news. Awesome. Meanwhile, over at the Canon camp, the monkeys still haven't quite figured out how to even do Auto ISO properly.

This would be so hilarious, if it wasn't for the fact that I'm heavily invested in the Canon system.
--
Bob
--
Jay S.
Fuji 7000 / Canon 20D / Canon 40D / Canon 7D
http://jaysott.smugmug.com
 
Thats funny people don´t even notice they get presented a 6 stop shadow push from a high DR camera just because the photo would never look that good or even be usable if the photo was taken with a Canon camera. So I will likely not have to wait too much longer for high DR camera from Canon.

This photo shows why I no longer will buy any low DR camera. And why Canon can´t introduce the Canon 1Ds 4 using its current low DR sensor technology.
Sure, post processing is important, all images will benefit from using e.g. an appropriate tone curve, chosen for that particular image, but this example, isn't that well within the range of what's possible with any DSLR (if highlights aren't blown in the RAW file)? What I'm looking for here is some real world examples showing a meaningful difference (improved technical/artistical IQ) between what can be done with 14 vs. 11.5 stops of DR.
That was a real world example, in case you hadn't noticed. Your point about post processing is completely bogus. If you've only captured 11 stops of DR you can't apply a tone curve that maps 14 stops into the 8 or so you have in the output medium, nor can you dodge shadows that are 12 stops below the highlights or burn in highlights 12 stops above the shadows. All that stuff is standard in processing for serious photographers, and you can't process in information that isn't there. I can see why snapshotters who just use ex-camera JPEGs aren't interested in extended DR, but then back in the days of film their counterparts weren't interested in the craft of the printmaker, either.
Yes, noticed that it was a real world example, but think that it in this case more was a question about protecting the highlights in the RAW file than about lifting the shadows 5-6 stops afterwards (the shadows aren't lifted by nowhere near that amount here).
It's 'pushed' 6 stops. That's lifting the shadows 6 stops compared to the highlights. Seeing detail in the highlights and shadows at the same time is what its all about.
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Bob
The sample images seem to have been lost in my first edit. So I try to include the relevant section once more.
bobn2 wrote:
Steen Bay wrote:
bobn2 wrote:
Steen Bay wrote:
Andreas Helke wrote:

Head over to to one of the flickr camera groups for the Nikon D7000 or Pentax K5 and see for yourself with real photos taken with high DR cameras.

Or even better find a raw file of a high DR scene. I had no luck on the usual review sites. All their test images are designed to just slightly exceed the dynamical range of the typical DSLR with an 11.5 stop dynamic range. So those test images don´t even show what a camera with a 14 stop dynamic range is capable off. And you mostly just get some hints of the possible performance in the flickr groups. There you analysis is seriously hampered by the too small dynamic range of the 8 bit JPG files needed there.

No, it isn't that easy to find real world high DR scenes/images that could have benefitted from being shot with a camera with 14 stops of DR insted of 'just' 11.5 stops. emoticon - wink

I don't think that's true. There's much more than 11.5 stops in everyday naturally lit scenes. As Andreas suggests, the test sites tend not to use everyday, naturally lit scenes. You may not use the full DR in the final image (you may not be able to due to the limits of the output medium) but capturing as much DR as you can is useful in the process of producing that final image.

Yes, you're right, more DR is always a nice thing and will always be useful to some degree, but I think that in many/most real world scenarios we'll really have to be pixel peeping the very deepest shadows to see the difference between 14 and 11.5 stops of engineering DR. And also think that it would be useful here with some graphs showing the combined read and shot noise, because it seems ( according to my rather crude/primitive calculations) that the 'shape' of the graps depends quite heavily on how high the read noise actually is (less read noise means that the shot noise becomes more dominant, and higher read noise means that the read noise will be dominant over a larger range of stops/EVs from the point defined as the engineering DR and up towards full saturation).

I don't think it's to do with pixel peeping. It has more to do with the potential of the final image. If one assumes someone buys a sophisticated camera because they want to do more than take snapshots, then a degree of manipulation in processing is likely (and always has been, I spent happy hours in the darkroom burning in and dodging parts of images). Simply, more DR gives more potential. Look at Pierre Sottas' D7000 examples:





The 14 stop DR of the D7000 has allowed him to process in the second to retain some detail in the bright bits of the second image (you can see what's going on inside) without the dark bits just being black. that might or might not be important for the image you're shooting, but it's a useful thing to have.
 
I don't think it's annoyed as much as curiousity and/or concern.
OK, I get the picture. Funny though, that the subthread wasn't about ignoring John, but John seems to be the one you can't ignore. Myself, John seems to me to be the epitome of the clued up user. He has invested in a Canon system because it was clearly the best overall system. Now it isn't. And the improvements that the competition are making are not just academic, they are things that can change the whole methodology of photography and eliminate some of the biggest pratfalls we fall liable today. During the time of my Canon ownership, Canon has gone from out and out bets for the kind of photography I do to arguably the worst. John's reaction is a bit the same as mine. He sees those improvements and he wants them, but he doesn't want to change his whole system to get them, so the best solution would be for Canon to make the improvements. Saying that kind of thing is what these forums are about. And if you disagree, there's no law that says you have to participate in those threads.
From what I've read it appears this low ISO performance difference may be more in the electronics and processing than the sensor itself.
It is to do with the characteristics of the ADC concerned, that is very clear from the performance data.
There's some speculation that Nikon and Sony are doing multiple reads from this new sensor to improve the DR.
That was speculation about a previous sensor. In this case, they aren't.
Others have speculated that Canon has some problems with the shielding or the quality of components used in their circuits.
The root of it is in the architecture they are using. You can see exactly the same thing with the Nikon D3, D700, D3S and D3100 all of which are Canon like in their design.
I'm not technically proficient enough to know but I'm also not convinced that Sheehy, Helke or you are either.
If you're not technically proficient enough to know, then you're not technologically proficient enough to judge that.
There's a lot of big words and theory thrown around here but little or no evidence as to the posters resume's or accomplishments. Simply put, the discussion is interesting but suspect in my mind on several fronts (this is the Internet after all). I've known too many people in my lfe that were experts at baffling with their BS but when challenged by someone who really knew what they were talking about were quickly exposed. I'm not saying any of you fit that description, just that there are others like ejmartin or Richard N. Clarke that do have the resume's and IMO are more believable.
That says very little. Emil's professional expertise is condensed matter theory, which hardly indicates that he'll be an expert in sensors. You judge that by the logic and evidence of his arguments, and whether the arguments he advances match with reality, and they do. I don't think I've ever seen Emil stand on his CV, and nor should he. Roger Clark (I presume that's who you mean, I don't know of a 'Richard N Clarke') is another case, the fact that he is an planetary scientist doesn't imply particular knowledge of photography, and in fact some of what he says is plain wrong. Once again, you need to judge by the arguments and evidence, just the same as either of these guys would be expected to do in their professional career.
Offer up your resume with some methods to cross check for validity and I'll be happy to consider it otherwise please understand that all of you are just a handle spouting words with an opinion on the Internet. Just because you can sound credible doesn't mean you are.
If you know enough to judge, yes it does. I don't know John Sheehy's qualifications, and I've had some ding-dong disagreements with him, but during those disagreements I knew enough from his arguments to know that he does understand how this stuff works. That's because I have the expertise to judge and validate his arguments for myself. And I'm not going to publish my bio here. For several reasons:

i) What's the point? Even if I told you I was a University professor specialising in sensor systems, it wouldn't for a second make my arguments any better or mean my opinions were 'correct' - you still have to judge that for yourself on the basis of the arguments and evidence.
ii) There are several people here who would abuse any such publication

iii) Why the hell should I? I'm not requiring you to publish your CV before I assess your arguments, nor have you asked anyone else, nor have the people who you seem to think 'have' CV's done this.
Would I like to see the next generation of Canon sensors perform on par or exceed the new Sony offerings on DR and noise at all ISO's? Certainly, but for the way I currently shoot it would be like 8 FPS on my 7D. It's a nice capability to have when I need it but I've not used it yet but maybe that's a paradigm shift I need to make.
For me it would make a big an practical difference to how I would work, but we presumably work different ways.
--
Bob
 

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