Re: RF 135mm - first impressions
noggin2k1 wrote:
Canon_Guy wrote:
Thank you for your experience and thorough description.
It seems you woul be an ideal candidate for a Sigma 135/1.8. Great IQ as well, focus speed way faster than you will ever need for those subjects, built quality even better and WAY cheaper.
Haven't you consider it?
I'd definitely argue against the build quality statement.
Sure you can since this is rather subjective to quite a big extent. I prefer metal barrels and Sigmas feel better put together to my taste. What I really hate abou especially RF zooms is that their plastic barrel flexes when grabbed a bit firmly at certain places. For me this is ridiculous at their price points.
Sigma aren't bad lenses, but they're not up to the standard of the RF L lenses.
For such statements following is valid: the more generalization the less relevancy.
Truth is that many RF lenses brought so far unprecedented amounts of vignetting and distortion. Sigma really is not up to this standard, luckily.
On the other hand, on both sides there are extraordinary lenses which have no match in the other brand.
I also can't get anything like a 2-3 day turnaround like I can with Canon CPS.
CPS is great if one needs it. In my 15+ years of photo life nothing broke down.
Sure for pros who abuse their gear badly it is highly benefitial.
Cost isn't really a huge factor either if I'm honest.
For many people it is not which is good for them. Yet I think this does not represent the majority of photographers. Many look for a good value. And Sigma's Arts excell in that category.
It's more about uniformity across all lenses (handling, control rings
Well, especially control rings are the least uniform across lenses due to its different location on different lenses.
not messing about with adapters
No need for. They are very cheap so having an adapter on each lens is just easy.
and rendering - the Sigma 105/1.4 renders noticeably different to my other glass, which just lengthens the post workflow.
Yes, for well light-controlled environment where consistent and repetitive output is a must this might be a complication.
Not an issue at all for natural or generally uncontrolled light conditions since the differences in such light are WAY bigger than differences in lens rendering.
I'd rather not have to deal with that for a lens that will be consistently used.).