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What cameras do video not in h.264 or h.265 format?

Started 7 months ago | Questions
DMKAlex
DMKAlex Veteran Member • Posts: 6,721
What cameras do video not in h.264 or h.265 format?

During my research to upgrade my PC for video editing, I learned that the problem I encountered (stutter in fast forward and fast backward playback) has more to do with the H.264 codec than with my PC hardware.

Someone suggested that proxy is an integral part of a professional video editing workflow.

That makes me wonder, is there any cameras (for serious amateur, prosumers) that record in ProRes or DNxHD codec?

PS: Actually, after posting the above, I found that some cameras would record the high resolution H.264 or H.265 while simultaneously recording proxy so I don't have to go through the transcoding.

Now what cameras do that? GH6?

 DMKAlex's gear list:DMKAlex's gear list
Panasonic GH5 Panasonic Leica Summilux DG 25mm F1.4 Samyang 7.5mm F3.5 Fisheye Panasonic Leica 12-60mm F2.8-4.0 ASPH Panasonic Leica DG 50-200mm F2.8-4 +2 more
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Markr041 Forum Pro • Posts: 10,078
Re: What cameras do video not in h.264 or h.265 format?

DMKAlex wrote:

During my research to upgrade my PC for video editing, I learned that the problem I encountered (stutter in fast forward and fast backward playback) has more to do with the H.264 codec than with my PC hardware.

Someone suggested that proxy is an integral part of a professional video editing workflow.

That makes me wonder, is there any cameras (for serious amateur, prosumers) that record in ProRes or DNxHD codec?

PS: Actually, after posting the above, I found that some cameras would record the high resolution H.264 or H.265 while simultaneously recording proxy so I don't have to go through the transcoding.

Now what cameras do that? GH6?

Sony fx3 for proxy recording. You can even choose 10bit or 8bit, H264 or H265 codecs for the simultaneously recorded proxies.

Another option is to shoot in All-I rather than Long GOP. Those files are much easier to edit than the Long GOP codecs you are thinking of. The fx3 has that option also, and is the preferred Netflix option btw.

 Markr041's gear list:Markr041's gear list
Panasonic ZS100 Olympus TG-5 Canon EOS M Panasonic Lumix DMC-GH4 Nikon Z6 +5 more
NickZ2016 Veteran Member • Posts: 5,836
Re: What cameras do video not in h.264 or h.265 format?

264 shouldn't be that hard on modern hardware.  The comment that it's challenging was true in 2014 but shouldn't be killing you today.

The Z9 does ProRes internal. If you use an Atmos you can pick various options. The Blackmagic recorder route gives you BRaw instead of Prores raw.

 NickZ2016's gear list:NickZ2016's gear list
Nikon D800 Nikon AF-S Nikkor 50mm F1.4G Nikon AF Nikkor 35mm f/2D Nikon AF-S Nikkor 50mm F1.8G Nikon 85mm F1.8G +4 more
apekkpul Senior Member • Posts: 1,497
Re: What cameras do video not in h.264 or h.265 format?

Your current GH5 can record ALL-l 400Mbps, and I got the impression it is similar to certain ProRes formats. It is also easier to edit than compressed H.264/265.

if you are building a PC, then consider selecting such a CPU/GPU that supports your prefered codec, see https://www.pugetsystems.com/labs/articles/What-H-264-and-H-265-Hardware-Decoding-is-Supported-in-Premiere-Pro-2120/

 apekkpul's gear list:apekkpul's gear list
Sony a7 IV Panasonic Lumix DC-S5II Canon EF 24mm f/2.8 Canon EF-S 55-250mm f/4-5.6 IS II Canon EF 24-70mm F4L IS USM +12 more
jjdp Contributing Member • Posts: 606
Re: What cameras do video not in h.264 or h.265 format?
2

Yes, proxies. Just make them on your machine for now and see if it helps.

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DMKAlex
OP DMKAlex Veteran Member • Posts: 6,721
Re: What cameras do video not in h.264 or h.265 format?

It started out as my search for perfection in my editing experience. In a lot of way, I was fooled by some of the Youtube tutorials where the OP scrub their clips back and forth at high speed and yet the playback was creamy smooth (now I am convinced that most of them were transcoded footages).

I built my PC a couple of years ago to make my video/editing hobby fun. And it did in a lot of way. But I was annoyed that it stuttered when I fast forward/backward and scrub the source in search of the exact moment.

It's not easy to get a full pictures of the situation and the potential scenario. But the exercise brings me to realize that I can forever chase for the perfection which may or may not be that much better than what I have.

The editing experience is a combination of . . .

  • Codec of the camera
  • Software (NLE)
  • Hareware: GPU/CPU/RAM
  • Workflow

Codec: Since most of the consumer grade camera are all recording in H.264 or H.265, it is not something I can change.

Software: I have dabbled into Resolve (free version), but I am still a lot more comfortable with PPCC. I don't think I will change too soon.

Hardware: When the hype is cooled off, my current PC setup is really not that bad. I can do most of the tasks with ease. Well, if there is a good deal on the RTX 3060ti I might still jump for it.

Workflow: I built my PC because I wanted to avoid transcoding my 4K videos for editing. My current setup can handle most tasks without transcoding with the exception of some isolated clips with fast action that I wanted to pin down the exact moment. That's far and few in between. When that occurs, I am going to quickly transcode that one particular footage and do my scrubbing. I guess that's is the best of both world solution.

Thank you all for contributing to my education.

 DMKAlex's gear list:DMKAlex's gear list
Panasonic GH5 Panasonic Leica Summilux DG 25mm F1.4 Samyang 7.5mm F3.5 Fisheye Panasonic Leica 12-60mm F2.8-4.0 ASPH Panasonic Leica DG 50-200mm F2.8-4 +2 more
Andrew S10 Senior Member • Posts: 1,839
Re: What cameras do video not in h.264 or h.265 format?
1

All Blackmagic cameras can record ProRes, and on mirrorless cameras, some people use a monitor/recorder to bypass H.264 and go directly to ProPres or DNxHD.

low_iso Regular Member • Posts: 272
Re: What cameras do video not in h.264 or h.265 format?

It's important to understand what a proxy file does for you.  The bottleneck in many editing operations is getting a video encoded in a particular codec/res/bit-rate decoded into showable frames on the fly.  The software must be aware of the capabilities of the GPU, which should be able to deal with the codes and bitrates involved.  Turning any of that over to the CPU is a recipe for non-smooth video.

Sometimes its the codec, but most times its the combination of codec, resolution, and bitrate that all blends together to great a huge river of data that has to be crunched into viewable video.  You could reduce any one of those parameters and make a noticable difference, but that's not actually something any of us want to do.  Using fully uncompressed video will just make the river wider and deeper, not to mention creating a storage headache.

The work-around are proxy files, essentially a low-res/low bitrate file that is easy to manage and work with, but are just a place holder for the real big full res file.  When the project is done, or at least renedered out to a final file, the real files come back into play, along with the rendered transitions and effects.  Proxys let you work quickly and smoothly, then take the heavy lifting and put it later in the workflow after you've quit for the night and gone to bed.  The exact proxy process depends, of course, on the specific NLE, but that's the general idea.

As mentioned, many cameras can generate proxy files during shooting, but any NLE can generate proxy files during the ingest process.  Again it takes a little time, but then you can work with smooth video.

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