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Canon G5x II vs G1x III for concert photography

Started 10 months ago | Discussions
larkhon Regular Member • Posts: 248
Canon G5x II vs G1x III for concert photography

Hello,

I've used both cameras in concerts, but not in the same period. I've actually sold the G1x III for the G5x II as my copy wasn't really sharp enough for landscape compared to some mirrorless kits and thought more reach for concerts would be more useful.

Now, I find that even at f5.6 ISO 3200 some pictures from the G1x III capture the light and colours on the stage better than 1" sensored cameras (I also have the TZ200, and I had various Sony RXs) at much lower ISO. The very few times I manage to smuggle a GM1+35-100mm into a concert, there would also be a clear improvement, although the sensor is not that much bigger (the lens is very good too).

Did anyone have similar experience with 1" compact cameras and bigger cameras/sensors? I'm happy with the clean (thanks to the f1.8-2.8 lens) and sharp pictures, and the G1x III is probably the only fixed lens camera with a sensor that big and lens that long, so the question is should I buy it again?

Thanks for your inputs.

Canon PowerShot G5 X Panasonic ZS200
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Lacko Contributing Member • Posts: 724
Re: Canon G5x II vs G1x III for concert photography

G1x III is probably the only fixed lens camera with a sensor that big and lens that long, so the question is should I buy it again?

I would say yes. But decision is up to you.

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PowerMike G5 Regular Member • Posts: 113
Re: Canon G5x II vs G1x III for concert photography
1

I've also owned both cameras and ended up keeping the G1X Mark III.

I have a similar experience. I assumed the faster lens of the G5X MII would negate the larger sensor advantage, plus I wanted 4K video recording.

But I noticed that the colors just feel dull compared to the G1X's APS-C sensor at higher ISOs. WIth certain software, I found that the G1X Mark III has become the most versatile camera for both its size, ergonomics and controls, and image quality.

DXO Photo Labs for processing RAW and noise removal has really opened up the versatility. 6400 ISO becomes much more usable processing with this software and really makes it feel like the images were shot around 2 stops lower natively.

And for 4K, I've found that Topaz Video Enhance AI does wonders here. The key is to shoot with no sharpening applied at all in camera and let the AI upscaler sharpen the image as it upscales. The in-camera sharpening kind of sucks, and creates really exaggerated  sharpened edging.  I've compared this footage next to native 4K from the M6 Mark II and they look almost identical. Really amazing.

The downside is the extra processing time needed for all this, but I find the trade-off worth it to keep the better imaging from the APS-C sensor, along with using a camera that I enjoy using more due to the ergonomics, always-on EVF, etc.

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OP larkhon Regular Member • Posts: 248
Re: Canon G5x II vs G1x III for concert photography
1

Thanks for the feedback. Are you satisfied with the sharpness on your copy? Mine was better than the 15-45mm kit lens but far from a Ricoh GR at wide angle.

PowerMike G5 Regular Member • Posts: 113
Re: Canon G5x II vs G1x III for concert photography

larkhon wrote:

Thanks for the feedback. Are you satisfied with the sharpness on your copy? Mine was better than the 15-45mm kit lens but far from a Ricoh GR at wide angle.

Yeah, mine's is really sharp.  I guess my copy is a good one.  I haven't heard much about lots of variation of this camera though.

 PowerMike G5's gear list:PowerMike G5's gear list
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Chris 222 Senior Member • Posts: 1,981
Re: Canon G5x II vs G1x III for concert photography
1

PowerMike G5 wrote:

larkhon wrote:

Thanks for the feedback. Are you satisfied with the sharpness on your copy? Mine was better than the 15-45mm kit lens but far from a Ricoh GR at wide angle.

Yeah, mine's is really sharp. I guess my copy is a good one. I haven't heard much about lots of variation of this camera though.

Same here Mike. Both of my copies have been tack sharp (1st was stolen, second is USA refurb, looked like completely new to me.)

Not sure I will ever have time to finally write that dang G1X3 review, but one thing's for sure, IQ blows all 1" cams out of the water (and if it didn't Canon would have to fire a few engineers LOL.) .

RLight Senior Member • Posts: 4,427
Re: Canon G5x II vs G1x III for concert photography
2

SOOC JPEGs on the G5X II, are just okay.

Shoot RAW, and utilize either LR or another third party post processor. If not? The colors, lack.

SOOC Defaults

Lightroom, from RAW

Note how much color gets lost to highlight clips alone. It's astounding. And, how much data is in those RAWs to recover it... Shooting RAW and using an editor is key with the G5X Mark II. It's not for APS-C cameras like the G1X Mark III or Canon's M series, of which I've owned all the above.

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OP larkhon Regular Member • Posts: 248
Re: Canon G5x II vs G1x III for concert photography

Chris 222 wrote:

PowerMike G5 wrote:

larkhon wrote:

Thanks for the feedback. Are you satisfied with the sharpness on your copy? Mine was better than the 15-45mm kit lens but far from a Ricoh GR at wide angle.

Yeah, mine's is really sharp. I guess my copy is a good one. I haven't heard much about lots of variation of this camera though.

Same here Mike. Both of my copies have been tack sharp (1st was stolen, second is USA refurb, looked like completely new to me.)

Not sure I will ever have time to finally write that dang G1X3 review, but one thing's for sure, IQ blows all 1" cams out of the water (and if it didn't Canon would have to fire a few engineers LOL.) .

Good to know. Maybe I had an average copy, at least at 24mm. But then again my G5x II is not at its best either until we reach 35mm.

It seems to be out of stock in many stores around here, it looks like price are going up again. Last black Friday there were some sales around 600€, shame I missed that...

YWG Senior Member • Posts: 1,364
Re: Canon G5x II vs G1x III for concert photography
1

larkhon wrote:

Hello,

I've used both cameras in concerts, but not in the same period. I've actually sold the G1x III for the G5x II as my copy wasn't really sharp enough for landscape compared to some mirrorless kits and thought more reach for concerts would be more useful.

Now, I find that even at f5.6 ISO 3200 some pictures from the G1x III capture the light and colours on the stage better than 1" sensored cameras (I also have the TZ200, and I had various Sony RXs) at much lower ISO. The very few times I manage to smuggle a GM1+35-100mm into a concert, there would also be a clear improvement, although the sensor is not that much bigger (the lens is very good too).

Did anyone have similar experience with 1" compact cameras and bigger cameras/sensors? I'm happy with the clean (thanks to the f1.8-2.8 lens) and sharp pictures, and the G1x III is probably the only fixed lens camera with a sensor that big and lens that long, so the question is should I buy it again?

Thanks for your inputs.

I have a G5x mkI and previously a G7x mkI, G9x mkII. Personally, I find ISO 800, while having visible noise still looks quite good. ISO 1600, 3200 the colours can start looking drab and the noise intrusive. A program like DXO deep prime set to luminance 0 can lightly remove and even out some of that noise to make useable, but softer looking photos. The mediocre lens sets the stage for a lack of super sharp details however. Jpegs ooc and DPP4 look horrid so for shots I actually care about, I'll do my own RAW conversions and post.

I've had informal comparisons against bigger sensors. For one of my dad's big milestone bdays, we had a large dinner and dance. A friend shot a Nikon D5100, 18-55mm F3.5-5.6 on auto. The camera would select ISO 3200-6400 and slower shutters. The out of camera jpegs looks really good in terms of detail and nice colour, not smudgy like cell phones or even messy like ISO 1600 on G5x which I was shooting.  I was more focused on partying and not dedicated shooting. I suppose I could have kept things down at ISO 400-800 if I had slower shutters. Still, I was impressed by the Nikon APS-C.

G5x against my m43 gear. The 16 and 20MP sensors I find look good to ISO 3200 with good noise levels and colour. Then at 6400 blotchy, smudginess starts creeping if in really dark settings, although I do still shoot up there and higher if I need to. Once again DXO can help even things out a bit.

Previously, on my old 7D1, I found I could push those files very hard. Having a later Canon 24MP or even 32MP APS-C, I could see having a lot of post production malleability.

So, I could see the G1x mkIII yielding good results. You've had both so you're in a much better position to make that leap back in.   I've seen a few G1x mkiii float by used. One lately for 385 USD. I was slightly tempted based on having a 24mm weather resistant small body but ultimately passed.

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Serhan2 Senior Member • Posts: 1,473
Re: Canon G5x II vs G1x III for concert photography
1

I have not used G1X III for concert, but I used the other 1" cameras for concert photos esp longer zoom P&S's:

https://pbase.com/sc_20170/concerts

I used G1X III more for landscapes and a travel shots. I bought it as used camera after trying 3 LX100 II's (2 had soft corner and 1 used one had dust on the sensor)... The wider zoom of G1X III is sharper than the G5X II though both has big distortion correction on the wide end. G5X II will give you longer reach, esp good if you are not close. But then it missed af with moving kids in day light without the pdf af... G7X II was fine in concert in low light with slower concert photos so I assume G5X II should be fine. I was much closer to the stage when I used G7XII compared to Rx100 m6/ZS100/200 shots.... G7X II ISO 3200 - raw shot with noise reduction:

G5X II long end zoom at ISO 6400 - after sunset with struggled af:

G1X III sensors is bigger, so its dynamic range/higher ISO is better from my experience, but then you loose the advantage of bigger sensor by slower lens esp at the zoom end, so I try to use low ISO by extending the shutter speed for landscape shots that might not be useful for concerts. I had low light night street shots, but only posted one is at ISO 1250:

I have lately used GR IIIx for my walks, but still I like to have some longer zoom range and GR af sucks even in a foggy weather with contrast af. I still like to have a longer 75-90mm GR like Sigma did with the DP series, but P&S's are a dying breed....

larkhon wrote:

Hello,

I've used both cameras in concerts, but not in the same period. I've actually sold the G1x III for the G5x II as my copy wasn't really sharp enough for landscape compared to some mirrorless kits and thought more reach for concerts would be more useful.

Now, I find that even at f5.6 ISO 3200 some pictures from the G1x III capture the light and colours on the stage better than 1" sensored cameras (I also have the TZ200, and I had various Sony RXs) at much lower ISO. The very few times I manage to smuggle a GM1+35-100mm into a concert, there would also be a clear improvement, although the sensor is not that much bigger (the lens is very good too).

Did anyone have similar experience with 1" compact cameras and bigger cameras/sensors? I'm happy with the clean (thanks to the f1.8-2.8 lens) and sharp pictures, and the G1x III is probably the only fixed lens camera with a sensor that big and lens that long, so the question is should I buy it again?

Thanks for your inputs.

OP larkhon Regular Member • Posts: 248
Re: Canon G5x II vs G1x III for concert photography

Serhan2 wrote:

I have not used G1X III for concert, but I used the other 1" cameras for concert photos esp longer zoom P&S's:

https://pbase.com/sc_20170/concerts

I used G1X III more for landscapes and a travel shots. I bought it as used camera after trying 3 LX100 II's (2 had soft corner and 1 used one had dust on the sensor)... The wider zoom of G1X III is sharper than the G5X II though both has big distortion correction on the wide end. G5X II will give you longer reach, esp good if you are not close. But then it missed af with moving kids in day light without the pdf af... G7X II was fine in concert in low light with slower concert photos so I assume G5X II should be fine. I was much closer to the stage when I used G7XII compared to Rx100 m6/ZS100/200 shots.... G7X II ISO 3200 - raw shot with noise reduction:

G5X II long end zoom at ISO 6400 - after sunset with struggled af:

G1X III sensors is bigger, so its dynamic range/higher ISO is better from my experience, but then you loose the advantage of bigger sensor by slower lens esp at the zoom end, so I try to use low ISO by extending the shutter speed for landscape shots that might not be useful for concerts. I had low light night street shots, but only posted one is at ISO 1250:

I have lately used GR IIIx for my walks, but still I like to have some longer zoom range and GR af sucks even in a foggy weather with contrast af. I still like to have a longer 75-90mm GR like Sigma did with the DP series, but P&S's are a dying breed....

larkhon wrote:

Hello,

I've used both cameras in concerts, but not in the same period. I've actually sold the G1x III for the G5x II as my copy wasn't really sharp enough for landscape compared to some mirrorless kits and thought more reach for concerts would be more useful.

Now, I find that even at f5.6 ISO 3200 some pictures from the G1x III capture the light and colours on the stage better than 1" sensored cameras (I also have the TZ200, and I had various Sony RXs) at much lower ISO. The very few times I manage to smuggle a GM1+35-100mm into a concert, there would also be a clear improvement, although the sensor is not that much bigger (the lens is very good too).

Did anyone have similar experience with 1" compact cameras and bigger cameras/sensors? I'm happy with the clean (thanks to the f1.8-2.8 lens) and sharp pictures, and the G1x III is probably the only fixed lens camera with a sensor that big and lens that long, so the question is should I buy it again?

Thanks for your inputs.

Thanks for the feedback. Yes, unfortunately P&S are a dying breed but judging from your shots and mine, if you know how to use them you can make great shots despite the technical limitations. I started with a Panasonic LF1 (stuck on Japanese language and I'm still amazed today by the amount of details I can recover in PP.  It is just a shame we won't see what a new generation of 1" sensors could do.

I think the Canon G1x III might be limited with its shorter range, so you can shoot live music in a pub or small venues, but the slower lens is not much of an issue to me. There usually is enough light on stage, but when there isn't (usually support acts don't get the spotlights the main act gets) I feel like the bigger sensor is making a better job. I never had both cameras to compare at the same venue though...

I guess I'll be waiting for a good price on an used model, so I can always resell it if I don't see much of an improvement or the range is too short.

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