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Uncropped 4k/60 options? Or am I being stupid

Started 11 months ago | Discussions
OP PatriotDrone New Member • Posts: 12
Re: An example of 60p 4k real estate drone video? Or am I being stupid?
1

No offense taken - it's easy to see why one could think it was nothing but bragging rights and vanity to deliver in 4k and be concerned with 60p.

Mark has once again hit the nail on the head over and over. 60p slowed to 30p is such an easy way of instantly smoothing out footage, even to the point of not needing to stabilize. Just as importantly, very SLOW movement (easily achieved by 60 to 30) has a very real dignity and grace about it. Plus, I can actually film more quickly both with the gimbal and the drone, knowing I can easily extend the footage in post.

As far as 4k, the advantages of shooting in 4k are clear, but the main reason I DELIVER in 4k is because YouTube's compression is very harsh on my 1080p drafts, but the 4k final products always look far, far cleaner and less mushy, even when only watched at 1080 - absolutely worth it for me.

I began all of this doing only drone work, both photos and video, which is far more useful than you might think. Here in Nashville, anything that's remotely close to the skyline is made instantly more attractive by a photo or video clip showing both the house and the skyline.

Further, when I was looking at land myself to build on, I can't tell you how many lots were represented solely by a poor-quality photo of a woodline - which tells you absolutely nothing.

And - you may think "drone" and think "high-altitude" - while a high shot or two can be very effective, all of my exterior footage is shot with the drone and most often from head height. It's the beautiful smoothness of the drone coupled with its ability to be positioned wherever I like that makes it the perfect tool.

My clients certainly see the value in videos such as these, or believe me, they wouldn't keep hiring me for them

In the spirit of good fun, here are two examples of mine from the past week.

Here's the one and only job I've shot on my new equipment so far:

https://youtu.be/up2btmmRI4Q

And, in my defense, I'd just like everyone to remember that all of this arrived late Tuesday evening, and the batteries on the camera and gimbal weren't charged until about 9pm, and I was on-site to record this at 6:30 the next morning, never having used a real camera before except my little DJI Pocket 2.

Here's a drone-only video showing how useful it is for land sales:

https://www.youtube.com/watch?v=B5kNJ2HlSqk

Hope this helps shed a little light - I promise we're not just being divas about 4k/60! In this line of work they truly do make a difference.

Ordered a second handle for the gimbal today - really looking forward to trying it out!  In an ideal world, it could make my gimbaling smooth enough that maybe I could shoot 4k/30 and use the whole sensor - won't know until I test it!

Off The Mark Veteran Member • Posts: 6,934
Re: Uncropped 4k/60 options? Or am I being stupid

PatriotDrone wrote:

I broke everything in the next morning at 6:30 and I am THRILLED with the results. I had absolutely no idea what I was missing!! There is SO much more light I can play with and the footage is just beautiful.

One thing to remember on the S5 (and the other Panasonic full frame sensors) is that they have a feature called "dual native ISO."

It's easier for me to explain how it works in practice how it works than give the technical explanation.

The native ISO for VLOG is ISO 640 for example. Shooting at ISO 640 gives you the least noise and highest amount of dynamic range. Noise increases and dynamic range decreases as you crank up the ISO.

Until you reach ISO 4,000 (when shooting in VLOG profile). At ISO 4,000, there is LESS noise and MORE dynamic range than shooting at ISO 3200. It is actually less noisy than shooting at ISO 2500 and ISO 2000 as well.

Basically, ISO 4,000 is about the same as ISO 1,600 when shooting in VLOG on the S5 (and S1 series of cameras), so you should avoid shooting at ISO 2,000 / 2,500 / 3,200 and just go directly to ISO 4,000 if you need to shoot above ISO 1,600 (in VLOG profile).

From what I understand, ALL of the picture profiles on the S5 / S1 cameras have this dual native ISO function, and the second native ISO is always 2 and 2/3rds of a stop higher than the base ISO for the particular picture profile. So if a picture profile has a base ISO of 100, the second native ISO would be ISO 640.

(I apologize if my math is in error here. The important thing is the number of stops is the same from the base ISO to the second native ISO across all the picture profiles, just that some picture profiles have a base ISO of 100, some have a base ISO of 200, and HLG has a base ISO of 400)

Hope this helps.

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Off The Mark Veteran Member • Posts: 6,934
Re: An example of 60p 4k real estate drone video? Or am I being stupid?
1

PatriotDrone wrote:

Here's the one and only job I've shot on my new equipment so far:

https://youtu.be/up2btmmRI4Q

And, in my defense, I'd just like everyone to remember that all of this arrived late Tuesday evening, and the batteries on the camera and gimbal weren't charged until about 9pm, and I was on-site to record this at 6:30 the next morning, never having used a real camera before except my little DJI Pocket 2.

Here's a drone-only video showing how useful it is for land sales:

https://www.youtube.com/watch?v=B5kNJ2HlSqk

Good work!!!

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OP PatriotDrone New Member • Posts: 12
Re: An example of 60p 4k real estate drone video? Or am I being stupid?

Thank you kindly!  Man, there is a substantial learning curve to all of this but thanks to the kindness of people like you, I'm getting there!  It really is such a pleasure to be able to shoot on some capable equipment - again, I had NO idea what I was missing out on!

Ulanzi gimbal handle arrives tomorrow; it can either be a dual-handle setup or one low, one high - hoping that will give me the stability I need, possibly even to shoot some interiors in 4k/30!

OP PatriotDrone New Member • Posts: 12
Re: An example of 60p 4k real estate drone video? Or am I being stupid?

Sorry, been a super-busy day, especially for a day "off" - that is wild about the dual ISO!!  Great to know to just skip up to 4000 if I find myself up around 2000.  Pretty awesome feature really.

Took 300 stills today and I am astounded at the quality.  When using the 50, I need to be REALLY careful to get eyes in focus; I lost several good shots because the focus was off.  I find the larger the focus area, the easier it will focus, but it really needs to be the eyes.  And often I really need to be smaller than f2.8 - valuable learning experience indeed!

Off The Mark Veteran Member • Posts: 6,934
Re: An example of 60p 4k real estate drone video? Or am I being stupid?

PatriotDrone wrote:

Took 300 stills today and I am astounded at the quality. When using the 50, I need to be REALLY careful to get eyes in focus; I lost several good shots because the focus was off. I find the larger the focus area, the easier it will focus, but it really needs to be the eyes. And often I really need to be smaller than f2.8 - valuable learning experience indeed!

If you are shooting portraits / people photos on the S5, then you should have human detection turned on and make sure that there is a an intersection over the eye you want to focus on.

I find that using One Area Focus Plus Human Detection the most accurate for focusing on someone's face.

Remember that Panasonic uses a contrast-only focus system, while Canon*, Sony, Nikon, Fuji, Olympus, etc., use a form of phase-detect autofocus, and hence, the Panasonic autofocus isn't always as quick or as accurate as those other brands. However, it CAN be very precise.

*Technically, Canon uses something called Dual Pixel Autofocus which I guess isn't exactly like phase-detect autofocus found in Sony / Nikon / Fuji / Olympus.

One other thing (and this concerns continuous autofocus when shooting video): Generally, native Panasonic lenses have better autofocus performance on the S5 / S1 bodies than Sigma lenses do. Also note that AF-C struggles in video, but you can improve AF-C performance by shooting at faster frame rates (i.e. 4K 60p instead of 4K 30p) as well as by using a more contrasty picture profile. Shooting VLOG in 4K at 24 or 30fps in full sensor width causes the camera to struggle the most to obtain and maintain focus when using AF-C.

For an overview of the S5 autofocus system, watch this tutorial.

https://youtu.be/LAfcxVmfXHE

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OP PatriotDrone New Member • Posts: 12
Re: An example of 60p 4k real estate drone video? Or am I being stupid?

Mark, again you hit it out of the park. Thanks for the great info - I'm definitely going to play with the eye detection.

Sorry for the delay - been a whirlwind over here! Just wanted to report in with my results.

So basically my challenge was in getting nice, crisp 4k footage while also keeping it beautifully smooth and often slow. What I've ended up doing is actually shooting a mix of 4k30 and 4k60. On most shots, I do my best to get slow, smooth footage in 4k30, which takes advantage of the full sensor, I can have the shutter speed at 1/60, and I hardly ever get noise. On shots where I'm moving close to an object in the foreground, even on the RSC2 it's very difficult to move past it both slowly and smoothly, so I'll often pull the lens out to 14mm and use the 4k60 cropped mode, which acts like a 21mm, then set the clip to 50% speed. Of course when I do that, shutter speed goes to 1/120, so the ISO often has to go up to compensate, so I get some noise on darker shots, but nothing that I can't handle in post.

I've also learned that the look that I REALLY like is shooting on a slider - BUT, it's already taking me 2 hours to shoot an interior with the gimbal, and I can't imagine how long it would take to lug in a slider and two tripods or whatever, and set it up how many times. My hat is off to the people that do it regularly - it's just hard to imagine being able to add that kind of time to every shoot. For those of you all who do it all the time, how long does a shoot take you on average? Just trying to figure out what might work for me.

I still haven't ruled out the Canon 10-18, but I do wonder with its limited F-stop range that I might have some challenges versus the f2.8-22 of the Sigma!  But I'll probably try it anyway, especially for the price!

Still absolutely LOVING the S5 - again, I had no idea what I was missing. It's an incredibly capable camera and it's put me light-years ahead of where I was.

Thanks for all the help - I sure appreciate it!

Off The Mark Veteran Member • Posts: 6,934
Re: An example of 60p 4k real estate drone video? Or am I being stupid?

PatriotDrone wrote:

Sorry for the delay - been a whirlwind over here! Just wanted to report in with my results.

Glad to hear you have been keeping busy. Always better to have too much work than to not have enough work.

So basically my challenge was in getting nice, crisp 4k footage while also keeping it beautifully smooth and often slow. What I've ended up doing is actually shooting a mix of 4k30 and 4k60. On most shots, I do my best to get slow, smooth footage in 4k30, which takes advantage of the full sensor, I can have the shutter speed at 1/60, and I hardly ever get noise. On shots where I'm moving close to an object in the foreground, even on the RSC2 it's very difficult to move past it both slowly and smoothly, so I'll often pull the lens out to 14mm and use the 4k60 cropped mode, which acts like a 21mm, then set the clip to 50% speed. Of course when I do that, shutter speed goes to 1/120, so the ISO often has to go up to compensate, so I get some noise on darker shots, but nothing that I can't handle in post.

While I know it is "best" to keep shutter angle at 180-degress so that the shutter is twice the frame rate, when I shoot at 60fps I often shoot closer to 360-degree shutter than to 180-degree shutter (meaning, closer to 1/60th of a second than to 1/120th of a second). I honestly don't feel it is that big of a deal. If it gives me the amount of light I want, then I don't have a problem with it not being the "appropriate" amount of motion blur.

Conversely, I sometimes RAISE the shutter speed so that it is faster than 1/120th of a second. Remember that after ISO 1600, for best noise and increased dynamic range, you should skip ISO 2000 to 3200 and just jump directly to ISO 4000 (when shooting in VLOG, it will be different for other picture profiles). So sometimes when I make the just to ISO 4000 things might be slightly over exposed and so I might choose upping the shutter speed a bit as opposed to stopping down even further.

I've also learned that the look that I REALLY like is shooting on a slider - BUT, it's already taking me 2 hours to shoot an interior with the gimbal, and I can't imagine how long it would take to lug in a slider and two tripods or whatever, and set it up how many times. My hat is off to the people that do it regularly - it's just hard to imagine being able to add that kind of time to every shoot. For those of you all who do it all the time, how long does a shoot take you on average? Just trying to figure out what might work for me.

Shooting on a slider takes me FOREVER and a day. If I were going to shoot on a slider, I would charge appropriately for the extra time it takes me to shoot. (On the other hand, the editing can be quicker).

For really "formal" looking places, maybe a slider would be a better fit for the type of property. But I think form most modern looking houses, a gimbal is better, but that is 100% just my opinion.

I still haven't ruled out the Canon 10-18, but I do wonder with its limited F-stop range that I might have some challenges versus the f2.8-22 of the Sigma! But I'll probably try it anyway, especially for the price!

I have been using it a lot for video and actually have been using it for stills, too. When shooting in stills, it does automatically use the aps-c area of the sensor (as it does when shooting video) so you will get stills that are only about 8MP in size (as opposed to getting stills that are 24MP in resolution when shooting stills with a full frame lens). This is kind of helpful for me because 8Mp is actually enough for me (I deliver 6MP images that are 3,000 X 2,000 pixels to agents), and the 8MP RAW files take up a LOT less hard disk space than the 24MP RAW files that the S5 typically writes.

I have noticed a few issues regarding ghosting / flare with the 10-18 STM lens though. I am going to investigate. Gonna try it out on Friday or saturday to see if I can consistently recrate the ghosting.

Still absolutely LOVING the S5 - again, I had no idea what I was missing. It's an incredibly capable camera and it's put me light-years ahead of where I was.

Yeah, it's a pretty good camera. If it had better continuous autofocus it would be an amazing camera. But it really is a good camera.

One thing I ended up using is the high resolution mode if you really want to crop in but you don't have a telephoto lens. It takes a series of 8 shots and combines them together so you get a high resolution photo (like 96MP or something like that) and then yoiu can crop in a LOT in post.

The only thing though is that 1) you need to use it on a tripod and 2) you will get motion artifacts from things that are moving in the scene. Best to use in situations with no movement.

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Christian Unger
Christian Unger Regular Member • Posts: 179
Re: An example of 60p 4k real estate drone video? Or am I being stupid?

I'm also using the same combination (S5 and RSC-2) - not for RE though... Gimbal shots are getting smoother the more you practice so you might not miss that slider at some point.

Just out of curiosity - is 30p common in RE? (I'm shooting 30p and slow it to 24p which is already enough to smooth the footage while still shooting FF ).

You can also tune the motors of your gimbal which helps quite a bit. There is a great video on this by Peter Makholm on YouTube https://youtu.be/owTufjfMFYA

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Off The Mark Veteran Member • Posts: 6,934
Re: An example of 60p 4k real estate drone video? Or am I being stupid?

Christian Unger wrote:

Just out of curiosity - is 30p common in RE? (I'm shooting 30p and slow it to 24p which is already enough to smooth the footage while still shooting FF ).

Can't speak for all the other RE video shooter out there, but 30p is certainly "doable," and I MIGHT switch back from shooting in 60p and return to shooting at 30p and slowing to 24p. But it certainly is "easier" to get smooth results when shooting 60p and slowing to 30p (at least for ME anyway, when shooting on a gimbal).

If you go back up to earlier responses, I posted three videos to "compare" three different FPS / resolutions. One at 4K 60fps (aps-c crop) slowed to 30fps on the timeline, one shot at 4K 30fps slowed to 24fps on the timeline (full frame), and one at 1080p shot at 60fps and slowed to 30fps on the timeline (again, full frame).

These were all shot on the S5 and on a Weebill S. The Full frame (4K 30fps and 1080p 60fps) were shot with the Canon EF 16-35 f/4 L while the aps-c video (shot at 4K 60fps) was shot with a Canon EF-S 10-18mm lens.

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Christian Unger
Christian Unger Regular Member • Posts: 179
Re: An example of 60p 4k real estate drone video? Or am I being stupid?

Off The Mark wrote:

Christian Unger wrote:

Just out of curiosity - is 30p common in RE? (I'm shooting 30p and slow it to 24p which is already enough to smooth the footage while still shooting FF ).

Can't speak for all the other RE video shooter out there, but 30p is certainly "doable," and I MIGHT switch back from shooting in 60p and return to shooting at 30p and slowing to 24p. But it certainly is "easier" to get smooth results when shooting 60p and slowing to 30p (at least for ME anyway, when shooting on a gimbal).

If you go back up to earlier responses, I posted three videos to "compare" three different FPS / resolutions. One at 4K 60fps (aps-c crop) slowed to 30fps on the timeline, one shot at 4K 30fps slowed to 24fps on the timeline (full frame), and one at 1080p shot at 60fps and slowed to 30fps on the timeline (again, full frame).

I see, thanks. So there is no common "standard" of using 30p instead of 24p (I was wondering if 30p is required for technical reasons I.e. Youtube or similar,  or if real estate footage is considered to look better in 30p than 24p etc).

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Off The Mark Veteran Member • Posts: 6,934
Re: An example of 60p 4k real estate drone video? Or am I being stupid?

Christian Unger wrote:

I see, thanks. So there is no common "standard" of using 30p instead of 24p (I was wondering if 30p is required for technical reasons I.e. Youtube or similar, or if real estate footage is considered to look better in 30p than 24p etc).

Good question. I don't think there is any "standard" or "common practice", so it is probably fine to either have a 24fps or a 30fps timeline.

Regarding the S5, there is a "6K photo mode" which basically shoots video (not photo) and for some reason is really only 5K (not 6K). It can be helpful if you want a little more resolution.

The strange thing about it is that it is only available at 30fps. Not at the nominal 30fps (which is actually only 29.97fps), but actual 30fps.

It would have been better if Panasonic had added it to the video menu (instead of putting it in the photo menu where you have to assign one of your burst mode shooting settings to it), and if they had allowed you to shoot at 23.98 / 24 / 25 / 29.97 / 30fps

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sludge21017
sludge21017 Veteran Member • Posts: 3,813
Re: Uncropped 4k/60 options? Or am I being stupid

How about that new Fuji X-H2S?

Off The Mark Veteran Member • Posts: 6,934
Re: Uncropped 4k/60 options? Or am I being stupid

sludge21017 wrote:

How about that new Fuji X-H2S?

The original poster is trying to avoid aps-c crop  / use full frame area when shooting 4K 60p.

As the X-H2S is an aps-c crop sensor by default, it wouldn't work for the OP's needs.

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sludge21017
sludge21017 Veteran Member • Posts: 3,813
Re: Uncropped 4k/60 options? Or am I being stupid

Off The Mark wrote:

sludge21017 wrote:

How about that new Fuji X-H2S?

The original poster is trying to avoid aps-c crop / use full frame area when shooting 4K 60p.

As the X-H2S is an aps-c crop sensor by default, it wouldn't work for the OP's needs.

Oh, I thought he was worried about additional crop in 4k modes seen in cameras in general.

The R6 suggested by the OP has an additional 4k crop in all modes, I'm seeing 1.05x and 1.1x reported.

https://www.youtube.com/watch?v=3R435RudXrE

The Fuji apparently has no additional crop in any 4k mode.

Its annoying the Sony ZV-E10 has the additional 1.23x crop in 30fps, but none in 4k/24fps.

Off The Mark Veteran Member • Posts: 6,934
Re: Uncropped 4k/60 options? Or am I being stupid

sludge21017 wrote:

Oh, I thought he was worried about additional crop in 4k modes seen in cameras in general.

The R6 suggested by the OP has an additional 4k crop in all modes, I'm seeing 1.05x and 1.1x reported.

https://www.youtube.com/watch?v=3R435RudXrE

Yeah, not great, but definitely better than the 1.5X crop in 4K 60fos on the Panasonic S cameras, and the Sony a7 IV,

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Mr Clyde New Member • Posts: 16
Re: Uncropped 4k/60 options? Or am I being stupid

This 4K60 crop hell is annoying. Phones today do 8K with ease, but semi professional cameras for $2500 can't even offer 4K60 without significant limitations. Add rolling shutter to this mess and you have the flagship symbol to the camera industry's loosing battle to camera phones. It's sad.

Markr041 Forum Pro • Posts: 10,078
Sony fx30 (APS-C): uncropped 4K 60P and oversampled from 6K Sony fx3: uncropped FF 4K 60P

nt

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Mr Clyde New Member • Posts: 16
Re: Sony fx30 (APS-C): uncropped 4K 60P and oversampled from 6K Sony fx3: uncropped FF 4K 60P

Sony A7IV

Markr041 Forum Pro • Posts: 10,078
Re: Sony fx30 (APS-C): uncropped 4K 60P and oversampled from 6K Sony fx3: uncropped FF 4K 60P

Mr Clyde wrote:

Sony A7IV

NO! from DPReview's review of the a7IV: "The 60p mode is only available from the Super35/APS-C region of the sensor." That is, it is cropped.

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