Re: How do Samsung NX*** cameras compare today ?
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I had sold almost all of my Samsung camera collection and lenses (NX500, 300, 3000, 3300) and only kept a green and a pink NX Mini with all lenses for the Mini, including the NX adapter and the 16-50PZ. Went to both MTF and Fuji. While I love my MFTs (there's nothing in the Samsung lineup that can match the zooms available for use with the G9), I realized I did prefer Samsung tonality over that of Fuji.
Fuji seems to be the manufacturer the majority of Samsung users switch to, since some of the XTs are probably the closest match to the NX500 in size, MPs and IQ in a small package. But for some reason I could not warm up to Fuji colors and output in jpegs the same way I like Samsung tonality. I shoot mostly jpeg (not enough time for RAW) and to me, Samsung output in general matches most closely what my eyes actually saw (along with the Panasonic G9). Fuji has all these nice film modes, but my goal is to capture memories as I saw them, not alter reality or time travel to a different epoch of photography. And I have tried almost every manufacturer except for Leica or Hasselblad.
I know each camera from these manufacturers is its own entity. A Sigma SD10 has very different output from that of a Quattro for example, but there's still a Sigma look even between those two generations of cameras.
My Galaxy NX and NX3000 have different jpeg outputs and to match them as closely as I can I need to bring down saturation and contrast in the NX3000. But their output looks like Samsung, and so does that of the Mini.
Trying to make this not so long. I bought back into Samsung. I missed the color tonality and character. I started with a Galaxy NX, which I absolutely love despite its slow and clunky operation. I wanted to keep things simple and bought the 18-200. That, along with the smaller 16-50, should cover all focal lengths I need (including a Ricoh wide angle adapter).
However, I could not resist several amazing deals including the 30mm as well as a mint brown NX500. It didn't stop there. Now I'm back into collection status again with additional 16mm and 20mm and 45mm primes along with a NX 3000 (that happened to be attached to the 16mm).
With the NX500 I'll start venturing into RAW (will make some time for it). Of all NXs I tried I always found the NX500 to have the least pleading jpegs out of box.
Anyways, to answer your question after my long introductory ramblings, I do believe that the IQ coming out of 5+ year old NXs can definitely hold up to what is offered nowadays, within limitations. Speaking of APSC that is of course. Newer cameras will have better bells and whistles, improved specs and better low light abilities perhaps. But there is something special about the way Samsung renders light and colors, which to me cannot be replaced by any other manufacturer. Canon, Nikon, Sony, Fuji etc. will come out with new cameras that will still have that specific CNSF-etc. look. With Samsung we have what we have. It won't get better, it is what it is and I happen to love it. As landscape daytime cameras I'll be grabbing my Samsungs before anything else (not including FF perhaps, which I do not own). But for street shooting, my Samsungs will do just as well as my Ricoh GXR or my Fuji Xf10, though those two are smaller in size and thus perhaps a little more suited for street photography.
And there are still things that are unique to Samsung, for example the size of the excellent pancake lenses. Fuji has a fantastic 27mm one and Canon M likely has a comparable pancake (as do other manufacturer but I don't know). But Samsung put out 4 small beauties along with a killer kit lens that happens to be small as well.
Small side note: Now that I have tested the 16mm, 20mm and 30mm against the 16-50PZ at those focal lengths, I have to say the kit lens holds up very well, but all three pancakes have that special something, possibly better micro contrast, that make them visibly better choices regarding IQ. At least my copies do. Haven't had a chance to test the 45mm pancake yet as I got it from Ebay Germany and it is at my parents' house still.