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Brothers...

Started Sep 29, 2021 | Photos
bs1946
bs1946 Veteran Member • Posts: 7,778
Brothers...
4

X100S. What's Your Favorite Flavor?

Had to use my iPhone 12 Pro Max to take this photo. Sounds like a good excuse to get another Fuji X100.

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Bill S.
www.flickr.com/photos/wrs1946
“If your pictures aren't good enough, you aren't close enough”
? Robert Cappa ?

 bs1946's gear list:bs1946's gear list
Panasonic Lumix DC-GX9 Panasonic 20mm F1.7 II Panasonic Lumix G 14mm F2.5 II ASPH Panasonic 12-60mm F3.5-5.6 OIS Apple iPhone 12 Pro Max
Comment & critique:
Please provide me constructive critique and criticism.
Fujifilm X100S
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Pocket Lint Senior Member • Posts: 2,540
Re: Brothers...

Just curious, why two non-interchangeable lens cameras?

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CrimLarks Regular Member • Posts: 267
Re: Brothers...
1

Pocket Lint wrote:

Just curious, why two non-interchangeable lens cameras?

...with the same focal length lens?

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Pocket Lint Senior Member • Posts: 2,540
Re: Brothers...
1

CrimLarks wrote:

Pocket Lint wrote:

Just curious, why two non-interchangeable lens cameras?

...with the same focal length lens?

Yes, I can see as back-up, or, if you really like the camera. Honestly curious. I’d get bored of two of the same cameras and focal length. Although, I’ve got 3 different 35mm lenses 😅

 Pocket Lint's gear list:Pocket Lint's gear list
Canon EOS 5D Mark IV Fujifilm X-Pro3 Canon EF 50mm f/1.2L USM Canon EF 100-400mm F4.5-5.6L IS II Fujifilm XF 23mm F2 R WR +5 more
bs1946
OP bs1946 Veteran Member • Posts: 7,778
Re: Brothers...
4

A lot of people forget that before digital, the standard kit lens for 35mm SLRs and even rangefinders was a 50mm lens; 35mm in APS-C. I was given my first film camera in 1956 and after that, just about every camera I had came with a 50mm and like many people, I never got another lens. Probably the second most popular 35mm lens was the the 35mm; 23mm in APS-C. In the early 90s, I had a several fixed lens rangefinder cameras; one had a 40mm lens but the others had 35mm lens. Fixed lens 35mm rangefinder; sound familiar. I went digital in late 2013 and came up with a short list the the X100 at the top. But the X100 had already been replaced by the X100S and where I was, neither one was available; X100s were sold out and X100Ss were still on the way; so my first digital camera was a Panasonic GX7 with the kit lens which was also my first zoom lens.

With the two recently purchased X100S models, I have now owned every X100 model except for the X100V, which for some reason I have no interest in. Actually started with a Silver X100T but people would walk right up in front of me and ask why I was using an old film camera, so I returned the Silver X100T and got a Black X100T which went relatively unnoticed. Next came a Black X100F, and later a Silver X100. The F went to my Daughter-In-Law and I sold the others, which I now sort of regret. Except for that GX7, the black X100T and the X100F were the only cameras I took overseas and all I used on any of those trips. When I look at my keepers taken since 2013, the absolute best ones came form one of the X100s. I bought the Silver X100S and instantly fell in love with it. For me, the combination of the 16mp X-Trans sensor and simple design before Fuji engineers started adding stuff with each new model, make it the best X100 I had. I just got the Black Limited Edition X100S Kit. It is in mint condition with all of the original accessories in the original boxes and it has a low shutter count. Fuji only made 10,000 Black Limited Edition X100S models which makes it somewhat of a collectors model and I will use it sparingly.

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Bill S.
www.flickr.com/photos/wrs1946
“If your pictures aren't good enough, you aren't close enough”
? Robert Cappa ?

 bs1946's gear list:bs1946's gear list
Panasonic Lumix DC-GX9 Panasonic 20mm F1.7 II Panasonic Lumix G 14mm F2.5 II ASPH Panasonic 12-60mm F3.5-5.6 OIS Apple iPhone 12 Pro Max
Pocket Lint Senior Member • Posts: 2,540
Re: Brothers...
1

bs1946 wrote:

A lot of people forget that before digital, the standard kit lens for 35mm SLRs and even rangefinders was a 50mm lens; 35mm in APS-C. I was given my first film camera in 1956 and after that, just about every camera I had came with a 50mm and like many people, I never got another lens. Probably the second most popular 35mm lens was the the 35mm; 23mm in APS-C. In the early 90s, I had a several fixed lens rangefinder cameras; one had a 40mm lens but the others had 35mm lens. Fixed lens 35mm rangefinder; sound familiar. I went digital in late 2013 and came up with a short list the the X100 at the top. But the X100 had already been replaced by the X100S and where I was, neither one was available; X100s were sold out and X100Ss were still on the way; so my first digital camera was a Panasonic GX7 with the kit lens which was also my first zoom lens.

With the two recently purchased X100S models, I have now owned every X100 model except for the X100V, which for some reason I have no interest in. Actually started with a Silver X100T but people would walk right up in front of me and ask why I was using an old film camera, so I returned the Silver X100T and got a Black X100T which went relatively unnoticed. Next came a Black X100F, and later a Silver X100. The F went to my Daughter-In-Law and I sold the others, which I now sort of regret. Except for that GX7, the black X100T and the X100F were the only cameras I took overseas and all I used on any of those trips. When I look at my keepers taken since 2013, the absolute best ones came form one of the X100s. I bought the Silver X100S and instantly fell in love with it. For me, the combination of the 16mp X-Trans sensor and simple design before Fuji engineers started adding stuff with each new model, make it the best X100 I had. I just got the Black Limited Edition X100S Kit. It is in mint condition with all of the original accessories in the original boxes and it has a low shutter count. Fuji only made 10,000 Black Limited Edition X100S models which makes it somewhat of a collectors model and I will use it sparingly.

Thanks for sharing the story behind the photo, makes it a much more enjoyable post to read and see the story behind the cameras. Learned something too, did not know there was a black limited edition x100s, that’s cool. I wish there was a limited edition Xpro3.

 Pocket Lint's gear list:Pocket Lint's gear list
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Charley123 Senior Member • Posts: 1,166
Re: Brothers...
1

bs1946 wrote:

X100S. What's Your Favorite Flavor?

Had to use my iPhone 12 Pro Max to take this photo. Sounds like a good excuse to get another Fuji X100.

Both are beautiful. The black and silver (B&S) is beautiful in a classic, flashy way; which is why many enthusiasts prefer B&S.

The black (B) is beautiful in a slightly more modern, much more subtle, conservative way. The B&S looks like a high quality enthusiast camera while the B looks like a profession/journalist camera.

The B camera is more practical for people photos. B is especially more practical for candids, street photography, and journalism. I also find B more practical for consensual posed photos. B attracts less attention from human subjects and they find it less intimdating and/or distracting than a shiny camera. Likewise B is better for wildlife photos and surveilance for same reasons. These are reasons why most pros use black cameras.

Black initially became popular with journalists in Vietnam because the Viet Cong and North Vietnamese shot at shiny cameras, which resulted in many dead journalists. So journalists started using all black cameras, which reduced fatalities among journalists. All black cameras have been the norm for most pro photographers ever since.

I own a B&S Pentax K1000 since 1989, two B Minolta since 1992, two B Rebel T2i since 2010, one B&S Olympus E-M5ii, one B&S Olympus E-M10ii, and three B Olympus E-M10ii.

I can tell you from personal experience that shiny camera attract a lot of attention, which is often detrimental to you or your photos. For examples... Many times when I was using a shiny camera, I was asked (sometimes confronted) what I was photographing, or why I was photographing. Not just when shooting candids or street photos, but also a couple times when I was shooting architecture or real estate photos I was confronted by nosy neighbors, one time a nosey cop who threatened to arrest me, another time a nosy aggressive jail guard (county jail was next door to an office building that I was photographing to make an ad to rent it). Over the years I've taken thousands of real estate photos (architecture and landscape) and been confronted many times by various jerks.

Do you know what each confrontation had in common? I was using a B&S camera every time some jerk confronted me. I'm talking about my experiences over 30 years.

I also shot hundreds of photos of similar subjects in similar circumstances using all black cameras and lenses. No one ever bothered me when I used an all black equipment. Not one problem in 30 years using a black gear.

Also, candid subjects are much more likely to shy away or get confrontational if your camera is shiny. Also wildlife is easily spooked by shiny cameras.

I've had lots of people problems when using shiny cameras (even when shooting architecture and landscape, and even moreso with candids). I've never had a problem when using black gear.

So I've developed a strong preference for black gear.

I used a black Sharpie marker to blacken all large white lettering on front of camera body (such as the brand name) because the front of camera is what candid subjects see. I know other photographers who use black electrical tape to cover white lettering on their camera bodies. The advantage of electrical tape is that it's easily removeable if you ever want to sell your gear. The disadvantage of electrical tape is it's less permanent if you never sell your gear.

My Minolta, Canon, and Olympus black camera bodies had their brand names on the front of body in big white letters, until I blacked out the letters using a fine-point black Sharpie marker.

Your Fuji X100S black body has an all black front, which is good because it's the front that subjects see (or hopefully don't notice). So you don't need to blackout any lettering. Your black X100S is already stealthy. Fuji was very wise (or just dumb luck?) to not put white letters on the front.

Along with all black gear, obviously inconspicuous clothing and behavior helps too. Also, as prep for candids... Before getting into position on site... I get stap around my neck, remove lens cap, turn on camera, and verify settings ahead of time so when on location at proper moment, I just lift camera, zoom if needed, frame, press shutter, lower camera, done.

It might be even stealthier to not use EVF and instead use LCD screen at waist or chest level, but on bright sunny days I prefer EVF.

Charley123 Senior Member • Posts: 1,166
Re: Brothers...
1

P.S. - An inconspicuous camera strap is helpful for stealth, which is essential for candids and helpful for other subjects, IME.

If people see a flashy colored strap they get curious (or suspicious) to see what's hanging from the strap. Having an inconspicuous strap is as helpful as inconspicuous clothing, behavior, and camera when doing candids, street, or wildlife. I've also found being inconspicuous helps with many other subjects too.

I like old school guitar strap style camera straps because I find them very comfortable because they spread the weight over a wider area of my neck. My challenge is finding them in all black, or in a subdued color. Most are bright hippie dippie 70s colors and designs.

I applaud your choice of subued color camera strap. It's good looking in a classy, conservative way, and more importantly it's inconspicuous. If it's also comfortable, then you have a winner.

bs1946
OP bs1946 Veteran Member • Posts: 7,778
Re: Brothers...

Charley123 wrote:

P.S. - An inconspicuous camera strap is helpful for stealth, which is essential for candids and helpful for other subjects, IME.

If people see a flashy colored strap they get curious (or suspicious) to see what's hanging from the strap. Having an inconspicuous strap is as helpful as inconspicuous clothing, behavior, and camera when doing candids, street, or wildlife. I've also found being inconspicuous helps with many other subjects too.

I like old school guitar strap style camera straps because I find them very comfortable because they spread the weight over a wider area of my neck. My challenge is finding them in all black, or in a subdued color. Most are bright hippie dippie 70s colors and designs.

I applaud your choice of subued color camera strap. It's good looking in a classy, conservative way, and more importantly it's inconspicuous. If it's also comfortable, then you have a winner.

Both straps are Barton 1972 straps. The one on the Black X100S is an Original Style Deep Ocean Leather strap that looks black until you get out in bright daylight where you can see the ocean blue. The strap on the Silver X100S is an Original Style Blue Military Style strap. It is made out of cotton denim and is a lighter shade of blue. Both straps are extremely strong and that weave acts like a shock absorber, making them very comfortable to wear. They both have black leather ends that fit over the strap eyelets to protect the camera body from the split rings that attach the strap to the body. Barton 1972 make a whole array of straps; some are subdued solid colors and some are those outrageous bright colors or insane combinations.

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Bill S.
www.flickr.com/photos/wrs1946
“If your pictures aren't good enough, you aren't close enough”
? Robert Cappa ?

 bs1946's gear list:bs1946's gear list
Panasonic Lumix DC-GX9 Panasonic 20mm F1.7 II Panasonic Lumix G 14mm F2.5 II ASPH Panasonic 12-60mm F3.5-5.6 OIS Apple iPhone 12 Pro Max
surfoxy
surfoxy Contributing Member • Posts: 936
Re: Brothers...
2

bs1946 wrote:

X100S. What's Your Favorite Flavor?

Had to use my iPhone 12 Pro Max to take this photo. Sounds like a good excuse to get another Fuji X100.

But then you’d need another one to take pictures of the three of them. Really, it never ends…😂

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Chris

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Fujifilm X100V Sony a9 II Sony FE 100-400mm F4.5-5.6 Sony FE 16-35mm F2.8 Sigma 85mm F1.4 DG GN +2 more
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