This is a great short/normal macro for Micro 4/3.
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I use this lens for:
- Copying slides, negatives, prints, artwork, stamps, coins...
- Small product photography (thimbles, food, nuts&bolts, jewelry...)
- Portraits (waist-up or two people to full-length compositions)
- Animal portraits
- Video interviews and dialog scenes in film shorts
It's very versatile, tack sharp, stabilized, shows little to no distortion, and it's rugged and compact.
I can copy a quarter of a 35mm slide or negative with this lens, because 1:1 on Micro 4/3 is the size of the sensor. Put this on a Lumix G9, and it will make 80MB files for big blow-ups of tiny still objects. I use it with the Negative Lab Pro Plug-In for Adobe Lightroom Classic to make positive digital images of old film negatives.
The only things I don't like about the 30mm lens are that the filter size is 46mm, and there is a lack of lens hoods to use with it. Up close, a hood would be a problem, but beyond six inches, it could work. Panasonic could do its customers a huge favor by providing hoods with all lenses, and standardizing around just a few filter sizes.
My son liked this lens so much he bought one to do Lego animation videos.
All that said, if you want to photograph small biting or stinging things, Get the Olympus 60mm macro. If you need a longer portrait lens that doubles as a macro, get the Panasonic Leica 45mm macro. But if you do any volume of copy stand work or table-top photography, the 30mm is the best pick. It is a good replacement for the 55mm f/2.8 Micro Nikkor I used for years on a Nikon F3 to copy all sorts of things to 35mm slides.
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Bill Burkholder is a retired training content developer, FileMaker solutions developer, and digital photography trainer. He's BurkPhoto on UglyHedgeHog.com.