The fourth camera in Leica's SL series of full-frame mirrorless cameras sees the 60MP BSI sensor from the Q3 and M11 models arrive with a significant interface redesign.
Olympus 100-400 - first shots and impressions
As is my luck, the day I received this lens, summer ended. I was hoping to hunt for some butterflies, but looks like that is not happening.
Anyway, my first outing was on a rainy evening, with the x1.4 teleconverter mounted. That was of course a stupid idea. As evidenced by the photo below:
Not a fan of shooting at ISO 10000.
So today I took the lens without TC for a quick morning stroll before work. Not the best weather either, but still a lot better (was hoping for some nice morning sunlight, but no).
Didn't get much, but here's some full res ones that turned out ok (processed to taste).
A little bit of motion blur here, I think
Definitely some motion blur here around the head of the bird, I should have shot continuous when pushing the shutter speed so low.
No motion blur here, and I think this nicely shows how sharp this lens is at 400mm. I'm very happy with that.
First impressions
The lens is big. I know Olympus touts how small this lens is, but it is not. When I first used Panasonic Leica 100-400, I was surprised by how small and lightweight it was. It was clearly designed to be as small as possible. With this Olympus, it's about what I expected.
Build quality is very solid. I love the feeling of the barrel beyond the tripod collar. It has a nice "grip" to it. I much prefer this over my 12-100, with its slippery metal exterior. Also, the lens hood is a simple plastic bayonet affair.
Mechanically, it feels very good. Focus ring is very smooth with the right amount of resistance. Zoom action is smooth, but I would not mind if it required less force. It's nowhere near the stiffness and stickiness of the PL 100-400 I used, but I would not mind if it were easier to turn. After all, there is a lock switch to make sure it does not extend when walking around. But from what I can tell, there's no need to use it, the barrel will not extend on its own. Alas, the placement of the lock switch is perfect. It's so easy to toggle that it makes it a no-brainer to use it. I wonder if it will loosen up a bit with use.
Image quality put a smile on my face. I compared it to my 100-300 in controlled conditions (the small critter scenario) and at 400mm f/6.3 it is slightly sharper than 100-300 at 300mm f/6.3. At 300mm, Olympus wins pants down by a large margin. Unsurprisingly, at 560mm f/9 it is less sharp than even Panasonic, but the most visible thing is a loss of "punch". There's still plenty of detail in the image, but it is noticeably less contrasty. It almost looks as if there's a very faint haze. In all cases, Olympus shows less chromatic aberration (of both kinds). In my test scene, it simply did not show any CA, while Panasonic did suffer from it despite the fact that this scene was not particularly demanding in this regard.
IS is a hit and miss. Lack of Sync-IS is noticeable. The lesser "dual IS" mode does very badly in video when any panning is involved, producing jarring "jumps". But does seem to help when you want to keep the scene as stable as possible. At 560mm, it's a struggle, both in video and in stills. 1/50s was already a hit and miss for me. I though that since I could easily do 1/20 at 400mm, 560mm would not be much harder. But it is noticeably harder. I'll definitely have to practice to get better results and to learn what my limits are in practice.
Finally, while I am very excited about close focusing capability, especially with the teleconverter, I have not had the chance to make use of it yet.
Overall, I'm very happy. It is about what I expected from it. The performance with x1.4 teleconverter is satisfactory so far, but this combination is for situations with plenty of light. Unfortunately, I do not expect any sunny weather for the next week. In general I can already see that handling 560mm involves some learning curve. So this will be fun.
Very interesting review. Thank you for the details and the examples. Much appreciated.
Joe
Thank you very much for the first impressions, much appreciated!
Sorry to barge in with my pet issues here, but I think you're in a unique position to answer: What is the material of the zoom and focus ring like? I ask because I have both the Oly 40-150 and the 75-300 and the combination of the plastic they both use and the grip pattern is a scratch magnet that just looks awful after a while. The 12-50 on the other hand which features a very similar pattern but uses different plastic, does not suffer from this issue.
In the photos and videos I have seen, the grip of the 100-400 looks much more reflective than that of the 75-300, which makes me hopeful they used a different material here. I see that you have the 40-150 as well. Would you mind comparing? A side by side picture would be the icing on the cake, but totally understandable if it's too much hassle.
Cheers in advance!
Auf Reisen wrote:
Thank you very much for the first impressions, much appreciated!
Sorry to barge in with my pet issues here, but I think you're in a unique position to answer: What is the material of the zoom and focus ring like? I ask because I have both the Oly 40-150 and the 75-300 and the combination of the plastic they both use and the grip pattern is a scratch magnet that just looks awful after a while. The 12-50 on the other hand which features a very similar pattern but uses different plastic, does not suffer from this issue.
In the photos and videos I have seen, the grip of the 100-400 looks much more reflective than that of the 75-300, which makes me hopeful they used a different material here. I see that you have the 40-150 as well. Would you mind comparing?
Unfortunately, I gave my 40-150 to my father and don't have it available anymore. But I spent enough time with it that I think I can say with fair degree of certainty that the material is different (the plastic of 40-150 feels and looks very cheap).
Now, the material of the rings and the rest of the barrel are actually different color and finish (and who knows, maybe different material as well). Like you wrote, the rings are more reflective. From all the lenses I have, the focus ring seems most similar to Oly 60mm macro (only the 60 is more "glittery" and has finer ridges).
On the rest of the shell, the finish on the plastic is completely different to any other lens I own. On the 100-400, it's very "matte" and not smooth to the touch (almost like a super fine sandpaper).
Out of curiosity, I tried to scratch both rings and the lens barrel with my fingernail as hard as I could, but not a slightest mark was left on the lens or the rings. So at least I have no reason to think it would have any scratch issues during normal use.
But only time will tell how well it takes the beating.
Would you mind if I played with that last shot, and ran it through my Topaz work flow? Then posted the results? I am curious to see how well I can get the feather detail to "pop".
It is always annoying when someone reviews a lens and comments that it is not as sharp as a shorter focal-length one if they do not take into account that they should be shooting at a higher shutter speed, and they are getting more atmospheric haze.
Another review:
https://www.photographyblog.com/reviews/olympus_m_zuiko_digital_ed_100_400mm_f5_6_3_is_review
Thanks. That sparrow is the first photo from the lens I've seen that is truly sharp. Shows it is very respectable lens but requires some knowledge about shooting teles. Shame about the weight and IS.
Thanks! I appreciate it.
galenapass wrote:
Would you mind if I played with that last shot, and ran it through my Topaz work flow? Then posted the results? I am curious to see how well I can get the feather detail to "pop".
Absolutely. Actually, here's the raw file, have a go at it if you'd like: https://www.amazon.de/clouddrive/share/JtcJnXyMYbFrm2s4of4WfFACJNVXLUmB1KMQZOCjgkW
I'm actually quite interested in seeing what could be achieved with Topaz. Was always a bit intrigued by it but the hassle of switching to Windows to test it myself always stopped me from doing it (I'm really lazy).
I managed a few decent shots with the teleconverter today. Both OIS and IBIS were turned on.
I think this one nicely shows the potential of the combo with MC-14. The relative softness in the raw can be fairly easily countered in post without ending up with an overcooked image. And looks like 1/60s is still fairly safe to use.
Another one illustrating pretty good sharpness, but also the problem with shooting at f/9. ISO 1600 is still manageable if exposure is good, but 1/80 sec is a complete lottery for this kind of subject in motion.
I messed up exposure badly on this one. That -1.7 EV compensation set in camera? I ended up pushing the exposure back up by 1.7 EV in post. Still, turned out decent.
This one is for fun. 1/30 second at 560mm is just ridiculous. No, it is not tack sharp, but hey, 1/30 s
One of my attempts to shoot some insects. This is far from demonstrating close focusing capability of this lens, but the amazing thing is that I could even capture this. Not only could I not get closer without this bugger running off, I would have to enter the water to get to it. The combination of extreme reach and close focusing capability is one of the most exciting aspects of this lens. Now I just need some sunny weather to play with it.
BTW, I think I caught it hunting.
This one shows off close focusing capability better. It also shows the big problem. DoF is ridiculously shallow even at f/9.
To sum it up, the combo with MC-14 looks promising, but is clearly limited by available light.
This is sharp as I can get it without going too far....
My initial impression - based off this one image - is that the lens is not sharper than my 300mm plus 1.4xTC combo.
galenapass wrote:
This is sharp as I can get it without going too far....
Thanks for posting this. It inspired me to tweak my original post processing to see if I can get anything more out of it with Darktable.
My initial impression - based off this one image - is that the lens is not sharper than my 300mm plus 1.4xTC combo.
Yeah, that's not surprising and is about what I was expecting. After all, the 300 is a phenomenal prime lens and this is "just" a consumer grade zoom
galenapass wrote:
This is sharp as I can get it without going too far....
My initial impression - based off this one image - is that the lens is not sharper than my 300mm plus 1.4xTC combo.
I doubt you really thought it may be? its non-pro and around half the price
So much to learn, so little time left to do it!
How would you compare IS compared to Panasonic 100-400 on an Oly body?
So, this lens can also take photos below 400mm
Yes, I know, a boring subject, but one that's easily accessible. At 300mm, things are definitely sharper and require less sharpening in post.
I don't see a big difference in sharpness between 200mm and 300mm. It's very good either way.
And finally, as I was coming back home, a bit of sun peeked through the clouds. It was still going through thin layer of clouds, but it made for much better (and [pleasant) lighting.
With a bit more light, it was possible to shoot at f/11 while still retaining fairly low ISO and adequate shutter speed (very useful at 560mm ). As a result, the whole subject is in focus.
One note on image quality. So far, one thing that stands out to me is how well it handles chromatic aberrations. None of the photos I posted have any CA corrections enabled and in general I have not seen any signs of CA on my photos so far. This is perhaps the biggest difference to my Panasonic 100-300 II and the PL 100-400 that I used last year.
Hope springs eternal.
I rented a copy of the PL 100-400 that was every bit as sharp as the 300mm pro plus 1.4x TC. I was hoping to see something similar.
This guy has what looks like tack sharp Oly 100-400 photos, but everything he did was on a tripod.
http://www.fotolovy.cz/blog-2/files/783ab51aeecf883f83066e6165766231-566.html
I wonder if that is the secret for this lens - use a tripod or monopod?
Astrotripper wrote:
I managed a few decent shots with the teleconverter today. Both OIS and IBIS were turned on.
That third picture .. you captured the bird in a moment when Scotty engaged a transporter beam on it.
galenapass wrote:
I rented a copy of the PL 100-400 that was every bit as sharp as the 300mm pro plus 1.4x TC. I was hoping to see something similar.
This guy has what looks like tack sharp Oly 100-400 photos, but everything he did was on a tripod.
http://www.fotolovy.cz/blog-2/files/783ab51aeecf883f83066e6165766231-566.html
I wonder if that is the secret for this lens - use a tripod or monopod?
Those do not look much different to my shots in terms of sharpness.
I did some controlled tests on a tripod, if you're curious. Of course I had to mess something up, so the focus is not perfectly identical. Same processing applied to both.
300mm
400mm
It's a bit surprising how the same sharpening process closes the gap between the two. On raw unsharpened image, the difference is very obvious. But with the moderate sharpening I did here, it looks like the softer image at 400mm benefits a lot more from it.
really like the sleepy duck shot. IT's like the surroundings of the water with the reflections and what nots makes for the dream.
Raist3d/Ricardo (Photographer, software dev.)- I photograph black cats in coal mines at night...
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