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Shutter speeds at certain depths

Started Nov 7, 2019 | Discussions
PuravidaUK Forum Member • Posts: 57
Shutter speeds at certain depths

Hello all,

Thank you for your useful comments on the previous thread I started.

Having read the responses I think I have actually worked out exactly what I need to know!

I appreciate that this will almost certainly be impossible to answer completely accurately, but I was hoping that people may be able to give approximate answers based on experience.

I'll be doing some deepish dives, and am simply wondering if the shutter speed that I think I'll need to shoot moving large animals (1/160?) is possible without being underexposed, or whether I need to completely alter my expectations!?
Probable conditions

20-35 depth dives

10m visibility (though hopefully more)

Aperture fixed at f2.

ISO max 400

Ambient lighting only,

Assuming these conditions, would you think 1/160 would be possible? Or no way!?

Obviously I could wack up the ISO, but I understand that there would be quite a lot of image degradation in the camera i'm planning on buying.

On land I have a fairly decent idea of what combinations of shutter speed/aperture/ISO I would need in different lighting conditions, but as I have no underwater photography experience I simply have no idea what I should expect.

If I'm not able to do the above (with the camera (TG-6) likely to force me to 1/30 or 1/60) then I think I may need to think again - or just enjoy the dives without a camera!

Barmaglot_07 Contributing Member • Posts: 633
Re: Shutter speeds at certain depths
1

Unlikely. This shot was taken at ~30 meters depth, ambient lighting (made worse by this being early morning, 6 AM), using a Sony A6300 (APS-C) with 16-50mm f/3.5-5.6 lens at 35mm f/5.6 (as wide as it would go at that FL), shutter speed 1/320, and auto ISO went all the way to 3200, resulting in evident noise:

1/1.7" f/2 is slightly slower than APS-C f/5.6, and if your ISO goes down four stops, the exposure time must compensate accordingly, going up to 1/40s, pretty much guaranteeing motion blur.

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OP PuravidaUK Forum Member • Posts: 57
Re: Shutter speeds at certain depths

Thanks for the response.

Seeing example shots is really helpful (pretty cool btw, the grain and darkness adds to the atmosphere).

From my admittedly poor calculatations, I may well have to go up to at least 1600 ISO in order to stop the camera from forcing the shutter speed to blur inducing levels then?

From what i've read 1600 in the TG-6 won't look great.

I'll be in the Galapagos hoping to shoot hammerheads and I understand the conditions can be quite tricky, and thus perhaps difficult to fiddle around with camera settings.  I'm torn between the TG-6 on one hand, or just spending much less on a GoPro and reducing my photography expectations.

Barmaglot_07 Contributing Member • Posts: 633
Re: Shutter speeds at certain depths

If you're not going to shoot macro, a used Sony A6000 with kit lens (can be found for ~$350 on ebay) plus a SeaFrogs housing ($297, plus $120 for a vacuum kit) will give much better low-light performance than a TG-6, while not costing much more than a new TG-6 plus housing. It will be considerably more bulky, to be sure, but it will also serve as a foundation for a more capable rig in the future.

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PHXAZCRAIG
PHXAZCRAIG Forum Pro • Posts: 19,651
Re: Shutter speeds at certain depths

Hmm.

I've shot with a number of fairly limited cameras before getting into DSLR's underwater.   Once I started to take control, particularly with external flash, I started seeing what shutter speeds worked and what didn't.

What I found was that trying to shoot in aperture priority was allowing my shutter speeds to go far too slow, and I got a lot of blurry fins in particular.   Or blurry anything else that moved.   Even with flash this was happening a lot because there was still ambient lighting contributing to the scene.

Bottom line, 1/60th is far too slow unless you have nothing moving.   On my first dive trip with an RX100 II and dual strobes, I ended up changing to shutter priority after a day of getting blurry shots, and I set the speed to 1/160th.   For the past four years I've been wary of going slower as I've gotten many slightly-blurred images when I've done so.   I try for 1/200th or 1/250th with my Nikon DSLR's, and I'm limited by maximum sync speed and strobe performance to those numbers.

When shooting wide angle with ambient, I just cannot use my preferred settings (ISO fixed to 64) - I have to raise ISO, but I can get most shots just fine at an ISO of 400 and shutter speeds of 1/125th to 1/250 and an aperture of F8.

These days I shoot everything in Manual mode, partly because I don't have a TTL flash trigger anyway.

Shutter speed is 1/160th to 1/250th

Aperture is whatever I need for depth of field, which on my 16-35 behind a big dome port is around F8 or F7.1.   For macro (105mm) I start at F16, but that gives too shallow DOF when I'm close to a subject, and depending on the subject I'll kick that up to F29 at times.

ISO is fixed for macro (64 for most dynamic range, lit by strobes)

ISO is ... I'm still in a learning curve here for wide angle - either manual, or a limited range of auto-ISO.  I find ISO 200 fairly nice, until it isn't enough, but I see a lot of loss of dynamic range.   The last trip I took I tried setting Auto-ISO from 64 to 800, and of course I had a lot of shots at 800.  I also had a lot of underexposed shots at ISO 800, and here is where I learned some limits.  I routinely do a lot of post-processing where I reduce highlights and boost shadows to fit a wide dynamic range into a scene.   With underexposed shots at ISO 800, I had no dynamic range left to make anything look good.   Consider that the scene is already artificially boosted (from ISO 64 to 800), so the shadows are already pushed what, 4 stops?    Similar reduction in headroom as I end up with bright subject areas I cannot 'fix' in post.

How you deal with your shots in post will have a lot to do with what upper ISO limit you can stomach.

However, in almost no case am I lowering shutter speed below 1/160th.  I'd rather have a noisy image than a blurry one.

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OP PuravidaUK Forum Member • Posts: 57
Re: Shutter speeds at certain depths

Nice one, I'll look into that.

I could just go more expensive and get something approaching the quality I want - but unfortunately I only get to dive once or twice a year, so hard to justify the expense.

OP PuravidaUK Forum Member • Posts: 57
Re: Shutter speeds at certain depths

Thanks for the very detailed response Craig. Incredibly useful information that is helping me to understand how everything works.

(And good to see some of those Old skool Nikon cameras listed!)

It seems from everything I've now read I simply won't be able to get anywhere near the shutter I need for sharp photos with the camera I was planning to get.

For snorkelling it looks great, but I had my heart set on some Hammerhead images!

Seems I'm definitely going to need to rethink here. Go really expensive or completely change my expectations!

PHXAZCRAIG
PHXAZCRAIG Forum Pro • Posts: 19,651
Re: Shutter speeds at certain depths

Well, if you are shallow in sunlight, you should have enough light for 1/160th at ISO 100 and F8 or so, which could give some great hammerhead pics.

If the light is low, you're going to have to adjust your expectations.

If you would like to see how some of my pics came out, and the EXIF data should be intact on the large images (not thumbnails), just peek at the website in my signature.  You can go back to 2015 and see my Roatan pics with an RX100 II and dual strobes, or earlier dive trips where I was using one or another Canon point-n-shoot with on-camera flash (through a diffuser).   Pics from 2016 on were taken with a D810 or a D850, except for a couple of dives in Jamaica in 2018.  (I had to shoot a beach wedding between dives and had no time to deal with getting camera out and back into the housing in time.  So I used my backup RX100 rig that days.  The difference in lens quality is pretty clear to me there, comparing the RX100 to the D810 shots.

But when the light really gets low, you just end up with lack of range, lack of color and noise, as in this highly-processed shot with the D850:

Shot at ISO 100, pulled down highlights 100% and raised shadows 100% in Lightroom.

And here is an ISO 800 shot, taken just after the above as I swam out from the wall and pointed back for an image:

ISO 800, and post-processed

Sometimes there just isn't any chance at decent color, but remember that black and white can sometimes work well in a high-iso shot.

This shot was taken at ISO 400, which didn't seem so high until I tried to post-process it.  Had I not been shooting in the sun I probably would have had a decent chance, but there was so much dynamic range involved that I couldn't capture it at ISO 400 on the D850.   It looked horrible in color, but OK in B&W:

ISO 400

Now some examples from point-n-shoots:

RX100 II

ISO 160, F4, 1/125   Dual YS-D1 strobes.

ISO 160, F4, 1/125th - lighting from strobe OK for subject, but ambient in background is all greenish. Dual YS-D1 strobes here.

Canon Powershot 120:

ISO 250, F1.8, ISO 400, no flash

ISO 125, F1.8, 1/500th   My late wife took this of me.  I am holding the RX100 with dual strobes.

Canon s95:

no flash, ISO 100, F2, 1/60

ISO 80, F2, 1/250  Big difference with later cameras on this sort of well-lit subject.

Canon SD 870is:

For a couple of years my late wife and I both had one of these.   Here is her shooting me:

ISO 80, F2.8, 1/200

ISO 80, F2, 1/320

Canon SD630:

This may be the type of shot you're looking for.   I believe this was quite deep (80+ feet).  At the back wall of Molokini crater in Hawaii.  My wife near a passing Manta Ray.

ISO unknown, F2.8,  1/250th

If you see a red X, it's because DPReview seems to have trouble sometimes caching images from my (homemade) web server.   Just view original JPGs if needed.

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"In theory, practice and theory are the same. In practice, they're not."

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kelpdiver Veteran Member • Posts: 5,564
Re: Shutter speeds at certain depths

PuravidaUK wrote:

I'll be in the Galapagos hoping to shoot hammerheads and I understand the conditions can be quite tricky, and thus perhaps difficult to fiddle around with camera settings. I'm torn between the TG-6 on one hand, or just spending much less on a GoPro and reducing my photography expectations.

You really buried the lead in not putting this in your original post.   This is the part that matters most.   Exposure at 100ft/30m varies greatly based on water clarity, time of day, and sunnyness above, and well as the subject matter (black mantas or darker sharks versus silvery ones).

the dive spot you're really talking about is Landslide on Wolf Island.   Perhaps the most exhilerating/challenging spot I've encountered in > 800 dives.   I went to there with my wife in 2013 when she had but 60 dives.  We knew it was a bit aggressive, even by California standards, but it was 2 for 1!  But because of that level of experience, and the difficulty of some of the dives, I generally put my housed camera down and just carried the go pro tray.

Landslide is full of sharks - hammers, galapagos, reef, silky, and you're on ledges right near the edge of the island.  Current flow exceeded 4 knots at times.   You basically hug a rock and hang on.   Plan to shred a pair of gloves.  If you turn your head sideways, the current starts to tug at it.     The water can be turbid - when we released to go our safety stop, we could only see clearly 10-20 feet in any direction (other than to note there were sharks in every direction).  On one, we either got caught in a pretty strong downdraft or the poor viz lead us to mishandled our BC inflation on the blind open water safety stop.

So to cut to the chase, I wouldn't recommend a camera you don't know how to use without looking at menus, and wouldn't be distracted by the wearing of gloves.  And understand the impact of the extra drag lugging it around.   Don't make this your first trip with dual strobe arms.

On positive side - with the fast current, the sharks swimming against it often are moving very slowly, so you could get away with a longer exposure.   Video shooting will do pretty well-  not nearly the same challenge around exposure and precise composition.   It will probably tell a better story too.   The TG has 4k shooting.  The smaller sensor probably works against you for the stills.   It will do fine in other spots, like the iguanas.

Great photographers can get amazing shots there.   But unlike many locales, I think it's pretty tough for us vacation shooters to do the same.  As you appear to be a newer shooter, I'd suggest the gopro or tg options over a more substantial, most costly route.  And if you assess yourself to be a greener diver, or not as experienced with rougher cold water diving, then just the gopro.   Focus on the diving and the views, don't give that up in pursuit of a photo.

OP PuravidaUK Forum Member • Posts: 57
Re: Shutter speeds at certain depths

Thank you Craig!

This is an incredibly helpful post. Very useful to be able to compare shutter Speed/ISO/Aperture combinations. I really didn't know where to start underwater.  Looks like you had some great trips with your late wife btw.

I think I will probably have to adjust my expectations regarding the deeper dives.

But for snorkelling I'm hoping I can get something a bit nearer to what I was originally hoping.

Thanks again for taking the time to write such a comprehensive post with examples.

OP PuravidaUK Forum Member • Posts: 57
Re: Shutter speeds at certain depths

Kelpdiver - Ha, yes that was actually the key point!

Thanks for the details.

It's actually Gordan's Rock/Kicker Rock that I'll be going to. Unfortunately I couldn't find a dive trip to Wolf/Darwin the corresponded to the period of time I have off from work.

I know these two do not compare, but I'm hoping to still see them. Particularly at Gordan's Rock. I've heard the conditions can be challenging, but hoping not as bad as your experience further north! That reminds me of a previous 'hammerhead' dive elsewhere (didn't see anything) where the current was like nothing I have ever experienced before. Definitely wouldn't have been able to photography anything then.

Your advice is very useful. I'm now definitely going to get the Tg-6 or the GoPro, and right now leaning towards the latter as it's half the price.

I was considering spending much more, but as you say i'd be spending half my time trying to get to grips with the camera equipment - and I'd probably completely come unstuck with my buoyancy.

So yes, GoPro or TG-6 for now - relax and enjoy the dives and then maybe one day go back with something better.

PHXAZCRAIG
PHXAZCRAIG Forum Pro • Posts: 19,651
post-processing examples

While I need to update it with more 'severe' examples, I did put together a quick web page last year to demonstrate that what I post does not come out of camera like that. Not even close on a lot of my subjects.

http://www.cjcphoto.net/beforeafter/index.html

I did not shoot in RAW mode until I got my RX100, but since then I've made good use of it.

It's important to realize that I can get away with this much processing because I typically shoot at low ISO's where I have maximum dynamic range.  And the dynamic range of a D810 or D850 at ISO 100 is incredible.

It's also (very) easy to see a lack of dynamic range in an image when you process it, because it just looks ... harsh.   Usually I am unable to properly bring down highlights, and at the same time I already have some noise before bringing up shadows, and I'm unable to achieve a truly good white balance.   Almost always when shooting wide angle.  With macro I'm usually controlling the lighting completely with strobes (and can shoot at ISO 64 as a consequence).  This sort of loss of dynamic range affects me very quickly - I have lots of troubles post-processing my ISO 320 wide angle shots.

When shooting at base ISO, I don't necessarily pay a lot of attention at getting exposure just right in-camera.  (Partly because I'm still learning how to deal with manual strobe power adjustments rather than TTL).  I just glance at the histogram to make sure I've not blown a highlight, which I can't recover from.   I have more issues with blown highlights in reflective corals than underexposure I can boost in post.

But if shooting at ISOs higher than about 200, I really need to nail the exposure in-camera so as to reduce shadow boosting and highlight pulling as much as possible.

Adjust your expectations, but at least shoot in RAW.  Here is a good example.   This shot was out of camera with no adjustments applied in Lightroom.

Typical out of camera shot at ISO 400, F8, 1/200th.  Decently exposed though.

Their is no way to take the above JPG and turn it into my finished image (below).  You need a RAW file to do this much adjustment.

After cropping and getting white balance right, plus other adjustments:

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"In theory, practice and theory are the same. In practice, they're not."

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peterak Regular Member • Posts: 145
Re: Shutter speeds at certain depths

Barmaglot_07 wrote:

Unlikely. This shot was taken at ~30 meters depth, ambient lighting (made worse by this being early morning, 6 AM), using a Sony A6300 (APS-C) with 16-50mm f/3.5-5.6 lens at 35mm f/5.6 (as wide as it would go at that FL), shutter speed 1/320, and auto ISO went all the way to 3200, resulting in evident noise:

1/1.7" f/2 is slightly slower than APS-C f/5.6, and if your ISO goes down four stops, the exposure time must compensate accordingly, going up to 1/40s, pretty much guaranteeing motion blur.

This is incorrect. Exposure is determined by f-stop, shutter speed, and ISO, regardless of sensor size. With the advantage of its f/2 lens, the TG could capture that shark at f/2, 1/320, ISO 400. (Three stops more aperture, three stops slower ISO.) Shark will of course take up a smaller portion of the image, since you'd be shooting at 25mm equivalent as opposed to 35mm.

The TG's tiny sensor will have similar or worse noise at ISO 400 as the A6300 has at 3200, and probably worse dynamic range as well, but that's another story.

Not at all suggesting that the TG is superior--except maybe for macro--to the A6300. Just pointing out that that fast little lens can be very helpful.

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Peter

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kelpdiver Veteran Member • Posts: 5,564
Re: Shutter speeds at certain depths

PuravidaUK wrote:

It's actually Gordan's Rock/Kicker Rock that I'll be going to. Unfortunately I couldn't find a dive trip to Wolf/Darwin the corresponded to the period of time I have off from work.

ok - then probably closer to the doable category, but still the challenge of cold water, lower viz, and surge.   Seems like operators want people with 25+ dives experience, whereas Wolf/Darwin would be double or triple that as a generic advisement.  So if that's within your dive experience, not so crazy to have with you.   Just rig a dog clip so you can hang it from your BC d-ring if things ever too harried, and you need to just focus on the diving.  Give yourself a way to free your hands on demand.

north! That reminds me of a previous 'hammerhead' dive elsewhere (didn't see anything) where the current was like nothing I have ever experienced before. Definitely wouldn't have been able to photography anything then.

yeah, the downside with hammers is they generally prefer areas with fast waters.  (or at 40+m)  At Cocos, the prime spot requires you to clip in with a reef hook.

Your advice is very useful. I'm now definitely going to get the Tg-6 or the GoPro, and right now leaning towards the latter as it's half the price.

The gopro's min focus distance is somewhere in the 3-4' range, depending on model.   Backscatter (and others) sell a close up lens that makes it about a foot, good for getting closer to medium sized objects.   There is a macro lens too, but the challenge there is a really narrow depth of field, and a so so lcd.   The TG would be better if you want ability to shoot smaller things at same time as wider, and of course have focus confirmation.  Go pro is fixed focus, just make sure min distance and aim vaguely.

I was considering spending much more, but as you say i'd be spending half my time trying to get to grips with the camera equipment - and I'd probably completely come unstuck with my buoyancy.

Ideal spot to get serious with an expensive camera is somewhere where the diving is nearly without effort.   Cayman Islands is a pretty good example.  If you think you're likely to go this direction soon enough, then I'd say get the Gopro for now.   You'll want to stick it on top of your future housed camera anyway.  That way if you set it up for macro, you can still shoot something when the whale shark sneaks up.

biedrzyk New Member • Posts: 5
Re: Shutter speeds at certain depths

PuravidaUK wrote:

I'll be in the Galapagos hoping to shoot hammerheads and I understand the conditions can be quite tricky, and thus perhaps difficult to fiddle around with camera settings.

Stick with Gopro 6 or 7. Currents are strong over there by Wolf or Darwin. You'll be holding to rocks with one hand. Hammerheads are in constant move and not posing for selfie.

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