left eye
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Veteran Member
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Posts: 3,038
Re: I jumped the other way.
Batdude wrote:
left eye wrote:
if you are serious about the K-1 please look at the Pentax designed and made 28-105mm, it's a slower (and cheaper) lens than the Tamron rebranded 24-70mm but in many people's opinion, including mine, a far far better lens optically.
Try the 28-105! It would be my lens of choice on the K-1, it really does the K-1 justice, sharp corners.
Unfortunately I don't use variable aperture lenses so the 28-105 would do me no good, but it is indeed nice.
The only useful reason to favour a constant aperture lens is for constant brightness while zooming in filming. I doubt you'll be buying the K-1 primarily for filming.
Fast constant aperture zooms require certain compromises in terms of optical quality. To achieve eg. f2.8 at the long end of the zoom, the lens is designed to deliver a stop or more light at the wide end, something around f1.4. Unless of extraordinary quality, this will render very soft results as the glass is being stretched past it's optical limitations. The lens therefore automatically either stops down the iris-diaphragm (usually in 1/3 stop steps) towards the wider end, to, in this example maintain f2.8, or a hollow circular mask is moved smoothly through the barrel while zooming out to reduce light and again maintain f2.8.
To achieve this level of brightness, the glass elements need to be larger, heavy and more expensive. Generally they are at a minimum double the weight and triple the price of a variable aperture zoom, though of lower optical quality. Only when paying around five times the price or more, of a good variable aperture zoom, does a fast constant aperture exceed the quality variable aperture zoom.
In all lens brands the weakest constant aperture zoom range in terms of quality is the wide to tele, the 24-70mm. Canon currently have the best, the newest Nikon 24-70mm is not far behind, nor is Sigma. Tamron can't match them though. That said the Tamron in Canon and Nikon mounts does seem better than the rebranded Pentax version, possibly due to the floating OIS element being fixed (in the Pentax variant) in not absolutely the correct position.
The Pentax made 28-105mm is optically better than the rebranded 24-70mm, due to the above reasons. It has been designed for sharpness across the range and into the corners, without having to pander to being bright/fast or of 'constant aperture'.
Download these samples and compare not only the corners but also the sides...
28-105mm
https://www.ephotozine.com/article/hd-pentax-d-fa-28-105mm-f-3-5-5-6-ed-dc-wr-sample-photos-29281
24-70mm
https://www.ephotozine.com/article/pentax-hd-pentax-d-fa-24-70mm-f-2-8-ed-sdm-wr-sample-photos-29278
Plus maybe add a wide angle limited, and you're done for a while - until Pentax gets their act together in terms of FF glass.
The 24-70 and 15-30 are not such great lenses, heavy, expensive and soft corners.
Really?? I've seen a few K1 reviews and that say the 24-70 is SHARP. Unfortunately if I get the K1 it has to be with the 24-70.
It's sharp in the centre, but the sides and corners are soft.
If I were to get the K-1 it would definitely be with the highly regarded Pentax 28-105mm.
2018 is almost here and more pentax lenses are on the way, so I kind of feel that I might be jumping to pentax at a pretty good time.