io_bg
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Senior Member
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Posts: 1,548
A seriously underrated lens
21
Introduction
The Fuji 60mm f/2.4 lens is not a specialized lens like the closest full frame "equivalents" available (85mm f/1.8 and faster portrait lenses and 90mm f/2.8 macro lenses). Instead it's trading true macro capabilities for half a stop faster aperture. Originally it got bad reputation due to its slow focus which was improved as new firmware updates and on-sensor PDAF came out in the Fuji world.
Handling
It's a well built metal lens. Even the hood is mostly metal (more on it later). The aperture ring is a bit looser than I'd like but it's better than most other Fuji lenses I've tried. Together with the manual focus ring it occupies most of the lens' barrel. The lens' inner barrel extends as you reach the minimum focus distance. The filter thread has a weird size of 39mm. Even more weirdly, it's also recessed into the lens which would make it difficult to use step-up rings.
I have two "issues" using the lens. First of all, the lens cap is small and fiddly. Add to this the fact that the filter thread is recessed and you can guess that putting the lens cap on and taking it off can be a nuisance. Solution: take the extra second or two to make sure the lens cap is properly attached.
Second, the lens hood's design is problematic. Its size is almost the same as the lens' and if you (like me) reverse your hoods for storage then you'll either block the lens release button on the camera body or (when the lens is unmounted) you won't have any space to hold onto the lens when reversing the lens hood (or putting the back lens cap). Solution: leave the lens hood at home The front lens element is deeply recessed anyway.
Performance
Autofocus: yes, it is slow but accurate. It's adequate for shooting static (or almost static) subjects. The closer you move into macro range the worse it gets (speed wise and accuracy wise). Hunting is not unusual either.
Sharpness: no complaints, it's an excellent lens in this regard. Other reviews say f/5.6 is the sharpest aperture but honestly I can't see any difference between that and shooting wide open.
Vignetting is minimal. If you look really hard you can spot it wide open. Not a problem for me since I sometimes end up adding vignetting in PP.
Distortion: visible pincushion which is automatically corrected in JPG files.
Chromatic aberration is minimal, if you can see it at all.
Bokeh is smooth and buttery. I love the way it renders out of focus areas.
Bottom line
It's a nice multi purpose short telephoto lens balancing close-up capabilities and a relatively large aperture. A few handling shortcomings are present though they can be easily overlooked, especially when you take the quality of images it produces into account. Autofocus performance however can be a deal-breaker for some.
Samples






Some of these images were edited in Photoshop although none of them have any sharpening applied.