Hello PhotoTeach2! Long time no speak!
Belated Merry Christmas and a Happy New Year!
So sorry if it has taken me this long to respond back, the time were we last left off I became incredibly busy trying to snatch up every possible job and was abroad in the Philippines for a whole month and only got back a few weeks ago!
So please don't think I have forgotten here or abandoned you!
PhotoTeach2 wrote:
OmarAl wrote:
Woops!
But I'm pretty certain that's usually the highest any speedlite would go.
I have to apologize that I am not sure what you mean, (by "highest any speedlite would go").
!/200 is usually sufficient for still subjects, (and hand-held w/ lens shorter than 200mm-EFL), but is not sufficient to freeze action on moving subjects.
So, to me, it is a totally inadequate flash-sync relative to the 1/4000 sync speed I enjoy on the FZ-1000.
And you mentioned "bullets" above ... that needs about 1/50,000sec to "stop" travel, (and "timing" is the most difficult photography challenge).
Sorry if I wasn't clear on that matter, I'm probably not very good at my wordings, but basically speedlites on a DSLR would only allow you to go as high as 1/200th shutter speed, and this being due to the nature of the focal-plane shutter. This si what I meant, I hope it is clearer now?
It seems like you may be familiar with the focal-plane shutter operation, (which most photographers are NOT). So you are ahead of the game in that respect.
Indeed I am, but not at the greatest detail but a little research can go a long way. Focal Plane shutters are fine, they've been around for so long that flash equipment are built around them and to resolve its "limitations".
Yes 1/200 is generally good for stills, like modeling with fineee ladies
I (tried) a shoot once with an Australian band ... who was very jovial and "jumping" around all the time. (would not hold there "heads" still)
The camera I was using had a max flash-sync of 1/60, (which was faster than the original FP shutters which had a 1/30 max). But the shoot was a disaster because there was at least one persons head blurred in every shot because they would not hold still.
So the new limits of 1/200 - 250 is certainly much better than it used to be back in the '60's & '70's.
That's very interesting, surely 1/30 or 1/60 shutter with flash sync can keep a moving object still, I photograph at nightclubs/bars on weekends and I can usually get good images at slower shutter speeds.
When I said "bullet-time" I was referring to the Matrix films where they go into extremely slow-motion shots
In addition to a short-duration strobe, "TIMING" is the most critical and specialized for "bullet" shots.
Absolutely!
But that is understandable, in order to flash that many lights in such a short space of time sacrifices has to be made, power is decreased to enable for more speed. Pretty much common sense, right?
Instead of "one" really BRIGHT flash, (that illuminates the entire sensor at one time).
The available power is lowered and stretched out for a long (1/200+sec) and only illuminates "part" of the sensor at each pulse.
This is precisely what I meant! Might as well shoot with continous light right?
Well, shooting @ 1/200sec, you essentially are shooting at "continuous" light, (compared to the "action-stopping" 1/1000 to 1/50,000 of strobes).
Because 1/200 shutter and flash sychronised for it are made for eachother
Well ... yes ... HSS strobes are indeed made for FP shutters.
Indeed.
However going back on your previous post of "Well, shooting @ 1/200sec, you essentially are shooting at "continuous" light, (compared to the "action-stopping" 1/1000 to 1/50,000 of strobes)." were you referring to the idea that strobes and speedlites in High-Sync Speed mode is basically trying to simulate continuous light in order to expose the sensor/film while a slit curtain glides through it??
You seem to really like this FZ-1000, it worth mentioning that I own a Panasonic GH2
That was a very good (and advanced) camera in its time.
In its time yes, but I mainly use it for video work and it still does a pretty good job, but I yearn so badly for a GH4, I just can never ever afford it
They should release a GH5 at some point / soon ???
They are, in a few months I believe and I cannot wait!
Well, I was eagerly awaiting for a FZ-1000 upgrade ... but disappointed in the FZ-2500 for several reasons, (and will probably not be getting it -- will wait for possibly the "next" FZ upgrade).
So hope the GH5 is indeed a major "upgrade" in areas that matter.
Just looking it up, hasn't the FZ-1000 been around for a couple of years? I'm sure you can get it now.
This HSS (High-Sync Speed) has really intrigued me recently, especially due to the fact that it is an essential feature if you want to capture extremely fast action so their frozen in time, how does it work? How does it know how to trigger X-amount of flashes in such a short space of time?
Is it an easy circuit to implement? Or does it get real complicated with this??
It is simply a (very fast) series of very-short pulses that last the duration of the shutter-curtain travel.
NOTE that if you do not (fully and properly) UNDERSTAND how FOCAL-PLANE shutter work, you need to stop now and study/learn how they work.
Note that a focal-plane shutter, (even @ 1/8000sec is really only 1/200 or 250sec). To understand flash sync, you have to understand how they work, (and why 1/200-250 is their "native" flash sync speed).
You don't need to know "how" they work, just that the difference is that in "normal" mode there is (ONE) single (very BRIGHT/POWERFUL) flash, (duration between 1/1000 to 1/50,000sec), and in HSS mode there is a series of continuous pulses for, (a much longer) 1/200 sec. And NOTE that even if camera is shooting at 1/8000sec, the flash duration is required to be 1/200sec w/ focal-plane shutter.
In regards to the HSS mode and its ability to set off a series of continuous pulses, how it that achieved? I assume it is taking a full power flash set for 1/200 or 250 and breaking it down to a series of small flashes (although when I'm doing it it still looks like one big flash to me), is it somesort of chip/timer that's programming this? Or just clever circuity? Is it i simpler than I think??
Well ... yes even 1/200 can seem extremely "fast" to our eyes. But would not be fast enough for "moving" subjects, (especially w/ tele lenses where motion is magnified).
And even though I am an electronic-engineer, I have not yet studied a schematic of HSS strobe. So I can imagine several methods they might use, I am not sure which they have chosen. (If you want to send a schematic to me, I can probably be more definitive.)
But I can say the strobes must be extremely fast and consistent to avoid "banding" in the final image.
I think this is where I might have to start a new topic specifically on the matter, I have been looking high and low on how HSS is achieved, not a schematic, or even a patent for it! However if I saw one for HSS I wouldn't be able to tell in the first place
You talk about imagining methods they could use, what do you think one could be? Do you know where I could find schematics for HSS??
Looks like I'm going to have to avoid them like the plague!
They do have "isolation" hot-shoes, but I personally would not trust them.
The original intention of the Vivitar 283/285 was to mount directly in hot-shoe, (but 250vdc is too "hot" for digital cameras).
I think now this has been made very clear, to the point that I would remember is subconsciously when I'm faced with this danger
Yep ... don't forget it ... It only takes "once" to blow the SCR/TRIAC within the "digital" camera, (where it once was just a mechanical "switch" similar to simply touching two-wires together and thus voltage did not matter).
Then how can I change the flash duration of this little device? It's absolutely horrible (including the discharge)!
You can't ... not to the short pulse of a "strobe" (arc-discharge).
Waaahhh...but how does it know when to stop the flash?
It simply stops when the capacitor storage is empty.
It is like a lake with a "dam" ... bust the dam and ALL the water drains out.
In "manual" strobes, Igniting the "arc" ionizes the gas and it becomes an equivalent "short" until all the power is dissipated, (unless artificially stopped as "auto" strobes do).
The bigger the lake, (capacitor size), the longer it will take to drain. But even the biggest strobes usually do it in less than 1/1000 sec. (but some really "biggest" can take to 1/750-500sec).
But there is no capacitor in the LED Ring Flash, it's just a circuit with some wires connected to the battery holder.
True ... no capacitor in LED, (unless a very "small" one that is part of a "timing" circuit to simply turn power on/off to the LEDS. But a capacitor for that purpose is NOTHING like a very "BIG" one being used for "storage" purposes and indeed the primary component in a strobe.
Of course, it needs more POWER!
Wow...so much information to take in! Really helpful nevertheless!
Before I go into this in more detail, I just would like to quickly ask, with something like a disposable camera flash circuit, of the DIY Flash that I linked previously, do they carry "Force Commutation"? Especially with the case of a disposable camera (simply because the circuity looks small and relatively simple), how is it able to stop the flash? I ask this because it pretty much works exactly like a speedlite and strobe.
They do NOT use forced commutation.
There pulse duration is probably about the normal/natural 1/1000sec. (but maybe shorter because they were not that "powerful" so didn't have the size/capacity of capacitor that would be found in more powerful units, (what would indeed use a very large capacitor).
Ahhh, this is where it gets interesting again! So you saying this is done by Positive Pulses you get in a waveform? This was something that was discussed previous in this topic. Or am I wrong?
How does it know when to stop at 1/1000th of a second?
It naturally stops when the power is dissipated, (lake is drained).
So that means the Flash duration is longer and is always flashing at full power?
Well, flash duration is all relative. Even 1/200 can seem fast/short in some context. But very long compared to 1/1000 and MUCH longer compared to 1/10,000 or 1/50,000.
To understand the (short) duration, you have to understand the "ARCING" concept of the strobe. When the "arc" is initiated, the gas within the tube is "IONIZED" and becomes a direct "short" which will (extremely) quickly drain the capacitor, (drain the lake of water if the "dam" is complexly broken).
Ahhh I think I am beginning to understand this, because disposable cameras still uses capacitors, albeit a small one, this is the main contributing factor for its flash duration???
So I guess this is what determines the "Flash Duration" right???
Yep ...
This has now been solved for the world to know!
Now that I have told the "secrets", I have to KILL everyone !!!
Hey wait a minute! I thought we were friends??
You will have to decide that AFTER I "kill" you ....
(such is the price that must be paid for "secret / forbidden" knowledge).
Ahhh maaan! Looks like I might have to continue this in the afterlife
We may already be in a "afterlife" ... some say we have had many "before" lives ...
I had to wonder about life the past three days, got lost a long the way, this is the reason why it took me until now to make a reply
I don't want to talk about "life" ... I am going through the absolute worse period I have ever gone through and I question every day if it is worth continuing.
I met a lady a year ago who has saved my life by telling me that what I was contemplating is a "permanent solution to a temporary problem" and I try to remember that every day.
Ohhh I don't think you are doing any worse than I am...I'm unemployed for starters!
Well, unemployed is not good ... how old are you and what work have you prior done ??? (education ???)
What are you looking for, you seem like an intelligent person ???
Where do you live ???
Well, I'm in my late 20's, and I am a university graduate in Film & Television Production from London, and I do jobs when I'm required so like photographing at a club on a weekend every week, and only been called recently by my previously company to do some filming for their basketball games, and of course the odd message/call asking if I am available to do this and that of the same thing, but nothing that will help get a place of my own, just able to pay for my mobile phone bills, I still live with my parents/family.
I am after Video Editing and Videography jobs and maybe Photography, looking and applying most of my time but constantly rejected, mainly because my showreel only has old work, no longer a high standard, and basically not up to scratch. I desperately want a new camera (Panasonic GH4) where I can increase my quality of work, I am real far behind and I believe this is my solution, hence why I am doing odd jobs but can never get enough to save properly to buy one as I need to feed myself a lot
That lady probably has said one of the best lines ever for such situations, I might even used that for a film It'll probably be a good idea to pay that lady a visit one day
I was married to my high-school sweetheart for 44 years and she died.
I then met another lady and life was wonderful again, she loved me deeply. We went dancing 5/nites-week, theater, moves, etc. and sex 2-3x/day, (and I am 70yo). She told me she loved me 100x/day ...
She went to see her kids one day, walked in the door, DID NOT SAY SHE DIDN'T "LOVE" ME --- just said "Kids Don't Like You ... GET OUT .. NOW !!!"
It has been over a year ago and my head is still spinning, she has still never said she does not love me, she admits she is MISERABLE and MISSES me .. but that her "kids" are "More Important" so she has created an artificial wall between us.
I actually am doing "great" ... I have "lived" with another lady for over a year, but do not love her, and have 4 others that want to "marry" me ... so I should not feel the way I do.
But I still deeply love the other lady and confused that she has chosen to be (admittedly) unhappy while she lives alone but maintains the artificial wall.