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I agree, prime on one body and zoom on another. Bring a couple / 3 prime lenses and swap them out throughout the night. Might want a 50mm during the ceremony, or the 35mm f/1.8 Sony in addition to a nice zoom. Then perhaps switch to wide angle prime later in the night to capture big group shots on the dance floor and keep the zoom on the 2nd body. If you aren't using the zoom at that point then swap it out and keep 2 different primes, maybe 35mm and a wide angle lens? I can understand why many wedding photographers have an assistant or 2nd camera person, 4 or more lenses for 2 cameras would be pretty tough to keep track of / swap out throughout the night!Has anyone tried a-mount lenses for a wedding? I have used a Sigma 30, 50F1.7.8, and Rokinon 12f2. Not bad, but defiantly had the need for a good zoom. It is difficult to change lenses during fast pace events. Would like to try a the Tokina 70-200 f2.8, but with the adapter it would become a f3.2 and not sure that is a good trade off from the Sony f4, due to less points of autofocus. Anyone tied this? Also, with a good flash, my NEX 5t did a good job of focusing. Looking forward to trying the A6000 I picked up this winter.
Also, consider two bodies. Keep a prime on one, and maybe a zoom on another. I loved the 50f1.8, but found it too tight in smaller venues. The Sigma 30 was good, just not as quick, and had a harder time getting as good of shots.
E24Z for group shots.If you were going to shoot a wedding with the a6000 what lens or lenses would you bring along and why?
It's not a lens question so excuse me for slightly changing the subject. Related to changing lenses - is anybody who does wedding photography using the peak design lens changing adapter? Does it make it easier or faster to change lenses in a wedding environment where I could see you might need to change lenses quickly?I agree, prime on one body and zoom on another. Bring a couple / 3 prime lenses and swap them out throughout the night. Might want a 50mm during the ceremony, or the 35mm f/1.8 Sony in addition to a nice zoom. Then perhaps switch to wide angle prime later in the night to capture big group shots on the dance floor and keep the zoom on the 2nd body. If you aren't using the zoom at that point then swap it out and keep 2 different primes, maybe 35mm and a wide angle lens? I can understand why many wedding photographers have an assistant or 2nd camera person, 4 or more lenses for 2 cameras would be pretty tough to keep track of / swap out throughout the night!Has anyone tried a-mount lenses for a wedding? I have used a Sigma 30, 50F1.7.8, and Rokinon 12f2. Not bad, but defiantly had the need for a good zoom. It is difficult to change lenses during fast pace events. Would like to try a the Tokina 70-200 f2.8, but with the adapter it would become a f3.2 and not sure that is a good trade off from the Sony f4, due to less points of autofocus. Anyone tied this? Also, with a good flash, my NEX 5t did a good job of focusing. Looking forward to trying the A6000 I picked up this winter.
Also, consider two bodies. Keep a prime on one, and maybe a zoom on another. I loved the 50f1.8, but found it too tight in smaller venues. The Sigma 30 was good, just not as quick, and had a harder time getting as good of shots.
Please let us know your findings, I personally would like an A7s or R as the main camera, I primarily use manual focus so would be good to hear how you get on with it on the A6000I just watched that last night actually. It was helpful. Towards the end it sounds like he wants to keep shooting weddings with the a6000 but also add an a7s for low light situations. The low light thing is my biggest concern. If i cant trust my AF to be accurate in low light maybe Id have better luck using MF? Or maybe not. Its hard to say having not done this before. Ill just have to see what I learn from it.
Good luck!Well, the wedding is in two days. I rented another a6000 body and another prime. My line up will be : two a6000 bodies, four prime lenses (rokinon 12mm f/2 , sony 30mm f/3.5, sony 50mm f/1.8, and a Minolta MD 135 f/3.5) also a nissin i40 flash and spare batteries/cards. Wish me luck!
I'm not a wedding photog, but I could see the a6000 with 35 1.8 being a decent third cam/lens combo. The lens just seems to be made for capturing people. The following pics were taken during a New Year's Eve venue with the a6000/35f1.8/and bounce card. You can see how dark the place was because I did a couple pics in the group without flash. The place was bathed in dark blues and purple LEDs...The A6000 is a very capable camera and for outdoor bright weddings and afternoon receptions it is fine. Where it struggles is in dim lighting. Primarily during receptions, especially when they decide to turn the lights off for the dancing. I've never tried to shoot only with the A6000 at an indoor wedding, it has always been my third camera.
At the last dimly lit venue about a month ago, I used the A6000 and 35mm 1.8 during the dancing. I stayed near the band where the light was better and took couple shots about half of which were in focus .. but I expected that.