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Shutter shock issues on the 5DS

Started Apr 24, 2015 | Discussions
SHood Veteran Member • Posts: 6,100
Shutter shock issues on the 5DS

This should not come as a surprise as all high density sensors are having this issue, especially with longer lenses.

http://www.dpreview.com/articles/3639917149/cp-2015-nikon-interview-we-learned-from-the-d600-episode#comments

"all high resolution offerings from all brands exhibit deleterious interactions between mirror/shutter vibrations and optical stabilization systems (our initial tests of the Canon EOS 5DS show that it is no exception)."

"Because that's what we see with the venerable 70-200 F2.8L II IS on a 5DS at 200mm with IS on shooting through the OVF (at all shutter speeds between 1/125s and 1/2s)."

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schmegg Veteran Member • Posts: 5,768
Re: Shutter shock issues on the 5DS
8

SHood wrote:

This should not come as a surprise as all high density sensors are having this issue, especially with longer lenses.

http://www.dpreview.com/articles/3639917149/cp-2015-nikon-interview-we-learned-from-the-d600-episode#comments

"all high resolution offerings from all brands exhibit deleterious interactions between mirror/shutter vibrations and optical stabilization systems (our initial tests of the Canon EOS 5DS show that it is no exception)."

"Because that's what we see with the venerable 70-200 F2.8L II IS on a 5DS at 200mm with IS on shooting through the OVF (at all shutter speeds between 1/125s and 1/2s)."

Meh.

It's reasonably well known amongst capable photographers that to get the very best from these pixel dense sensors you need to employ technique AND the best glass.

Still, even if you don't, you'll still be no worse off than someone using the same techniques and exposures with a lower pixel density. And this is an important point that tends to be not mentioned or glossed over by some!

Nice sensationalist headline it may be, but, in actual fact, it's really nothing much at all to worry about, just something to be aware of and allow for when the very maximum resolution that the sensor can provide must be obtained. (and frankly, that's nothing new either!)

OP SHood Veteran Member • Posts: 6,100
Re: Shutter shock issues on the 5DS

schmegg wrote:

SHood wrote:

This should not come as a surprise as all high density sensors are having this issue, especially with longer lenses.

http://www.dpreview.com/articles/3639917149/cp-2015-nikon-interview-we-learned-from-the-d600-episode#comments

"all high resolution offerings from all brands exhibit deleterious interactions between mirror/shutter vibrations and optical stabilization systems (our initial tests of the Canon EOS 5DS show that it is no exception)."

"Because that's what we see with the venerable 70-200 F2.8L II IS on a 5DS at 200mm with IS on shooting through the OVF (at all shutter speeds between 1/125s and 1/2s)."

Meh.

It's reasonably well known amongst capable photographers that to get the very best from these pixel dense sensors you need to employ technique AND the best glass.

Still, even if you don't, you'll still be no worse off than someone using the same techniques and exposures with a lower pixel density. And this is an important point that tends to be not mentioned or glossed over by some!

Nice sensationalist headline it may be, but, in actual fact, it's really nothing much at all to worry about, just something to be aware of and allow for when the very maximum resolution that the sensor can provide must be obtained. (and frankly, that's nothing new either!)

I am glad that dpreview is investigating this further as many photographers are still not aware of this issue or think that it won't impact them. Dpreview plans on posting an article on it in the next couple of weeks that should go into further detail.

Here are a few more comments from dpreview in the comments section.

"But I'm glad you brought this up - there needs to be more awareness of it. We're shortly publishing a comprehensive piece showing what you describe - and it's not just limited to that particular lens, nor to that body/brand."

"The fact that most people think it's 'not typical' is exactly why I'm glad this was brought up by the OP- b/c it is typical if you're shooting hi-res FF w/ IS lenses at long focal lengths at those shutter speeds."

"I'll give you a concrete example- recently I asked a well-known wildlife photographer if he'd encountered this issue. He said 'no', but was kind enough to send me some full-res files. I saw it immediately, but probably only b/c I'd been looking for vertical shake extensively recently from doing all these tests. Yet he'd missed it in thousands of his own shots.

IOW, if you don't know what you're looking for, you'll often see this in the real world as just a shot that requires more sharpening, or slightly misfocused, or slight motion blur, or combination thereof. And remember, it's mostly within that particular shutter speed range, which isn't exactly a range wildlife photogs use."

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Horshack Veteran Member • Posts: 8,786
Re: Shutter shock issues on the 5DS

schmegg wrote:

SHood wrote:

This should not come as a surprise as all high density sensors are having this issue, especially with longer lenses.

http://www.dpreview.com/articles/3639917149/cp-2015-nikon-interview-we-learned-from-the-d600-episode#comments

"all high resolution offerings from all brands exhibit deleterious interactions between mirror/shutter vibrations and optical stabilization systems (our initial tests of the Canon EOS 5DS show that it is no exception)."

"Because that's what we see with the venerable 70-200 F2.8L II IS on a 5DS at 200mm with IS on shooting through the OVF (at all shutter speeds between 1/125s and 1/2s)."

Still, even if you don't, you'll still be no worse off than someone using the same techniques and exposures with a lower pixel density. And this is an important point that tends to be not mentioned or glossed over by some!

That is true presuming the 5Ds doesn't have a unique vibration issue; since it's not out yet we can't know the answer to that. The 36MP A7r's shutter vibration causes it to produce images with lower measured resolution than the 24MP A7 with certain stabilized lenses.

RyanBoston Senior Member • Posts: 1,349
Re: Shutter shock issues on the 5DS

I thought Canon designed the shutter mechanism to get rid of shutter shock vibration?

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J A C S
J A C S Forum Pro • Posts: 20,556
Re: Shutter shock issues on the 5DS

SHood wrote:

I am glad that dpreview is investigating this further as many photographers are still not aware of this issue or think that it won't impact them. Dpreview plans on posting an article on it in the next couple of weeks that should go into further detail.

Here are a few more comments from dpreview in the comments section.

"But I'm glad you brought this up - there needs to be more awareness of it. We're shortly publishing a comprehensive piece showing what you describe - and it's not just limited to that particular lens, nor to that body/brand."

"The fact that most people think it's 'not typical' is exactly why I'm glad this was brought up by the OP- b/c it is typical if you're shooting hi-res FF w/ IS lenses at long focal lengths at those shutter speeds."

"I'll give you a concrete example- recently I asked a well-known wildlife photographer if he'd encountered this issue. He said 'no', but was kind enough to send me some full-res files. I saw it immediately, but probably only b/c I'd been looking for vertical shake extensively recently from doing all these tests. Yet he'd missed it in thousands of his own shots.

IOW, if you don't know what you're looking for, you'll often see this in the real world as just a shot that requires more sharpening, or slightly misfocused, or slight motion blur, or combination thereof. And remember, it's mostly within that particular shutter speed range, which isn't exactly a range wildlife photogs use."

Some of those comments are triggered there by my remarks, if I remember well. To understand them, you need the context.

There are two different issues here:

  1. There was a specific issue with that particular Nikon lens, and with certain batch, according to Nikon. The blur was very different that what you see in the DPR tests - a ghost image. Nikon issued a recall, case closed.
  2. Shutter shock is not a new problem; this is why Canon and other manufacturers have electronic first curtain. We know well that "silent mode" works better than just MLU. Does IS/VR interact with it - it should, that is why it is there. It may make it worse, or not, etc.

Just because (2) is true it does not mean that (1) is typical.

Slideshow Bob Senior Member • Posts: 1,771
No worse than the 7DII or 70D...

…which have the about the same pixel density. Why are FF cameras treated like they present some kind of special, unique case? I've shot with a D7100 (24mp APS-C, so higher pixel density than the 5DS) and a 300 f/2.8 with no issues, so I don't think you can reasonably state that it affects ALL high resolution cameras.

Horshack Veteran Member • Posts: 8,786
Re: No worse than the 7DII or 70D...
1

Slideshow Bob wrote:

…which have the about the same pixel density. Why are FF cameras treated like they present some kind of special, unique case? I've shot with a D7100 (24mp APS-C, so higher pixel density than the 5DS) and a 300 f/2.8 with no issues, so I don't think you can reasonably state that it affects ALL high resolution cameras.

Because given the same FOV, a FF sensor with the same pixel density as an APS-C sensor will have more pixels per AOV and thus more blur per unit of shake/motion.

http://www.dpreview.com/forums/post/40651458

Slideshow Bob Senior Member • Posts: 1,771
Re: No worse than the 7DII or 70D...

Horshack wrote:

Slideshow Bob wrote:

…which have the about the same pixel density. Why are FF cameras treated like they present some kind of special, unique case? I've shot with a D7100 (24mp APS-C, so higher pixel density than the 5DS) and a 300 f/2.8 with no issues, so I don't think you can reasonably state that it affects ALL high resolution cameras.

Because given the same FOV, a FF sensor with the same pixel density as an APS-C sensor will have more pixels per AOV and thus more blur per unit of shake/motion.

http://www.dpreview.com/forums/post/40651458

Right, I get it. Thanks for that. The only point I would make is that, if NOT equalising the FOV, people should be seeing the same issue with a 70-200 on the 7DII that is being reported on the 5DS, because the AOV per pixel is about the same.

Rishi Sanyal
Rishi Sanyal Contributing Member • Posts: 916
Re: No worse than the 7DII or 70D...

Slideshow Bob wrote:

Horshack wrote:

Slideshow Bob wrote:

…which have the about the same pixel density. Why are FF cameras treated like they present some kind of special, unique case? I've shot with a D7100 (24mp APS-C, so higher pixel density than the 5DS) and a 300 f/2.8 with no issues, so I don't think you can reasonably state that it affects ALL high resolution cameras.

Because given the same FOV, a FF sensor with the same pixel density as an APS-C sensor will have more pixels per AOV and thus more blur per unit of shake/motion.

http://www.dpreview.com/forums/post/40651458

Right, I get it. Thanks for that. The only point I would make is that, if NOT equalising the FOV, people should be seeing the same issue with a 70-200 on the 7DII that is being reported on the 5DS, because the AOV per pixel is about the same.

I don't think one can just 'not equalize the FOV', b/c people tend to think about the 1/focal length rule with respect to equivalent focal length, not actual focal length.

So a 200mm lens on a 5DS vs a 7D2... That's 300mm equivalent focal length on the 7D2, and a user might not expect that they can get away with, say, 1/60s on it. But since it's only 200mm equiv on the 5DS, they might think they can get away with 1/60s. Those are just rough numbers; my point is just that user's expectations are calibrated based off of equivalent focal length, not focal length.

Furthermore, smaller sensor cameras have smaller shutters, smaller mirrors, etc. It's entirely possible that also has an effect.

-Rishi

BobNL Veteran Member • Posts: 5,196
Re: No worse than the 7DII or 70D...

Travel of the shutter/mirror in full frame is significantly bigger/longer and therefore has of course a higher impact.

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Iliah Borg Forum Pro • Posts: 29,482
Re: Shutter shock issues on the 5DS
1

There was a specific issue with that particular Nikon lens

Which lens was it? Do you mean some particular lens sample, or some lens ID?

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J A C S
J A C S Forum Pro • Posts: 20,556
Re: Shutter shock issues on the 5DS

Iliah Borg wrote:

There was a specific issue with that particular Nikon lens

Which lens was it? Do you mean some particular lens sample, or some lens ID?

The new Nikon 300/4. According to Nikon, it is an issue with a particular range of SN's. Here is a review written before the recall. Here is another report written before the rerecallport, and the comments there are interesting as well. There was enough chatter about that issue and Nikon reacted quickly.

Iliah Borg Forum Pro • Posts: 29,482
Re: Shutter shock issues on the 5DS
1

J A C S wrote:

Iliah Borg wrote:

There was a specific issue with that particular Nikon lens

Which lens was it? Do you mean some particular lens sample, or some lens ID?

The new Nikon 300/4.

Right. There was a bug in the protocol between bodies and the lens.

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Timbukto Veteran Member • Posts: 4,988
One of the most important performance criteria of any camera

Right behind autofocus performance IMO, and more important than those last stops of oh so precious DR. Largely untested in the camera review world. Shutter shock on 16MP early MFT cameras were atrocious. Glad to see it has been remedied because obviously things like pixel shift would not work when your shutter is actually reducing your 16MP images to 5MP in quality or less. Shutter range may vary depending on the physics involved...what was annoying about the MFT shutter shock is that the shutter range was incredibly useful. My A6000 is wonderfully stable IMO in terms of behavior with EFC...but at 11FPS that is another thing entirely.

My EOS-M is a far far better mirrorless camera than most older generation mirrorless (I haven't checked any timelines so I'm not sure what was avail with EOS-M came out). Despite lagging autofocus and DR, its shooting stability is absolutely solid...in fact it has a nice angled shutter release to boot and a tank chassis combined with EFC and very damped shutter. Again a camera largely panned as being 'behind' than its competitors when in truth a ton of its competitors had huge shutter shock issues. I sold my Olympus E-PM2 and still have my EOS-M.

DSLR's often have 'issues' around slower shutter ranges, say 1/30th from mirror flop. The 'shock' gets averaged out over longer exposures such that the transient 'shock' is diluted and no longer degrades the overall output as much.  Not as much complaining in this range because 1/30 is not going to do a thing for you for subject movement, and perhaps tends to be too 'quick' for long exposures.

Overall handholding, subject movement, and camera's without global shutters make the high megapixels useful for flash studio photography (strobe/flash lighting will not show any shock due to incredibly fast effective exposure time), and long exposures of landscapes will average out the shock.

If you mostly shoot handheld without flash, etc honestly chasing high MP is pretty silly anyhow...focus on autofocus and DR at that point.

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J A C S Forum Pro • Posts: 20,556
Re: One of the most important performance criteria of any camera

Timbukto wrote:

My EOS-M is a far far better mirrorless camera than most older generation mirrorless (I haven't checked any timelines so I'm not sure what was avail with EOS-M came out). Despite lagging autofocus and DR, its shooting stability is absolutely solid...in fact it has a nice angled shutter release to boot and a tank chassis combined with EFC and very damped shutter. Again a camera largely panned as being 'behind' than its competitors when in truth a ton of its competitors had huge shutter shock issues. I sold my Olympus E-PM2 and still have my EOS-M.

Would you post a link about the M shutter? I got it recently with two lenses, basically for the cost of a nice dinner. I did not buy the adapter yet, so I cannot test it with my (longer) EF lenses.

Timbukto Veteran Member • Posts: 4,988
Re: One of the most important performance criteria of any camera

J A C S wrote:

Timbukto wrote:

My EOS-M is a far far better mirrorless camera than most older generation mirrorless (I haven't checked any timelines so I'm not sure what was avail with EOS-M came out). Despite lagging autofocus and DR, its shooting stability is absolutely solid...in fact it has a nice angled shutter release to boot and a tank chassis combined with EFC and very damped shutter. Again a camera largely panned as being 'behind' than its competitors when in truth a ton of its competitors had huge shutter shock issues. I sold my Olympus E-PM2 and still have my EOS-M.

Would you post a link about the M shutter? I got it recently with two lenses, basically for the cost of a nice dinner. I did not buy the adapter yet, so I cannot test it with my (longer) EF lenses.

I don't have any reference about the shutter I just am giving my impression based on sound and feel of the shutter release. Having gone through many camera's like many others here, both the sound of the shutter, and the vibration I feel from it is something I am somewhat attuned to.

You can see an image of its tank like internal chassis here. It's build like a tank from exterior to interior...the M3 is said to feel 'cheap' in comparison. My A6000 is not built like it either...and IMO it is probably throwing money into the wind for any manufacturer to build them this solid anymore.

http://www.canon.com/camera-museum/tech/report/2012/09/

Unfortunately I think some manufacturers think build quality means taking a Sony camera and putting exotic wood handles on it.

Some pros that have largely been ignored would be its shooting stability combined with far far better optics out of its few native lenses. Sony at the time had pretty terrible optics but did have EFC with and after the NEX 5N. MFT had good optics but had terrible shutter shock issues at the time.

The only lens I feel comfortable buying and owning for Sony E-mount is the only lens I have on my A6000 which is the 50mm 1.8 OSS.  A lot of others are just way overpriced and I will wait to see what collapses and has firesales in the industry instead of buying list.

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