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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
I am still so impressed by what my old E-3 can do!
Image of my beautiful wife at the coast from this weekend... and then one of the two of us that our son snapped for us.
It's certainly true that good cameras don't become bad cameras when better cameras come along. If it does everything you need, then you don't need a new camera. (To be safe, stay out of the shops, however. )
"Whiskey is for drinking, digicams are for fighting over."
Enjoy your gear and take pictures. Photography should be fun and not a chase for new gear. (I do love my EM1!)
I agree completely. I have two E-3 bodies and still use one in the shop with a 50 macro lens and various flash gear for taking machinery and firearm parts shots. Every time I want a new piece of gear I go back and look at some C5050 photos and remember how happy I was with them at the time. It's all relative. But, just like DOS, Windows 3.1, things evolve, new capabilities are available, in smaller and lighter packages, so I will surrender and buy, even when I don't NEED to.
It's all good. I'm using the lenses I got with an E-500 on my E-M1 and having a ball in low light with movies. But, in good light, for stills, many of the older cameras still do an excellent job, especially the E-3 and E-5. I have to admit to not firing up the E-500 in a few years.
I agree, it's not the camera model but the results you get. If you like the results and they are consistent, reproducible and look great (which yours do) then stick with what you have. I, too, have an older Oly e500 and the only reason I don't use it is that it's just too big to lug around. I was never dissatisfied with the IQ...Looking forward to seeing what a more compact EM-5 can do...
For many of the same reasons I have kept my E-5, E-1, E-30, E-620 and even E-420. Of course, I also have the E-M1.
The first step is admitting you have a problem.....I remain in denial....not sure of what though.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|walkersons fields by George Veltchev|
from -Waiting for Autumn- (in Full Colours Only)