oscarvdvelde wrote:
Woland65 wrote:
No, that is the misconception. The amount of light put on a sensor is NOT determined by the "f number" of the lens. The f-ratio determines the amount of light falling on a square millimeter of the sensor. So, given the same f-ratio, a large sensor will get much more light than a smaller sensor. Of course, the lens for the larger sensor will have to be larger to achieve this. That is why an f2 lens for an ff sensor is much larger than an f2 lens for micro 43 (at equivalent FOV).
The amount of light falling on a sensor is determined by a lens linear aperture in millimeters, NOT by a lens f-ratio.
But it's the photo sites that collect light. It's not the sensor (or film) as a whole integrates all the light in one place and then divides it into pixels. Mathematically it may result in the same thing, as photographer I get lost using that perspective.
Things will be easier if we keep some factors constant, for simplicity, first take the sensor size as constant. Then the f-stop is a very useful value, as it controls photons per square mm. If in that square mm you have 4 times as many pixels (linear resolution doubles, e.g. 24 MP compared to 6 MP), each of them sees a quarter of the corresponding angular scene, it resolves 2x smaller details but with 4x less light captured at each pixel. Gain then is used to compensate for the lower signal to give the same output RGB value.
This does not need to give any problems if you have many photons, but if you are shooting in near darkness the S/N at each pixel of the higher resolving camera is lower (you experience a noisier image when image magnification is 1:1) - unless the read noise of a photo site is also lower by a factor 4 (or the QE higher by a factor 4 but sensors currently already have 40-60% QE).
But the image produced by this finer resolving sensor needs to be 2x less magnified to fit your screen than the low res sensor (or can be viewed from a larger distance to span the same angular view). So even if it were a bit more noisy in the absolute sense at the 100% pixel viewing level, at the typical viewing magnification perceived noise is reduced, as noise "clumps" are smaller relative to resolved details.
Note that Canon's development of a full frame "big pixel" full-HD camera suggests that bigger pixels still have significant advantages on the same sensor size for night vision work compared to just downscaling 20 megapixels to 2.8 megapixels, although the footage of those fireflies looked pretty noisy to me.
We may also keep resolution constant (e.g. 16 MP) and consider a factor 2 difference in sensor size in width (full frame vs 4/3). Shoot at the same f-stop (photons per mm²) and exposure time the same scene (the lens for the larger sensor is bigger and has 2x the focal length, but same field of view). In this case these photons fall in 4 times fewer photo sites per mm² on the larger sensor and produce therefore 4x higher signal per photo site. The smaller sensor needs to compensate for the relative lack of photons by gain, and hopefully with lower read noise and higher QE, else it will suffer from poorer S/N at any given ambient light level. The final image magnification in this case will be the same which simplifies judgment.