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When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

Started Jul 5, 2013 | Discussions
joseluismx Contributing Member • Posts: 673
When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet
3

Five years ago, I decided to put my relatively high investment in photo gear to good use (I had the K100D then and some nice Pentax lenses). So, I decided that a ballet presentation was the place to start. My first outing was, quoting GOB from Arrested Development, '...A HUGE MISTAKE'.

What I did learn that day was that it was a) a great (physical) workout for the ballerinas and for me, b) a great way to practice my photography skills (and to learn new ones), c) practice working under pressure and d) learn that all my investment was for nothing.

I loved a), b) and c) but got bummed out because of d). So, I did what any crazy person with some expendeble money would do, i.e., buy more equipment. I decided to stay with Pentax, mostly because of the SR and the size.

Since then, I've bought the K-7 (already sold it due to very poor high-ISO performance), the K-5 and last year the K-5II, and have the 16-50, 50-135 (this last one is my most used lens but needs servicing because it gets stuck from 90 to 135mm. But I've shot more than 60K photos in 3.5 years with this lens). I was extremely happy with the K-5, except on those ocassions where the lighting was so low, that it didn't even try to focus. The K-5II has been a great addition to my collection in this last respect.

This last month, I shot more than 12,000 frames total. The most difficult scene was one called: La Bayadère. It was interpreted by a local dance company. The lighting was almost non-existent and to make matters worse, they projected image backdrops that also hit the dancers. Horrible stuff. Fortunately, most of the time the dancers didn't move, except the soloist.

One of the most difficult aspects of dance photography is that, unless you've gone to many rehearsals and memorized the dance routines, there's no way to anticipate if you can get away with low ISO + low shutter speed or if you need high shutter speed. Auto settings are simply out of the question. So, you've got to be on your toes all the time, checking your Manual settings. Lights go up and down, sometimes in a semi-strobe like fashion.

Since I try to get as many keepers (sellable) photos as I can, my priority is high-ISO with high shutter speed. In ballet, non blurry-high noise photos are better than blurry-low noise photos. The problem, is finding the optimal settings, quickly, many, many times during a presentation.

Many times, I don't need to go above 3200 ISO to get 1/200s shutter speed. Sometimes I'll try to go to 1/320s, but the slight blur I may get at 1/200s is tolerable. But then, there are times like La Bayadère scene that extreme settings are neccessary. Most of these decisions have to be made in a split second, and most of the time I make the wrong decisions. But, thanks to modern software, and that most people only care that they look better than photos taken from cell phones, I have lot's of room to work with. The only problem I have with the K-5(II) is that 16MP are, many times, not enough.

All in all, I think I've grown enormeously (photographically wise) with these types of events. I've begun to get local recognition and have been published many times in the local paper. Thanks to social networks, many people from many other countries have seen and praised my photos. Well, I only publish on these networks some of my best work, maybe that's why I get praise, but I also upload all the rest of the photos for people to choose and buy.
Only recently have I begun to get the FF bug. I have the D800+70-200 on my amazon shopping cart, but I've hessitated to pull the trigger. It's an important sum of money and the size/weight could be just too much for aching hands and wrists. The high ISO+ 3x the resolution would help me in many situations. But, I think I'll wait and see what Pentax has in store for us this year.
I'd love the stories from other forum menbers. Would appreciate any tips or criticism.
Cheers!

I got away with some usable photos @ ISO 6400 and 1/100s

On the corners of the stage, minimal light was available. I had got away with using ISO 6400 @ 1/60s. I've also had to bump exposure +1 in lightroom

This is when I noticed that I had too slow shutter speed (1/60s @ 6400ISO). Exposure bumped to +0.83 in Lightroom

Notice the horrible projected backdrop on the dancer's faces. I had to go ISO 12,800 so I could get a 1/160s shutter speed. But, that wasn't enough as I needed +1 exposure comp. in Lightroom.

Here's the same photo as the previous, but with no post-processing.

This is from another event. I loved how the K-5II let me focus perfectly in (not extreme) low light, and that I can recover detail from red lights.

This one was taken @ 1600 ISO 1/200s. But I needed +2 exposure comp on Lightroom! Notice the slight blur on the feet. I should've gone to 1/320s. Nevertheless, I'm happy with it, and the dancer was extremely happy with it, also.

Here's the original from the previous photo.

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Gary Martin
Gary Martin Veteran Member • Posts: 5,301
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

Nice work, interesting post. I think you should rent that D800 and 70-200 lens combo before you buy one, I know that it would be on the heavy side for me to use for any length of time. But sometimes you need the right gear for the right job. On the other hand, your work is already good enough to produce happy clients, and even APS-C is going to get better and better at high ISO photography. And the software tools are getting better too, so the good news is that in the long run technology is going to make your job a bit easier. Keep up the good work!

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OP joseluismx Contributing Member • Posts: 673
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

Gary, renting one didn't even cross my mind. That's a very good tip!. I'll see if they'll rent one to a non-USA person.

Thanks!

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Joseph Tainter Forum Pro • Posts: 11,494
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

Good job in a challenging situation.

Joe

Alexander Meredith
Alexander Meredith Senior Member • Posts: 1,045
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

Gary Martin wrote:

Nice work, interesting post. I think you should rent that D800 and 70-200 lens combo before you buy one, I know that it would be on the heavy side for me to use for any length of time. But sometimes you need the right gear for the right job. On the other hand, your work is already good enough to produce happy clients, and even APS-C is going to get better and better at high ISO photography. And the software tools are getting better too, so the good news is that in the long run technology is going to make your job a bit easier. Keep up the good work!

The new Shake Reduction filter in PS CC will also help with some of the blurring....may come to the next version of LR......

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OP joseluismx Contributing Member • Posts: 673
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

I wasn't aware that Photoshop CC had the debluring option. Just saw a video and it looks great. I'll give it a try and see how it fits my needs. There's also this plugin for GIMP that does something similar:

http://refocus-it.sourceforge.net/

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Bernie3 Regular Member • Posts: 186
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

Try keeping the ISO lower and take an underexposed shot and raise it in PP. Here is my image shot at ISO 800, f 8, 1/125 sec no PP. Shot with K-5 and DA 50 -200. First is a jpg of the original raw with no PP, as you can see there is nothing to see. Second is a jpg of the raw after raising exposure +5 in Camera Raw and last is the final image. The downside is the amount of PP required. Probably could be better if I had a noise reduction program.

jpg of the original raw with no PP, as you can see there is nothing to see.

F

jpg of the raw after raising exposure +5 in Camera Raw

ir

Final Image

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Bernie3 Regular Member • Posts: 186
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

The last image didn't download, so

final image

here it is

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OP joseluismx Contributing Member • Posts: 673
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

I've done that kind of PP, mostly due to bad shooting parameters on my part. The only thing bad about that technique is that a) you can't tell if you have good focus and b) blacks tend to look blueish after massive exposure comp.

But I'll give it a try, next time.

Cheers!

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Robert Daley Senior Member • Posts: 1,339
You're in a really tight spot!

First of all - Excellent work! :O)
Second - With the K-5II+DA50-135 - You're totally maxing out what Pentax offers now...

Third - The Nikon D800+their 70-200 f/2.8 is exactly what you need to take your work to the next level - without all that grainy noise and blurring.

Fourth - As soon as you buy the Nikon, Pentax will come out with their FullFrame camera. This is pretty much guaranteed. It's how things work.

Fifth - When Pentax finally comes out with their (our) Full Frame camera - they likely won't have anything to match Nikon's awesome (but very dear) 70-200 f/2.8.

I also shoot some for the local newspaper (high school sports, especially football) with my regular K-5 and DA*50-135 f/2.8 (it's really hit or miss) - and drool over my competition's Nikon D800 and his 70-200 f/2.8. It absolutely blows me away!

Here's the question: Is the move worth $4,500? Puts a lot of distance between you and any future competitors.

More and more...............I say yes it is. If you can afford it, go for it!

Worried about the extra weight?

A good monopod totally, easily and cheaply solves that problem.

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Bob
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'I don't know if we each have a destiny - or if we're just floating around accidental-like on a breeze. Maybe it's both. Maybe both are happening at the same time. I miss you Jenny. If you ever need anything, I won't be far away.' Forrest Gump

OP joseluismx Contributing Member • Posts: 673
Re: You're in a really tight spot!

Thanks for your comments, Robert.

I'm going to think this through. I'll probably make my decision next year. If I do buy a FF, I'll keep my K-5II, for travel and family portraits. I'll also use it as a second camera for professional photos.

Let's hope Pentax offers something awesome in the K-3.

Cheers!

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(unknown member) Contributing Member • Posts: 873
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet
2

You asked for user input. In my photography business, I shoot a lot of ballet and jazz dance. My two K-5 bodies each have 100K+ exposures in less than two years. My practice is to use something wide on one and long on the other.

Studio or Dress Rehearsals: DA12-24/4 and DA 17-70/4 or Tamron 28-752.8

Performances: DA*50-135/2.8 and Sigma 100-300/4 on loose ball head and tripod.

In most theaters, 50mm will barely cover the entire proscenium so 135 is a good zoom range. If I hadn't gotten one of the last new Sigma 100-300/4, I'd have a Pentax 60-250.

Most stages average EV 7 or 8 so I start at f4, ISO 3,200 and 1/320. Depending on the lighting cues and costumes, I'll go up or down a stop or two with ISO. I do not worry about ISO 6,400 or even 12,800. Occasionally, I've shot 25,600. While I may have to vary my Camera Raw defaults and use Noiseware sometimes, I don't understand the problem with high iso. I've taken stuff practically out of camera at 12,800 and been juried into very competitive exhibits. I print 11"x14" a lot and 16"x24" often. Attached are a couple of examples at ISO 6400 or higher but there are lots more on my event hosting site.

I haven't used anything but manual mode in years and only shoot DNGs. Stage lighting, especially the newer led lights play hell with DLSR sensors. Turn the blue and purple saturation in Camera Raw way down.

Regardless of camera brand I'd shoot the same way. As you discovered, its good to know the choreography, lighting, music and dancers.  Learning that has been why my work improves.

Besides my portrait business and dance, I shoot events for a local online publication. I haven't had any problems getting the shot with my gear. I'm sure the other stuff is fine equipment and if I had a need and couldn't do it with what I've got, I'd buy it. Last years gear budget and this years gear budget is almost all lighting. Haven't bought a lens or a body in two years.

ASR45
ASR45 Forum Pro • Posts: 37,343
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

Nice shooting from both at high iso, the last poster excellent.    

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OP joseluismx Contributing Member • Posts: 673
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

Mr. Meyer, great tips! I'll incorporate some of them into my workflow. THANKS!

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Silvarum New Member • Posts: 11
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

You do not NEED high ISO in camera to get faster shutter speed. If you take a picture of the same scene at at 1/160s f/3.2 ISO12800 and 1/160s f/3.2 ISO100 and then bump +7EV in PP you'll get same picture with same SNR. (This will work with cameras, which have ADC with constant read noise, K-5 does have constant read noise).

For the camera itself, amount of noise depends only on the quantity of light your sensor gathers, which is determined only by shutter speed and aperture size. You can see example here or just try it yourself.

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(unknown member) Forum Pro • Posts: 19,317
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

thats a tough call at such low light, cant see the d800 being any better , it might be worst because of shallow dof , all i can advise is getting a  brighter lens say 1.2 50mm 85 1.4 and getting closer to stage and cropping in for close ups, also have you tried lens converters for front of lens as they  dont loose any light with them, they work a treat on bridge cameras but i havnt tried them on my k7 yet.

our dance school hs projected images projected from the back of the stage not the front.

cheers don

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OP joseluismx Contributing Member • Posts: 673
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

Hi, Silvarum.

You do need to bump the ISO that high if you need to check if you're focusing correctly. Other than that, that's a good tip. I'll try it out next time out.

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solarider
solarider Veteran Member • Posts: 4,930
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

I missed this thread until now... Brooke, excellent work - I'd be interested to know more how you do work with lighting, is this all what's built in at the stage or what you must bring along?

Thank you,

Nic

Brooke Meyer wrote:

You asked for user input. In my photography business, I shoot a lot of ballet and jazz dance. My two K-5 bodies each have 100K+ exposures in less than two years. My practice is to use something wide on one and long on the other.

Studio or Dress Rehearsals: DA12-24/4 and DA 17-70/4 or Tamron 28-752.8

Performances: DA*50-135/2.8 and Sigma 100-300/4 on loose ball head and tripod.

In most theaters, 50mm will barely cover the entire proscenium so 135 is a good zoom range. If I hadn't gotten one of the last new Sigma 100-300/4, I'd have a Pentax 60-250.

Most stages average EV 7 or 8 so I start at f4, ISO 3,200 and 1/320. Depending on the lighting cues and costumes, I'll go up or down a stop or two with ISO. I do not worry about ISO 6,400 or even 12,800. Occasionally, I've shot 25,600. While I may have to vary my Camera Raw defaults and use Noiseware sometimes, I don't understand the problem with high iso. I've taken stuff practically out of camera at 12,800 and been juried into very competitive exhibits. I print 11"x14" a lot and 16"x24" often. Attached are a couple of examples at ISO 6400 or higher but there are lots more on my event hosting site.

I haven't used anything but manual mode in years and only shoot DNGs. Stage lighting, especially the newer led lights play hell with DLSR sensors. Turn the blue and purple saturation in Camera Raw way down.

Regardless of camera brand I'd shoot the same way. As you discovered, its good to know the choreography, lighting, music and dancers. Learning that has been why my work improves.

Besides my portrait business and dance, I shoot events for a local online publication. I haven't had any problems getting the shot with my gear. I'm sure the other stuff is fine equipment and if I had a need and couldn't do it with what I've got, I'd buy it. Last years gear budget and this years gear budget is almost all lighting. Haven't bought a lens or a body in two years.

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Petroglyph
Petroglyph Veteran Member • Posts: 6,096
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

I think you're shots are pretty good.  Have you added a denoiser, such as Topaz, to your LR flow.  I use it for any ISO shots with 4 digits or over.  I've even used it on 6D shots with ISO 25600 (I'll see if there is one I can post on the forum).  With Topaz you can probably get away with 12800 on the K5II (just a guess) but that would give you another stop of shutter and it recovers some detail you'll appreciate.  If you decide to go FF choose a Canon 6D (standard ISO range is 100 - 25600) expanded to ISO 102400.  They have the 85mm f/1.2 L (pricey) or the excellent 135mm f/2 L (might be perfect for what you're doing).  On this cam set the min shutter to 1/320 and forget about it (1/640 for basketball).

Cheers.

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OP joseluismx Contributing Member • Posts: 673
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

Petroglyph wrote:

I think you're shots are pretty good. Have you added a denoiser, such as Topaz, to your LR flow. I use it for any ISO shots with 4 digits or over. I've even used it on 6D shots with ISO 25600 (I'll see if there is one I can post on the forum). With Topaz you can probably get away with 12800 on the K5II (just a guess) but that would give you another stop of shutter and it recovers some detail you'll appreciate. If you decide to go FF choose a Canon 6D (standard ISO range is 100 - 25600) expanded to ISO 102400. They have the 85mm f/1.2 L (pricey) or the excellent 135mm f/2 L (might be perfect for what you're doing). On this cam set the min shutter to 1/320 and forget about it (1/640 for basketball).

Cheers.

I use only Lightroom's noise reduction slider. Haven't tried third party denoisers, yet. I'll give them a shot and see if there's significant improvement.

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