DPReview.com is closing April 10th - Find out more

My first attempt at street photography with the Oly 12mm

Started Apr 12, 2013 | Discussions
completelyrandomstuff Regular Member • Posts: 176
Re: I would suggest you check out...

"It takes time and a thick face, but to start try one of the most common tricks to build up your confidence - letting someone walk into your frame.  If you notice some interesting character, dressed in a good colour to add contrast to your picture, etc, just point your camera a little in front of their path and get everything set up right and then just click when the person or persons walked into the right spot of your picture.  People would think you were trying to take a picture of whatever was there before they walked up.  Use zone focusing, a high ISO and get everything ready for the shot, and even take a shot before and/or afterwards to look like you are interested in a shot of the scene and not of them them."

This is an excellent hint.

 completelyrandomstuff's gear list:completelyrandomstuff's gear list
Olympus E-510 Pentax K-30 Olympus PEN E-PM2 Pentax smc DA 16-45mm F4 ED AL Sigma 10-20mm F4-5.6 EX DC HSM +1 more
tgutgu Veteran Member • Posts: 4,134
Re: That's NOT street photography
1

panolympus wrote:

completelyrandomstuff wrote:

give him/her a break, it's the first time. You are unnecessarily mean and provide no constructive criticism.

I was replying to a poster whom was being snooty. Don't know how you could misinterpret that. I think the op did a great job in these photos.

Great job? Come on. The photos are simply random snapshots as it appears, taken on streets. There is no situation depicted, which could make any of the photos interesting to an audience.

The OP wanted to have criticicism, not kind applause for results, which honestly aren't worth presenting. Most of the images are taken from a boring shooting position at eye's height, pointing slightly downwards. Some images have reflections, which disturb the content, and which shows that the OP did not really spend a lot of time before pressing the shutter. The OP should think about being more flexible in its shooting position and more thoughtful about a possible audience, before shooting a scenery. Boring sceneries usually don't make good images, at least when taken like the OP did.

In my image library, none of the images would have been a keeper.

-- hide signature --

Thomas

 tgutgu's gear list:tgutgu's gear list
Panasonic Lumix DMC-GX8 Olympus E-PL7 Olympus E-M1 II Panasonic Lumix DC-G9 Panasonic Lumix G Vario 14-45mm F3.5-5.6 ASPH OIS +31 more
DonSantos Senior Member • Posts: 1,145
Re: I would suggest you check out...

completelyrandomstuff wrote:

"It takes time and a thick face, but to start try one of the most common tricks to build up your confidence - letting someone walk into your frame.  If you notice some interesting character, dressed in a good colour to add contrast to your picture, etc, just point your camera a little in front of their path and get everything set up right and then just click when the person or persons walked into the right spot of your picture.  People would think you were trying to take a picture of whatever was there before they walked up.  Use zone focusing, a high ISO and get everything ready for the shot, and even take a shot before and/or afterwards to look like you are interested in a shot of the scene and not of them them."

This is an excellent hint.

Good advise.  I have some more.

Personally I find if you are not confident then most of your shots will look like spy/paparazzi shots and feel distant.

Here are some rules I live by.

1.  Just go ahead and just do it (even if it's in their face).  If they object.  Then apologize and delete the picture in front of them.

2.  Dont' take pictures of other people's children without asking permission

3.  Sometimes asking people will result in a better photo than sneaking it.

4.  find a good background/composition then wait for the action to come to you.  This take patience.

 DonSantos's gear list:DonSantos's gear list
Fujifilm X100S Nikon D600 Sony a7 Voigtlander 40mm F1.4 Nokton Classic Nikon AF-S Nikkor 50mm F1.8G +3 more
panolympus Regular Member • Posts: 169
Re: That's NOT street photography

tgutgu wrote:

panolympus wrote:

completelyrandomstuff wrote:

give him/her a break, it's the first time. You are unnecessarily mean and provide no constructive criticism.

I was replying to a poster whom was being snooty. Don't know how you could misinterpret that. I think the op did a great job in these photos.

Great job? Come on. The photos are simply random snapshots as it appears, taken on streets. There is no situation depicted, which could make any of the photos interesting to an audience.

The OP wanted to have criticicism, not kind applause for results, which honestly aren't worth presenting. Most of the images are taken from a boring shooting position at eye's height, pointing slightly downwards. Some images have reflections, which disturb the content, and which shows that the OP did not really spend a lot of time before pressing the shutter. The OP should think about being more flexible in its shooting position and more thoughtful about a possible audience, before shooting a scenery. Boring sceneries usually don't make good images, at least when taken like the OP did.

In my image library, none of the images would have been a keeper.

Great is a bit strong. I was speaking more on the op's courage nonetheless. Your comment is quite helpful though, more than mine for sure, so thanks Thomas, I'll be looking forward to hearing more of your reviews.

zkz5
zkz5 Contributing Member • Posts: 665
I love 12mm but...

That lens has become one of my favorites (some of my own shots with it ). I always have it with me.

In general I think your photos with it are too cluttered, have too much unused space in the frame and lack a focus. Some of the shots just would just be better suited to a narrower angle.

You have to pay close attention to what's in the frame and camera position when you're using a lens like this. Tiny changes in camera position make a big difference in the result. And usually you want to get close to something.

Some ideas on these:

The root beer float: get the end of the straw in the frame and get as close to it as possible. Position camera higher so the table is all that is in the background.

The wind chime: put the camera underneath it and look up, maybe. Focus on the tip of one of the blades and get close to it.

The shoes: get as close as possible to the one on the corner and focus on it.

Bobble head doll: get closer, center the whole shot and lose the kleenex box.

Some general wide angle lens advice: http://www.kenrockwell.com/tech/how-to-use-ultra-wide-lenses.htm

Keyboard shortcuts:
FForum MMy threads