>>> Street Photography eXchange #38 <<<
SPX is a place to post examples of your recent street photographs for feedback, discussion and critical appreciation.
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The street photography we love encompasses a wide variety of styles and subjects, but usually centers on spontaneous shots of people in public. You can emphasize personalities and expressions, momentary juxtapositions, form, composition, color; you can record life as it is lived, or flashes of the surreal, or moments of transcendence. Among the pioneers of the genre are Henri Cartier-Bresson; Helen Levitt; Robert Frank; Garry Winogrand; Mary Ellen Mark; and certainly many more. Street photography would not be what it is today without them, and no doubt is on its way to becoming something else again, with your help.
This is intended as an serial, ongoing thread, and will be replaced whenever the 150 post limit is approached; past threads will be numbered and linked in the current active thread.
As a continuous feature, the goal is to sustain an ongoing discussion and exchange of ideas and inspiration about street photography, as well as to get to know other photographers a little better. Everybody with an interest in SP is welcome to post photos, write comments and critiques, or just to lurk; please don’t be shy about participating in whichever and however many ways you like! But, posting your own photos helps people to understand where your comments are coming from, and commenting on other’s work can help us to see where your own pictures are coming from... so we hope you decide to do both.
SPX is an excellent place to share your latest favorite shot, the beginnings of your newest project, the discovery of a new approach to making the shots you want to make. Sharing works in progress, as opposed to completed portfolios, is encouraged; you can expect some genuine, hard, but positive critique here, and commenters will be able to fulfill that expectation better if you post no more than 1-3 photos at a time.
poem by Rainer Maria Rilke
The Man Watching
I can tell by the way the trees beat, after
so many dull days, on my worried windowpanes
that a storm is coming,
and I hear the far-off fields say things
I can’t bear without a friend,
I can’t love without a sister.
The storm, the shifter of shapes, drives on
across the woods and across time,
and the world looks as if it had no age:
the landscape like a line in the psalm book,
is seriousness and weight and eternity.
What we choose to fight is so tiny!
What fights with us is so great!
If only we would let ourselves be dominated
as things do by some immense storm,
we would become strong too, and not need names.
When we win it’s with small things,
and the triumph itself makes us small.
What is extraordinary and eternal
does not want to be bent by us.
I mean the Angel who appeared
to the wrestlers of the Old Testament:
when the wrestler’s sinews
grew long like metal strings,
he felt them under his fingers
like chords of deep music.
Whoever was beaten by this Angel
(who often simply declined the fight)
went away proud and strengthened
and great from that harsh hand,
that kneaded him as if to change his shape.
Winning does not tempt that man.
This is how he grows: by being defeated, decisively,
by constantly greater beings.
trans. from original German by Robert Bly
I posted these elsewhere but I now find this is the appropriate place thank you Xtoph.
without further comment here are the few I posted elswhere by mistake.
in addition to these some old some new I have a color version of this one
sorry I got them in the wrong place before
John aka bosjohn21
It's a shot that can be interpreted in many ways. Perhaps the man is horseplaying with his son? Or another friend? Or maybe a real fight (though the body language does not convince me it is.) There is a starkness to the entire scene. Thought-provoking and unusual photo, Chris.
The poem is great, works well with the photo.
Sounds like a great project. The first two work for me - specially the second one. Lots of potential to explore this theme (if you have not already done so...)
very nice to hear from you again!
these first two make a nice pair, john, as i see you can tell. i like the blue bg in the second one, but the expression is so strong in the first that it probably has more impact.
this one i may prefer in color, but either way it looks a little stretched out to me--probably just a skinny woman, but all those vertical lines exaggerate the impression.
i think you may recall that i liked both these shots. fwiw, film scans can be difficult to sharpen for the web at full scan resolution (where the grain interferes), but if you selectively re-sharpen at the display size, you usually get a better result.
but then, you know that they say about sharpness--it's never been of great concern to me. i think the attitude and emotion show through both of these as is.
I like all of them but I find the second one stands out. There is something sublime about it. I tried cropping off the shirtsleeve on the left and it worked even better for me.
Lots of things going one here, Sal, a nice shot that tells a story. I like the dogs and the man's head. The converging lines are a nice touch.
i've always thought people smoking were an almost irresistible photo subject. i like the medium-far distance you have shot from in many of these; it gives a more complex scene, yet you manage to have the cigarettes visible enough to read also.
the second one probably works best for me.
a couple of smokin' pics in reply:
the figures fit together in the space beautifully, still. makes sense as bw, of course, and the conversion is strong.
and poignant as the death notice pictures are, this is a bit more fun, don't you think? : )
you have penchant for shooting your subjects against really busy backgrounds to the point they almost disappear. While usually this would not be good you have somehow made not just the smoker the subject but the entire frame the subject which seems to be making a very strong statement about smoking, Some nice imagery
John aka bosjohn21