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18-135 IS STM on a 650D... Is it worth getting a higher end lens?

Started Mar 19, 2013 | Questions
MathieuR New Member • Posts: 2
18-135 IS STM on a 650D... Is it worth getting a higher end lens?

Hi everyone,

I recently purchased the 650D (t4i) and got the kit with 18-135 IS STM lens. I have been shooting with it for a while and I am pretty satisfied with it. However, as anyone else I would like to be able able to get those sharper and more brilliant pictures with the smooth blurry background.

Will upgrading my kit lens to a mid-to-high range zoom such as the TAMRON 24-70 f\2.8 or Canon 24-105 f\4L really create a noticeable difference in the parameters I expressed above? Alternately, is the APS-C format or the 650D itself such a limiting factor that only a f\1.x prime would really bring something new to my pics (I have the Canon 50mm f\1.8 II but I sharpness s really not improved over the kit lens... background blurring is pretty good though).

I am confident I read all the reviews on the Tamron published to this date, but I couldn't really figure out the answer to my problem.

Oh and I would love to just be able to go out and rent the Tamron to try it out... but there is nothing available around here

Matt

MAC Forum Pro • Posts: 18,502
Re: 18-135 IS STM on a 650D... Is it worth getting a higher end lens?

Hi everyone,

I recently purchased the 650D (t4i) and got the kit with 18-135 IS STM lens. I have been shooting with it for a while and I am pretty satisfied with it. However, as anyone else I would like to be able able to get those sharper and more brilliant pictures with the smooth blurry background.

Will upgrading my kit lens to a mid-to-high range zoom such as the TAMRON 24-70 f\2.8 or Canon 24-105 f\4L really create a noticeable difference in the parameters I expressed above? Alternately, is the APS-C format or the 650D itself such a limiting factor that only a f\1.x prime would really bring something new to my pics (I have the Canon 50mm f\1.8 II but I sharpness s really not improved over the kit lens... background blurring is pretty good though).

I am confident I read all the reviews on the Tamron published to this date, but I couldn't really figure out the answer to my problem.

Oh and I would love to just be able to go out and rent the Tamron to try it out... but there is nothing available around here

Matt

wrong move to get FF lenses like that.

keep your eyes on the new sigma 30 f1.4 art

I have the 100L which is really great on the T4i

A 50 F1.4 is good choice.

 MAC's gear list:MAC's gear list
Canon EOS 7D Mark II Canon EOS RP Canon EOS M6 II Canon EOS R8 Canon EF 70-200mm f/2.8L USM +7 more
007peter
007peter Forum Pro • Posts: 12,933
Keep your 18-135 STM + 50 f/1.8 combo

I would strongly advice you to keep 18-135mm STM + 50mm f/1.8 combo.

STM is very useful for smooth video transition in focus pulling.  While Canon USM are faster, that quick AF makes for jerky video transition, that is why smooth manual focusing is prefer over traditional AF with usm lens.

50mm f/1.8 is actually sharper than 50mm f/1.4 wide open.  50/1.4 also need to be step down to f/2.2 to avoid halation and softness wide open.  The trouble is that bokeh highlight has an obvious octagon shape @f/2.2.

An expensive 24-70 f/2.8 zoom won't give you much more subject-to-background isolation as your 50mm f/1.8.  Comparing 70@f/2.8 vs 50@f1.8, I take 50f/1.8 for portrait any day.

You're better off invest in a real portrait prime like 85mm f/1.8, 100mm f/2, or 135mm f2L

 007peter's gear list:007peter's gear list
Panasonic Lumix DMC-GF6 Panasonic 20mm F1.7 II
MAC Forum Pro • Posts: 18,502
Re: Keep your 18-135 STM + 50 f/1.8 combo

I would strongly advice you to keep 18-135mm STM + 50mm f/1.8 combo.

STM is very useful for smooth video transition in focus pulling. While Canon USM are faster, that quick AF makes for jerky video transition, that is why smooth manual focusing is prefer over traditional AF with usm lens.

50mm f/1.8 is actually sharper than 50mm f/1.4 wide open. 50/1.4 also need to be step down to f/2.2 to avoid halation and softness wide open. The trouble is that bokeh highlight has an obvious octagon shape @f/2.2.

An expensive 24-70 f/2.8 zoom won't give you much more subject-to-background isolation as your 50mm f/1.8. Comparing 70@f/2.8 vs 50@f1.8, I take 50f/1.8 for portrait any day.

You're better off invest in a real portrait prime like 85mm f/1.8, 100mm f/2, or 135mm f2L

isn't octa better than penta?

also what about this?

http://www.dpreview.com/lensreviews/widget/Fullscreen.ashx?reviews=24,26&fullscreen=true&av=1,1.667&fl=50,50&vis=VisualiserSharpnessMTF,VisualiserSharpnessMTF&stack=horizontal&&config=/lensreviews/widget/LensReviewConfiguration.xml%3F4

 MAC's gear list:MAC's gear list
Canon EOS 7D Mark II Canon EOS RP Canon EOS M6 II Canon EOS R8 Canon EF 70-200mm f/2.8L USM +7 more
Texchappy Contributing Member • Posts: 598
Re: Keep your 18-135 STM + 50 f/1.8 combo
1

I'm new to the Canon lensoverse but as a general rool I'd say that you've got a good starting combo there.  I'd shoot that combo until you feel that the lenses you have limit your photography.

 Texchappy's gear list:Texchappy's gear list
Fujifilm X100F Fujifilm X-Pro1 Canon EOS Rebel T4i Canon EOS R6 Fujifilm XF 18mm F2 R +10 more
Limburger
Limburger Veteran Member • Posts: 7,841
Re: 18-135 IS STM on a 650D... Is it worth getting a higher end lens?

MAC wrote:

Hi everyone,

I recently purchased the 650D (t4i) and got the kit with 18-135 IS STM lens. I have been shooting with it for a while and I am pretty satisfied with it. However, as anyone else I would like to be able able to get those sharper and more brilliant pictures with the smooth blurry background.

Will upgrading my kit lens to a mid-to-high range zoom such as the TAMRON 24-70 f\2.8 or Canon 24-105 f\4L really create a noticeable difference in the parameters I expressed above? Alternately, is the APS-C format or the 650D itself such a limiting factor that only a f\1.x prime would really bring something new to my pics (I have the Canon 50mm f\1.8 II but I sharpness s really not improved over the kit lens... background blurring is pretty good though).

I am confident I read all the reviews on the Tamron published to this date, but I couldn't really figure out the answer to my problem.

Oh and I would love to just be able to go out and rent the Tamron to try it out... but there is nothing available around here

Matt

wrong move to get FF lenses like that.

keep your eyes on the new sigma 30 f1.4 art

I have the 100L which is really great on the T4i

A 50 F1.4 is good choice.

I agree.

A combo I use is Canon 15-85 with Canon 70-200 f4 L.

And for blurryness and bokeh the new Sigma 30 f1.4 A appears to be great, not used myself though.

-- hide signature --

Cheers Mike

 Limburger's gear list:Limburger's gear list
Fujifilm FinePix X100 Canon EOS 7D Sony a7 Canon EF-S 15-85mm f/3.5-5.6 IS USM Canon EF 70-200mm F4L USM +3 more
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